Crippled Jane, from "Picture Poesies"
Houghton's represents a woman and her ailing daughter seated on the shaded steps of a house near the sea, sadly watching a line of children march off into a sunny landscape to play. The image first appeared in "Home Thoughts and Home Scenes" (1865), engraved by the Dalziel Brothers and published by Routledge. It here was reissued in "Picture Poesies" (1874) to illustrate a poem by Caroline Norton. The scholar Forrest Reid has pointed to unsettling elements in Houghton's images of children in "Home Thoughts and Home Scenes." Works that at first glance seem to celebrate middle class domesticity often contain bizarre or disturbing details that point to darker levels of the human psyche as revealed in the play of children.
Crippled Jane
They said she might recover, if we sent her down to the sea,
But that is for rich men's children, and we knew it could not be:
So she lived at home in the Lincolnshire Fens, and we saw her, day by day,
Grow pale, and stunted, and crooked; till her last chance died away.
And now I'm dying, and often, when you thought that I moaned with pain,
I was moaning a prayer to Heaven, and thinking of Crippled Jane.
Folks will be kind to Jonny, his temper is merry and light;
WIth so much love in his honest eyes, and a sturdy sense of right.
And no one could quarrel with Susan; so pious, and meek, and mild,
And nearly as wise as a woman, for all she looks such a child!
But Jane will be weird and wayward; fierce, and cunning, and hard;
She won't believe she's a burden, be thankful, nor wine regard--
God have mercy upon her; God be her guard, and guide;
How will strangers bear with her, when, at times even I felt tried?
When the ugly smile of pleasure goes over her sallow face,
And the feeling of health for an hour, quickens her languid pace;
When with dwarfish strength she rises, and plucks, with selfish hand,
The busiest person near her, to lead her out on the land:
Or when she sits in some corner; no one's companion or care,
Huddled up in some darksome passage, or rouched on a step of the stair;
While far off the children are playing, and the birds singing louch in the sky,
And she looks through the cloud of her headache, to scowl at the passers-by,
I die--God have pity upon her--how happy rich men must be!--
For they say she might have recovered--if we sent her down to the sea.
Crippled Jane
They said she might recover, if we sent her down to the sea,
But that is for rich men's children, and we knew it could not be:
So she lived at home in the Lincolnshire Fens, and we saw her, day by day,
Grow pale, and stunted, and crooked; till her last chance died away.
And now I'm dying, and often, when you thought that I moaned with pain,
I was moaning a prayer to Heaven, and thinking of Crippled Jane.
Folks will be kind to Jonny, his temper is merry and light;
WIth so much love in his honest eyes, and a sturdy sense of right.
And no one could quarrel with Susan; so pious, and meek, and mild,
And nearly as wise as a woman, for all she looks such a child!
But Jane will be weird and wayward; fierce, and cunning, and hard;
She won't believe she's a burden, be thankful, nor wine regard--
God have mercy upon her; God be her guard, and guide;
How will strangers bear with her, when, at times even I felt tried?
When the ugly smile of pleasure goes over her sallow face,
And the feeling of health for an hour, quickens her languid pace;
When with dwarfish strength she rises, and plucks, with selfish hand,
The busiest person near her, to lead her out on the land:
Or when she sits in some corner; no one's companion or care,
Huddled up in some darksome passage, or rouched on a step of the stair;
While far off the children are playing, and the birds singing louch in the sky,
And she looks through the cloud of her headache, to scowl at the passers-by,
I die--God have pity upon her--how happy rich men must be!--
For they say she might have recovered--if we sent her down to the sea.
Artwork Details
- Title: Crippled Jane, from "Picture Poesies"
- Artist: After Arthur Boyd Houghton (British (born India), Madras 1836–1875 London)
- Engraver: Dalziel Brothers (British, active 1839–93)
- Author: Related author Caroline Elizabeth Sarah Norton (British, London 1808–1877)
- Publisher: George Routledge & Sons, London
- Date: first published 1865, reissued 1874
- Medium: Wood engraving
- Dimensions: Image: 7 in. × 5 1/8 in. (17.8 × 13 cm)
Sheet: 9 3/4 × 7 11/16 in. (24.7 × 19.5 cm) - Classification: Prints
- Credit Line: Gift of Wilbur Macey Stone, 1921
- Object Number: 21.94.1(34)
- Curatorial Department: Drawings and Prints
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