"May"
Dior reveled in the paradox of the natural and the sophisticated. The most telling example is his frequent self-presentation, not as a man who symbolized the authority of French taste, but rather as a simple gardener, farmer, and mill owner.
In "May," flowering grasses and wild clover are rendered in silk floss on organza. This "simple" patterning of meadow-gone-to-weed is composed of the tiniest French knots and the meticulously measured stitches of the hand embroiderer, suggesting that for Dior, it was not only that beauty resides in the most rustic, but also that the most successful artifice is a beguiling naivété.
In "May," flowering grasses and wild clover are rendered in silk floss on organza. This "simple" patterning of meadow-gone-to-weed is composed of the tiniest French knots and the meticulously measured stitches of the hand embroiderer, suggesting that for Dior, it was not only that beauty resides in the most rustic, but also that the most successful artifice is a beguiling naivété.
Artwork Details
- Title: "May"
- Design House: House of Dior (French, founded 1946)
- Designer: Christian Dior (French, Granville 1905–1957 Montecatini)
- Date: spring/summer 1953
- Culture: French
- Medium: silk
- Credit Line: Gift of Mrs. David Kluger, 1960
- Object Number: C.I.60.21.1a, b
- Curatorial Department: The Costume Institute
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Multiple artists/makers
fall/winter 1961–62
House of Dior
Marc Bohan
1980s
House of Dior
Christian Dior
spring/summer 1955
House of Dior
Gianfranco Ferré
spring/summer 1993
House of Dior
Gianfranco Ferré
1990–97
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