Art/ Collection/ Art Object

Evening dress

Henriette Favre
silk, sequins
Credit Line:
Gift of Miss Irene Lewisohn, 1937
Accession Number:
Not on view
Introduced around 1900, the S-curve silhouette was the result of ongoing controversy about the health effects of corsets. The "health" corset which was the base of this silhouette was designed to take pressure off the waist by shifting the force of the corset down onto the abdomen through the use of a straight center-front busk. The result of the innovation was to throw the chest forward and the derriere backwards into an almost birdlike configuration. Adding to this impression was the "monobosom" wherein support for the breasts corralled them into a low-slung single mass of flesh that was covered in day wear, but on display at night. Further emphasizing the S-curve, fabric in the front of the dress fell straight to the ground but was gathered over the back of the dress, adding greater mass over the pushed-out buttocks.
Marking: [label] (inside belt) "Henriette Favre, Rue de La Paix, 5"
The Metropolitan Museum of Art. "Dress Rehearsal," August 1, 2001–October 28, 2001.

The Metropolitan Museum of Art. "La Belle Epoque," December 6, 1982–September 4, 1983.

The Metropolitan Museum of Art. "WILD: Fashion Untamed," December 7, 2004–March 13, 2005.

Museum of Costume Art. "Color Through The Decades & Costumes and Accessories Worn by Queen Alexandra of England," February 25, 1941–June 21, 1941.

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