Paradise
Returned to lender
This work of art was on loan to the museum and has since been returned to its lender.Paradise skillfully integrates Korean and Western painting techniques. Paik’s artistic journey led her from training in oil painting at the Women’s School of Fine Arts in Tokyo to Paris, in 1928, where she became interested in Fauvism. While Koreans were colonial subjects with limited travel privileges compared to the Japanese, Paik defied the odds to become the first professional Korean woman artist to exhibit internationally. Paradise literally maps European representational techniques onto a Korean format: oil on canvas as an eight-panel folding screen. Elements such as the peaks, waterfall, and bridges recall ink landscapes, while the nudes and color palette draw from European art. The work was a wedding gift; in the customary right-to-left reading, the only male-female couple in the composition stands at the bucolic threshold, suggesting Paik’s auspicious wishes for the recipients.
Artwork Details
- 백남순 낙원
- 白南舜 樂園
- Title: Paradise
- Artist: Paik Nam-soon (Korean, 1904–1994)
- Date: 1936
- Culture: Korea
- Medium: Eight-panel folding screen; oil on canvas
- Dimensions: Painting: 68 1/8 in. × 12 ft. 2 7/16 in. (173 × 372 cm)
Framed: 69 1/8 in. × 12 ft. 3 1/2 in. × 13/16 in. (175.5 × 374.6 × 2 cm) - Classification: Paintings
- Credit Line: Courtesy of the Artist and MMCA; Gift of the Lee Kun-hee Family, 2021
- Curatorial Department: Asian Art