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L'Homme à la pipe

Sitter Marcellin Desboutin French
1879
Not on view
Desboutin was broke when he arrived in Paris in 1872. He quickly turned to printmaking, specializing in portraits of his contemporaries, which earned him from one to two hundred francs each. This life-size self-portrait, unusually large and heavily worked, presents the artist as a bohemian, an image already established by Edouard Manet in a full-length portrait of 1875 (Museu de Arte de São Paulo). Here, rather than representing himself with the traditional tools of his trade, he holds a pipe as his only accessory. He gazes directly over his shoulder; his disheveled hair is barely contained under his cap. Recognized by many as Desboutin’s masterpiece, this print was awarded a third-class medal at the Salon of 1879 and a medal of honor at the 1900 Paris Exposition Universelle.

Artwork Details

Object Information
  • Title: L'Homme à la pipe
  • Artist: Marcellin Desboutin (French, Cérilly 1823–1902 Nice)
  • Sitter: Marcellin Desboutin (French, Cérilly 1823–1902 Nice)
  • Date: 1879
  • Medium: Etching, drypoint, and roulette
  • Dimensions: Sheet: 26 7/8 × 20 13/16 in. (68.2 × 52.9 cm)
    Plate: 17 15/16 × 14 7/8 in. (45.5 × 37.8 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1922
  • Object Number: 22.63.106
  • Curatorial Department: Drawings and Prints
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Portrait of the photographer Lochard, Marcellin Desboutin  French, Drypoint; first state of two
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Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
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by 1818 (possibly 1814–18)
Portrait of Charles Hayem, Marcellin Desboutin  French, Drypoint; first state of three
Marcellin Desboutin
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Dedicatee Edgar Degas
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Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin  French, Watercolor and graphite on off-white wove paper, American
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