Cologne Bottle with Encrusted Antislavery Image
Returned to lender
This work of art was on loan to the museum and has since been returned to its lender.In 1787, the Wedgwood ceramics firm issued a cameo medallion featuring a kneeling and shackled Black man with the inscription, "Am I not a man and a brother?" After its adoption as the seal of the London-based Society for Effecting the Abolition of the Slave Trade, the image became an emblem of the antislavery movements in Britain, France, and the United States. Proliferating in printed abolitionist literature, it also appeared on a wide range of consumer goods including the carved gemstone seal depicting a kneeling Black woman with the reworked phrase, "Am I not a woman and a sister?" which also appears in this exhibition. Despite the successes of the antislavery movement, the ubiquity of the motif of the kneeling and beseeching Black figure cemented associations between Blackness, slavery, and subservience. Similar associations emerge in Carpeaux’s Why Born Enslaved!, which also pairs a bound Black figure with a petitioning inscription.
Artwork Details
- Title: Cologne Bottle with Encrusted Antislavery Image
- Manufacturer: Apsley Pellatt
- Date: ca. 1830
- Culture: British
- Medium: Blown and cut glass with encased sulphide
- Dimensions: H. 6 in. (15.2 cm), W. 4 in. (10.2 cm), D. 2 3/4 in. (7 cm)
- Classification: Glass
- Credit Line: Minneapolis Institute of Art, Gift of the Decorative Arts Council (2001.40a, b)
- Curatorial Department: European Sculpture and Decorative Arts