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The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood
The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450
Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Standing boy
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century
The Holy Family with Saint Mary Magdalen, Andrea Mantegna Italian, Distemper on canvas
The Holy Family with Saint Mary Magdalen
Andrea Mantegna
ca. 1495–1500
Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Madonna and Child with Seraphim and Cherubim, Andrea Mantegna Italian, Tempera and gold on wood
Madonna and Child with Seraphim and Cherubim
Andrea Mantegna
ca. 1454
Rodolfo Gonzaga (1451–1495), Andrea Mantegna Italian, Tempera on wood
Rodolfo Gonzaga (1451–1495)
Style of Andrea Mantegna
The Descent into Limbo, Andrea Mantegna Italian, Pen and brown ink, brown wash
The Descent into Limbo
Circle of Andrea Mantegna
mid-15th century
The Holy Family with Saint Elizabeth and the Infant John the Baptist, Andrea Mantegna Italian, Pen and brown ink, brush and greenish gray and brown wash, gray wash applied to the background, probably by a later hand., Italian
The Holy Family with Saint Elizabeth and the Infant John the Baptist
Follower of Andrea Mantegna
early 16th century
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
Title page: Homage to Mantegna, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
Title page: Homage to Mantegna, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
Saint James Cures a Blind Man, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
Saint James Cures a Blind Man, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
The Martyrdom of Saint James, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
The Martyrdom of Saint James, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
1776
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel", Giovanni David Italian, Etching; second state of two
The Martyrdom of Saint Christopher, from "The Story of Saints James and Christopher in the Eremitani Chapel"
Giovanni David
After school of Andrea Mantegna
n.d.
The Martyrdom of Saint Christopher, "Secondo Quadro", Giovanni David Italian, Etching; second state
The Martyrdom of Saint Christopher, "Secondo Quadro"
Giovanni David
After school of Andrea Mantegna
1776
Design of Rinceaux, Andrea Mantegna (?) Italian, Pen and brown ink, over traces of construction lines in black chalk or leadpoint
Design of Rinceaux
Ascribed to Circle of Andrea Mantegna
1470–1510
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso), Andrea Mantegna Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso)
Circle of Andrea Mantegna
1484–1500
Triumph of Julius Caesar, Andrea Mantegna Italian, Engraving with pen and brown ink
Triumph of Julius Caesar
After Andrea Mantegna
Possibly late 15th or 16th century
The Entombment, after Mantegna, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, over red chalk, heightened with white
The Entombment, after Mantegna
School of Rembrandt (Rembrandt van Rijn)
After Andrea Mantegna
Former Attribution Rembrandt (Rembrandt van Rijn)
17th century
Battle of the Sea Gods (right portion of frieze), Andrea Mantegna Italian, Engraving
Battle of the Sea Gods (right portion of frieze)
Andrea Mantegna
before 1481
Sheet 8 from "The Triumphs of Caesar", Andrea Andreani Italian, Woodcut, printed on blue/black silk with gold highlights
Sheet 8 from "The Triumphs of Caesar"
Andrea Andreani
Intermediary draughtsman Bernardo Malpizzi
After Andrea Mantegna
1599
Ganymede as a young boy riding a large eagle (Zeus) in flight above a landscape, Giulio Campagnola Italian, Engraving
Ganymede as a young boy riding a large eagle (Zeus) in flight above a landscape
Giulio Campagnola
?After Andrea Mantegna
ca. 1500–1505
The Battle of the Sea Gods (left portion of frieze), Andrea Mantegna Italian, Engraving
The Battle of the Sea Gods (left portion of frieze)
Andrea Mantegna
before 1481
Battle of the Sea-Gods (right portion of frieze), Andrea Mantegna Italian, Engraving
Battle of the Sea-Gods (right portion of frieze)
Andrea Mantegna
ca. 1485–88
Four classical figures (pagan sacrifice), Wenceslaus Hollar Bohemian, Etching, only state
Four classical figures (pagan sacrifice)
Wenceslaus Hollar
After school of Andrea Mantegna
1638
Four classical figures (pagan sacrifice), Wenceslaus Hollar Bohemian, Etching, only state
Four classical figures (pagan sacrifice)
Wenceslaus Hollar
After Andrea Mantegna
1638
Four Classical Figures (pagan sacrifice), Wenceslaus Hollar Bohemian, Etching, only state
Four Classical Figures (pagan sacrifice)
Etcher Wenceslaus Hollar
After school of Andrea Mantegna
1638
Bacchanal with Silenus, Andrea Mantegna Italian, Engraving with drypoint
Bacchanal with Silenus
Andrea Mantegna
before 1475
Four Dancing Muses, Gian Marco Cavalli Italian, Engraving
Four Dancing Muses
Gian Marco Cavalli
with Andrea Mantegna
ca. 1497
Hercules and Antaeus, Gian Marco Cavalli Italian, Engraving; main figures and parts of tree pricked for transfer
Hercules and Antaeus
Gian Marco Cavalli
with Andrea Mantegna
ca. 1497
Head of an old man, Giovanni Antonio da Brescia Italian, Engraving
Head of an old man
Giovanni Antonio da Brescia
After Leonardo da Vinci
Formerly attributed to Andrea Mantegna
ca. 1490–1525
The Entombment of Christ, Andrea Mantegna Italian, Engraving and drypoint; second state of two
The Entombment of Christ
Andrea Mantegna
before 1475
Triumph of Caesar: Soldiers carrying Trophies, Andrea Mantegna Italian, Engraving
Triumph of Caesar: Soldiers carrying Trophies
School of Andrea Mantegna
ca. 1490
Saint John the Baptist standing in landscape, figures and buildings in the background, Giulio Campagnola Italian, Engraving
Saint John the Baptist standing in landscape, figures and buildings in the background
Multiple artists/makers
ca. 1505–10
Judith and her maidservant with the head of Holofernes, Girolamo Mocetto Italian, Engraving
Judith and her maidservant with the head of Holofernes
Girolamo Mocetto
After Andrea Mantegna
1500–30
The Risen Christ between Saints Andrew and Longinus, Andrea Mantegna Italian, Engraving
The Risen Christ between Saints Andrew and Longinus
Andrea Mantegna
Perhaps with Gian Marco Cavalli
ca. 1475
The Triumph of Caesar: The Elephants, Gian Marco Cavalli Italian, Engraving (trimmed, late impression)
The Triumph of Caesar: The Elephants
Gian Marco Cavalli
or Giulio Campagnola
with Andrea Mantegna
ca. 1497
The Adoration of the Magi, Andrea Mantegna Italian, Engraving (centre of composition completed, rest in outline)
The Adoration of the Magi
School of Andrea Mantegna
ca. 1475–80
The Flagellation, with the Pavement, Gian Marco Cavalli Italian, Engraving
The Flagellation, with the Pavement
Gian Marco Cavalli
with Andrea Mantegna
Before 1480
Bacchanal with Wine Vat, Andrea Mantegna Italian, Engraving (late, re-worked impression)
Bacchanal with Wine Vat
Andrea Mantegna
ca. 1475
Christ descending into Limbo, Mario Cartaro Italian, Engraving
Christ descending into Limbo
Mario Cartaro
After Andrea Mantegna
1566
The Virgin and Child, Andrea Mantegna Italian, Engraving
The Virgin and Child
Andrea Mantegna
ca. 1480–85

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