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The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood
The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450
Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Standing boy
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century
The Holy Family with Saint Mary Magdalen, Andrea Mantegna Italian, Distemper on canvas
The Holy Family with Saint Mary Magdalen
Andrea Mantegna
ca. 1495–1500
Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
The Descent into Limbo, Andrea Mantegna Italian, Pen and brown ink, brown wash
The Descent into Limbo
Circle of Andrea Mantegna
mid-15th century
The Holy Family with Saint Elizabeth and the Infant John the Baptist, Andrea Mantegna Italian, Pen and brown ink, brush and greenish gray and brown wash, gray wash applied to the background, probably by a later hand., Italian
The Holy Family with Saint Elizabeth and the Infant John the Baptist
Follower of Andrea Mantegna
early 16th century
Rodolfo Gonzaga (1451–1495), Andrea Mantegna Italian, Tempera on wood
Rodolfo Gonzaga (1451–1495)
Style of Andrea Mantegna
Madonna and Child with Seraphim and Cherubim, Andrea Mantegna Italian, Tempera and gold on wood
Madonna and Child with Seraphim and Cherubim
Andrea Mantegna
ca. 1454
Triumph of Julius Caesar, Andrea Mantegna Italian, Engraving with pen and brown ink
Triumph of Julius Caesar
After Andrea Mantegna
Possibly late 15th or 16th century
Design of Rinceaux, Andrea Mantegna (?) Italian, Pen and brown ink, over traces of construction lines in black chalk or leadpoint
Design of Rinceaux
Ascribed to Circle of Andrea Mantegna
1470–1510
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso), Andrea Mantegna Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso)
Circle of Andrea Mantegna
1484–1500
Saint James Cures a Blind Man, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
Saint James Cures a Blind Man, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
The Martyrdom of Saint Christopher, "Secondo Quadro", Giovanni David Italian, Etching; second state
The Martyrdom of Saint Christopher, "Secondo Quadro"
Giovanni David
After school of Andrea Mantegna
1776
The Martyrdom of Saint James, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
The Martyrdom of Saint James, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
Battle of the Sea Gods (right portion of frieze), Andrea Mantegna Italian, Engraving
Battle of the Sea Gods (right portion of frieze)
Andrea Mantegna
before 1481
Four classical figures (pagan sacrifice), Wenceslaus Hollar Bohemian, Etching, only state
Four classical figures (pagan sacrifice)
Wenceslaus Hollar
After Andrea Mantegna
1638
Four Classical Figures (pagan sacrifice), Wenceslaus Hollar Bohemian, Etching, only state
Four Classical Figures (pagan sacrifice)
Etcher Wenceslaus Hollar
After school of Andrea Mantegna
1638
Battle of the Sea-Gods (right portion of frieze), Andrea Mantegna Italian, Engraving
Battle of the Sea-Gods (right portion of frieze)
Andrea Mantegna
ca. 1485–88
Four classical figures (pagan sacrifice), Wenceslaus Hollar Bohemian, Etching, only state
Four classical figures (pagan sacrifice)
Wenceslaus Hollar
After school of Andrea Mantegna
1638
The Battle of the Sea Gods (left portion of frieze), Andrea Mantegna Italian, Engraving
The Battle of the Sea Gods (left portion of frieze)
Andrea Mantegna
before 1481
Bacchanal with Silenus, Andrea Mantegna Italian, Engraving with drypoint
Bacchanal with Silenus
Andrea Mantegna
before 1475
Four Dancing Muses, Gian Marco Cavalli Italian, Engraving
Four Dancing Muses
Gian Marco Cavalli
with Andrea Mantegna
ca. 1497
Hercules and Antaeus, Gian Marco Cavalli Italian, Engraving; main figures and parts of tree pricked for transfer
Hercules and Antaeus
Gian Marco Cavalli
with Andrea Mantegna
ca. 1497
The Entombment, after Mantegna, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, over red chalk, heightened with white
The Entombment, after Mantegna
School of Rembrandt (Rembrandt van Rijn)
After Andrea Mantegna
Former Attribution Rembrandt (Rembrandt van Rijn)
17th century
Sheet 3: Trophies of War, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from four blocks in gray-green ink
Sheet 3: Trophies of War, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1598–99
Sheet 2: A Triumphal Chariot, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from four blocks in gray-green ink
Sheet 2: A Triumphal Chariot, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 7: Procession of Musicians and others holding standards, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 7: Procession of Musicians and others holding standards, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 3: Trophies of War, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 3: Trophies of War, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 4: Men carrying trophies at left, trumpeters at right, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 4: Men carrying trophies at left, trumpeters at right, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 6: Men Carrying Trophies, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 6: Men Carrying Trophies, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Title page, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from three blocks in gray-green ink
Title page, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 6: Men Carrying Trophies, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from four blocks in gray-green ink
Sheet 6: Men Carrying Trophies, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 8: Procession of Musicians, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from four blocks in gray-green ink
Sheet 8: Procession of Musicians, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 7: Procession, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from four blocks in gray-green ink
Sheet 7: Procession, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 4: Men carrying trophies at left, trumpeters at right, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from four blocks in gray-green ink
Sheet 4: Men carrying trophies at left, trumpeters at right, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Six Corinthian pilasters for the Triumph, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from two blocks in light brown ink
Six Corinthian pilasters for the Triumph, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1598
Sheet 5: Elephants, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from two blocks in light brown ink
Sheet 5: Elephants, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 1: Soldiers carrying banners depicting Julius Caesar's triumphant military exploits, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Chiaroscuro woodcut from two blocks in light brown ink
Sheet 1: Soldiers carrying banners depicting Julius Caesar's triumphant military exploits, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 1: Soldiers carrying banners depicting Julius Caesar's triumphant military exploits, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 1: Soldiers carrying banners depicting Julius Caesar's triumphant military exploits, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 2: A Triumphal Chariot, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 2: A Triumphal Chariot, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Sheet 5: Elephants, from "The Triumph of Julius Caesar", Andrea Andreani Italian, Hand-colored woodcut
Sheet 5: Elephants, from "The Triumph of Julius Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599