the artist, Woodstock, N. Y. (1973–d. 1980); his widow, Musa Guston, Woodstock, N. Y. (1980–d. 1992); their daughter, Musa Guston Mayer, New York (from 1992; her promised gift to MMA)
Modern Art Museum of Fort Worth. "Philip Guston Retrospective," March 30–June 8, 2003, no. 86.
San Francisco Museum of Modern Art. "Philip Guston Retrospective," June 28–September 27, 2003, no. 86.
New York. The Metropolitan Museum of Art. "Philip Guston Retrospective," October 28, 2003–January 4, 2004, no. 86.
London. Royal Academy of Arts. "Philip Guston Retrospective," January 24–April 12, 2004, no. 86.
Santa Monica Museum of Art. "Enigma Variations: Philip Guston and Giorgio de Chirico," September 9–November 25, 2006, unnumbered cat. (pl. 1).
Rome. Museo Carlo Bilotti. "Philip Guston: Roma," May 26–September 5, 2010, no. 44.
Venice. Gallerie dell'Accademia. "Philip Guston and the Poets," May 10–September 3, 2017, unnumbered cat. (p. 177).
Museum of Fine Arts, Boston. "Philip Guston Now," May 1–September 11, 2022 (pl. 144).
New York. The Metropolitan Museum of Art. "Philip Guston: What Kind of Man Am I?," May 25–August 1, 2023, no catalogue (lent by Musa Guston Mayer).
Andreas Baur. 5000 Jahre Moderne Kunst Painting Smoking Eating. Exh. cat., Villa Merkel, Galerien der Stadt Esslingen. Nuremberg, , ill. p. 73.
Kosme Maria de Barañano inPhilip Guston: One-Shot-Painting/De Un Solo Aliento. Exh. cat., IVAM / Institut Valencia d'Art Modern. [Valencia], 2001, pp. 22–23, ill. p. 23 (color, the artist's studio).
Mario Naves. "Guston, Vindicated Underdog, A Man Who Changed His Mind." New York Observer (November 17, 2003), p. 18.
Michael Kimmelman. "Anxious Liberator of an Era's Demons." New York Times (October 31, 2003), ill. p. E37 (color).
Donald Kuspit. "Philip Guston's Self-Doubt." artnet.com/magazine. December 4, 2003, ill. (color).
Daniel Kunitz. "The Three Faces of Philip Guston." New York Sun (October 30, 2003).
Nicole Krauss. "The First Painter after the Last." Modern Painters 16 (Winter 2003), p. 89.
Joseph J. Rishel inPhilip Guston Retrospective. Exh. cat., Modern Art Museum of Fort Worth. Fort Worth, 2003, p. 75, fig. 17 and colorpl. 86.
"Philip Guston: Abstract Expressionism's Provocative Pioneer and Ultimate Critic." USA Today (West Babylon, N.Y.) (November 2003), ill. p. 46 (color).
Janet Kutner. "Bold Strokes: Modern of Fort Worth Provides Grand Setting for Philip Guston's Daring Canvases." Dallas Morning News (March 30, 2003), p. 1C.
Jane Harris. "No Satisfaction: Philip Guston's Lifelong Frustration With Painting Makes for Thrilling Viewing at The Met." Time Out New York (December 18, 2003–January 1, 2004), p. 107, ill.
Raphael Rubinstein. "Philip Guston: Some Thoughts." Art in America 92 (March 2004), p. 84, ill. p. 88 (color).
Donald E. Sloan. "'Why not revolution?': The John Reed Club and Visual Culture." PhD diss., University of Kansas, 2004, p. 163, fig. 90.
Michael R. Taylor inEnigma Variations: Philip Guston and Giorgio de Chirico. Exh. cat., Santa Monica Museum of Art. Santa Monica, 2006, p. 27, colorpl. 1.
Tom Allen. "The Soothsayer’s Recompense." X-TRA Contemporary Art Quarterly 9 (Summer 2007), p. 35.
Marcus Weber and Andreas Baur in5000 Jahre Moderne Kunst Painting Smoking Eating. Exh. cat., Villa Merkel, Galerien der Stadt Esslingen. Nürnberg, 2008, fig. 1.
Mark W. Scala, ed. Paint Made Flesh. Exh. cat., Frist Center for the Visual Arts. Nashville, 2009, ill. p. 22 (color).
Michael Taylor inGiorgio de Chirico: La fabrique des rêves. Exh. cat., Musée d'Art Moderne de la Ville de Paris. Paris, 2009, p. 261, ill. p. 262.
Gallien Dejean inGiorgio de Chirico: La fabrique des reves. Exh. cat., Musée d'Art Moderne de la Ville de Paris. Paris, 2009, ill. pp. 60–61 (color).
Edoardo Sassi. "Guston, tonalita in rosa." Corriere della Sera (June 4, 2010), ill. p. 17 (color).
Peter Benson Miller inPhilip Guston: Roma. Ed. Peter Benson Miller. Exh. cat., Museo Carlo Bilotti, Rome. Ostfildern, 2010, pp. 23–25, 27, 33, no. 44, ill. p. 211 (color).
Peter Benson Miller. "Philip Guston Roma." Phillips Collection Magazine (Winter 2011), ill. p. 10 (color).
Philip Kennicott. "Art Reviews: 'Philip Guston, Roma' and 'David Smith Invents' at the Phillips." washingtonpost.com. February 11, 2011, ill. (color).
Sebastian Smee. "Telling Vivid Stories with a Paintbrush." Boston Globe (March 13, 2011), p. N6, ill. (color).
Jacob Comenetz. "Philip Guston: A 'Roma' Retreat at the Phillips Collection." washdiplomat.com. March 28, 2011, ill. (color).
Greg Lindquist. "Piero and Pastrami: Guston in Rome." artcritical.com. April 18, 2011.
Susan Edwards inPaint Made Flesh Ed. Mark W. Scala. (2011), p. 23, ill. p. 22 (color).
Thirza Albert and Gerti Fietzek, ed. Ein Gespräch mit Philip Guston. Bern, 2013, p. 135, no. 48, ill. (color).
Robert Slifkin. Out of Time: Philip Guston and the Refiguration of Postwar American Art. Berkeley, 2013, p. 26, fig. 6.
Peter Benson Miller. "Rotten with Stories." Apollo 177 (June 2013), p. 64.
Ingrid Pfeiffer inPhilip Guston: Das Grosse Spätwerk/Late Works. Ed. Ingrid Pfeiffer and Max Hollein. Exh. cat., Schirn Kunsthalle Frankfurt. Cologne, 2013, pp. 14–15, fig. 2 (color).
Piet Meyer inEin Gespräch mit Philip Guston. Bern, 2013, pp. 119, 122, 134–35, fig. 48 (color).
Craig Burnett. Philip Guston: The Studio. London, 2014, p. 28, colorpl. 10.
Peter Benson Miller. "Introduction." Go Figure! New Perspectives on Guston. Ed. Peter Benson Miller. New York, 2014, p. 25.
David Anfam. "Guston's Trauma: Ideal/Abject." Go Figure! New Perspectives on Guston. Ed. Peter Benson Miller. New York, 2014, p. 89.
Kosme de Barañano. "Guston: On Late Style and 'Maniera' by Pontormo." Go Figure! New Perspectives on Guston. Ed. Peter Benson Miller. New York, 2014, p. 39.
Christoph Schreier. "Guston and Central Europe: On Germany's Response to Guston's Work." Go Figure! New Perspectives on Guston. Ed. Peter Benson Miller. New York, 2014, p. 122.
Mette Gieskes. "I is an Other: Philip Guston's Imagined Incarnations of God and Klansmen." Example Or Alter Ego?: Aspects of the Portrait Historié in Western Art from Antiquity to the Present. Ed. Volker Manuth et al. Turnhout, 2016, p. 286 n. 5.
Musa Mayer. Night Studio: A Memoir of Philip Guston. 2nd ed. (1st ed., 1988). Zurich, 2016, fig. 104 (color).
William Eaton. "Guston, Schapiro, Rosenberg,...Dialogue." zeteojournal.com. July 13, 2016, ill. (color).
Christina Mancuso. "Gallerie dell'Accademia di Venezia to Feature Work of Philip Guston, May 10." broadwayworld.com. January 31, 2017.
"Alle Gallerie dell'Accademia la prima mostra veneziana dedicata a Philip Guston." artemagazine.it. February 1, 2017.
Marco Enrico Giacomelli. "Philip Guston, un grande artista a Venezia. Intervista con Paola Marini." artribune.com. May 7, 2017, ill. (color).
Cat Bauer. "Fabulous! Philip Guston & the Poets at Accademia in Venice - To Ernest, with Love." venetiancat.blogspot.com. May 8, 2017, ill. (color).
"Philip Guston and The Poets' at Gallerie dell'Accademia di Venezia, Venice." moussemagazine.it. May 11, 2017.
Jackie Wullschläger. "Star-Spangled Biennale: Americans Shine in Venice." ft.com. May 12, 2017.
Lorena Muñoz-Alonso. "Philip Guston Holds His Own Next to the Venetian Masters at the Gallerie dell’Accademia." news.artnet.com. May 12, 2017.
Barbara Casavecchia. "57th Venice Biennale, 'Viva Arte Viva'." e-flux.com. May 13, 2017.
Marco Vallora. "Il mondo illusorio e sboccato del poetico Guston." La Stampa (May 27, 2017), p. 10.
Davide Racca. "L'uomo ipnagogico raccontato dalla figlia." Alias Domenica (May 28, 2017), p. 9.
Deanna Sirlin. "Philip Guston: A Painter and His Muses." theartsection.com. June 2017, ill. (color).
Elisabeth Chardon. "De beaux événements à voir aux marges de la Biennale de Venise." letemps.ch. June 5, 2017.
Maria Paola Forlani. "Philip Guston and the Poets: Le Gallerie dell'Accademia di Venezia presentano il lavoro del grande artista americano." etense.com. June 14, 2017, ill. (color).
Emmanuel Daydé. "Philip Guston: Affreux, Sale et Géant." Art Absolument no. 78 (July/August 2017), p. 60.
Kerstin Stremmel. "Seine Radikalität war schuld." nzz.ch. July 7, 2017.
Judith Benhamou-Huet. "Philip Guston: His Daughter and the Curator of His Amazing Show in Venice Speak about Abstraction, Figuration, Poets and
Flesh." judithbenhamouhuet.com. July 13, 2017, ill. (color).
Andrea Fanti. "Philip Guston, il sesto poeta." Corriere della Sera (July 30, 2017), ill.
Kolja Reichert. "Gemaltes lässt sich nicht sagen, Gesagtes nicht malen: Ein Höhepunkt im Kunstsommer: Die große Schau über Philip Gustons Verhältnis zur Poesie in Venedig." Frankfurter Allgemeine Zeitung (August 4, 2017).
Dario Pappalardo. "Il ribelle Philip Guston." La Repubblica (August 13, 2017).
Juan Bolivar, and, Barry Schwabsky. Earth, Wind & Fire. Exh. cat., Griffin Gallery. New York, 2017, ill. p. 7 (color).
Kosme de Barañano inPhilip Guston & The Poets. Exh. cat., Gallerie dell'Accademia di Venezia. New York, 2017, pp. 12, 14, 16, 79, ill. p. 177 (color).
Lorena Muñoz-Alonso. "Philip Guston Holds His Own Next to the Venetian Masters at the Gallerie dell'Accademia." news.artnet.com. May 12, 2017.
"'Philip Guston and The Poets' at Gallerie dell'Accademia di Venezia, Venice." moussemagazine.it. May 11, 2017.
"Alle Gallerie dell'Accademia la prima mostra veneziana dedicata a Philip Guston." artemagazine.it. February 1, 2017.
Thomas Micchelli. "Philip Guston's Echoes." hyperallergic.com. April 28, 2018.
Jasper Sharp inThe Shape of Time. Ed. Sabine Haag Jasper Sharp. Exh. cat., Kunsthistorisches Museum, Vienna. Cologne, 2018, p. 14, ill. (color).
Musa Mayer. Resilience: Philip Guston in 1971. Exh. cat., Hauser & Wirth, Los Angeles. Zurich, 2019, p. 48, 180, ill. p. 49 (color).
John Yau. "Living in the World of Art: It is a Finely Attuned Openness to the World That we Encounter in Suzan Frecon's Work, a Sense of Color Unlike Anyone Else's." hyperallergic.com. November 23, 2019.
Robert Storr. Philip Guston: A Life Spent Painting. London, 2020, p. 146, no. 146, ill. p. 144 (color).
Malcolm Gay. "Are We Ready to Look at 'Philip Guston Now'?" bostonglobe.com. April 30, 2022, ill. (color, installation photo).
Franklin Einspruch. "Visual Arts Commentary: Philip Guston and the Impossibility of Art Criticism." artsfuse.org. May 3, 2022.
Dian Parker. "Philip Guston's Pinks and Reds." artandobject.com. September 27, 2022.
Susan Saccoccia. "Spotlight Review: Philip Guston Now." Art New England 43 (July/August 2022), p. 67.
Vivienne Chow. "The Met Now Boasts the World's Largest Collection of Philip Guston's Work, Thanks to a 220-Piece Gift by the Artist's Daughter." news.artnet.com. December 15, 2022.
Jorunn Veiteberg inAnnette Kierulf and Caroline Kierulf: To Make a World. Exh. cat., KODE Kunstmuseene i Bergen. Berlin, 2022, p. 124, ill. p. 123 (color).
Phong Bui. "Philip Guston Now—A Personal Meditation." brooklynrail.org. May 2023.
Musa Mayer. Night Studio: A Memoir of Philip Guston. 7th [1st ed, 1988]. [Zurich], 2023, pp. 275, 364, fig. 104 (color).
Éric Suchère. "Dans la modernité." Que peindre sinon l'énigme. Philip Guston: Écrits, conférences et entretiens, 1944–1980. Ed. Clark Coolidge. 2nd ed. [1st ed., 2010]. [Strasbourg], 2023, p. 40, ill. no. 102 (color).
Mario Naves. "The Art World Recovers From Its Guston Derangement Syndrome." nysun.com. May 29, 2023.
The Guston Foundation, ed. Catalogue Raisonné. Online resource [gustoncrllc.org/home/catalogue_raisonne], 2024 (accessed), no. P73.016, ill. (color).
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