Trompe l’Oeil

The French term trompe l’oeil, “fool the eye,” was coined in 1800 by none other than Boilly, whose visual deceptions attracted and astonished crowds. This painting on marble functions as an actual tabletop and simulates the look of recently emptied pockets. The piece was likely commissioned by the addressee on the envelope, “Monsieur Pourtalès,” a member of the Neuchâtel banking family, which accounts for the array of Swiss coins. Boilly flattered his patron by including his portrait miniature, with the glass cover coyly removed and set aside for all to “see.” The inclusion also shows off the artist’s own talent—and thriving business—in portraiture. Boilly left behind a few of his business cards, bearing the address of and directions to his studio.