Returned to lender The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.
Print of a Free Man
Louis Darcis French
Louis Simon Boizot French
Not on view
Boizot designed this print, the accompanying Print of a Free Woman, and the corresponding porcelain group in 1794, the year France abolished slavery following the insurrection of enslaved persons in Saint-Domingue (present-day Haiti). They depict a free Black woman and man respectively adorned with a level and Phrygian cap, symbols of equality and liberty associated with the French Revolution. The inscriptions that accompany the figures express claims to equality and freedom in grammatically inaccurate French, "Moi égale à toi. Moi libre aussi" (Me equal to you. Me also free), reflecting the perceived difference between formerly enslaved people and French citizens. Black women and men are thus represented as subjects of a racially specific freedom, not as equal participants in the French nationalist project of liberty. While Haiti remained free, Napoleon Bonaparte restored slavery in France’s other West Indian colonies in 1802.
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