New York Bay, from Bay Ridge, L.I.
In this bucolic scene of life on Long Island, a man drives a horse-drawn carriage with two women passengers away from a large house set amid its tree-dotted property sited on the waterfront of New York Bay. On the lawn at right, a man on a ladder picks apples from a tree. In the background is a sweeping panorama of ships on the bay and the far shores extending from Bedlows Island (far left), to Jersey City and Hoboken on the New Jersey shore (center), to lower Manhattan (far right). The artist Frances Palmer has created a captivating picture of New York scenery that would appeal to both urban and country collectors.
Nathaniel Currier, who established a successful New York-based lithography firm in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life. Expansion led, in 1857, to a business partnership with James Merritt Ives (1824–1895), a skilled accountant, who was the brother-in-law of Nathaniel's brother Charles. People eagerly acquired Currier & Ives lithographs, such as those featuring spectacular American landscapes, or rural and city views, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments.
Frances (Fanny) Palmer immigrated to New York from England in 1844. Already an accomplished artist and printmaker, Fanny and her husband Seymour operated a small print-shop in lower Manhattan until 1849, when the couple moved to Brooklyn. Nathaniel Currier began to buy print designs from Palmer around this time, and she became a staff artist for Currier & Ives after 1857. As a designer able to transfer images to lithographic stones for printing, Palmer produced more than 200 prints for the firm and today is regarded as a leading woman lithographer of the period. Although it was unusual for a woman to achieve such prominence in a printing firm, Palmer filled an important role for Currier and Ives firm, as she created the firm's best landscapes and most engaging scenes of daily life.
Nathaniel Currier, who established a successful New York-based lithography firm in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life. Expansion led, in 1857, to a business partnership with James Merritt Ives (1824–1895), a skilled accountant, who was the brother-in-law of Nathaniel's brother Charles. People eagerly acquired Currier & Ives lithographs, such as those featuring spectacular American landscapes, or rural and city views, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments.
Frances (Fanny) Palmer immigrated to New York from England in 1844. Already an accomplished artist and printmaker, Fanny and her husband Seymour operated a small print-shop in lower Manhattan until 1849, when the couple moved to Brooklyn. Nathaniel Currier began to buy print designs from Palmer around this time, and she became a staff artist for Currier & Ives after 1857. As a designer able to transfer images to lithographic stones for printing, Palmer produced more than 200 prints for the firm and today is regarded as a leading woman lithographer of the period. Although it was unusual for a woman to achieve such prominence in a printing firm, Palmer filled an important role for Currier and Ives firm, as she created the firm's best landscapes and most engaging scenes of daily life.
Artwork Details
- Title: New York Bay, from Bay Ridge, L.I.
- Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
- Publisher: Currier & Ives (American, active New York, 1857–1907)
- Date: 1860
- Medium: Hand-colored lithograph with gum arabic additions
- Dimensions: Image: 14 13/16 × 20 3/16 in. (37.7 × 51.2 cm)
Image with text: 16 9/16 × 20 3/16 in. (42 × 51.2 cm)
Sheet: 18 1/16 in. × 24 in. (45.8 × 61 cm) - Classification: Prints
- Credit Line: Bequest of Adele S. Colgate, 1962
- Object Number: 63.550.296
- Curatorial Department: Drawings and Prints
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
After Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
1866
Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
1849–56
Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
1849–56
After Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
1849
Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
1849–56
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.