’Emangungu (initiation mask)

Late 19th–early 20th century
Not on view
Defined by crescent shaped eyes inset within wide hollows highlighted by kaolin, ’emangungu masks were performed during butende bwa ’eluba circumcision rites. Immediately following circumcision, a young boy wore only a small apron known as a bilemba. Once his wounds were healed, he received a large masambwa costume made of dried banana leaves, strips of banana tree bark, and other grasses, surmounted by an ’emangungu. The complete ensemble covered the head and body and disguised the wearer’s identity as he visited villages in search of food during a period of seclusion. Formally and thematically related to the ibulu lya ’alunga helmet mask, the ’emangungu distils that three-dimensional form into a narrow plank. The prominent eyes featured in both masks, further emphasized by a second crescent-shaped hollow in this example, reference an ancient forest spirit known as m’ma mwitu, associated with wisdom and clairvoyance. That advanced sight aided and protected boys during a vulnerable moment when they transitioned into sexually mature young adults.




’Emangungu and their associated rites had declined significantly by the mid-twentieth century. When researching Bembe masking traditions in the 1950s and 1960s, anthropologist Daniel Biebuyck recorded that “only a small number of Bembe groups use ’emangungu,” among them the Bahese.

Artwork Details

Object Information
  • Title:
    ’Emangungu (initiation mask)
  • Artist:
    Bembe artist
  • Date:
    Late 19th–early 20th century
  • Geography:
    Democratic Republic of the Congo, South Kivu province
  • Culture:
    Bembe peoples
  • Medium:
    Wood, metal, pigment
  • Dimensions:
    H. 18 x W. 6 3/4 x D. 3 1/8 in. (H. 45.7 x W. 17.1 x D. 7.9 cm)
  • Classification:
    Wood-Sculpture
  • Object Number:
    2025.807.3
  • Curatorial Department: The Michael C. Rockefeller Wing

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback