ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. 
        <em>API</em>Public domain data for this object can also be accessed using the Met's
    <a target="_new" href="https://metmuseum.github.io/">Open Access API</a>

  • Objects with changed or unknown ownership in continental Europe between 1933-1945.

        <a href="/about-the-met/policies-and-documents/provenance-research-project">Learn more</a>
Showing 1,175 results
Sort by:
Valentine
Anonymous
ca. 1850
Valentine
Anonymous
ca. 1850
Column of Trajan, from "Speculum Romanae Magnificentiae"
Anonymous
1544
Comic Valentine (shy woman)
Anonymous
ca. 1860
Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
The Prodigal Son Leaves Home
Anonymous
ca. 1636
Valentine
Anonymous
1880
Reverse Copy of Le Paysan Assailli par les Abeilles (The Peasant Attacked by Bees), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Valentine
Anonymous
1810–30
Valentine
Anonymous
1859–69
Reverse Copy of Le Paysan Portant son Sac (The Peasant Carrying his Sack), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Greeting Card
Charles Henry Bennett
1866
Front of a Building seen sideways through an arcade of four arches on its left front, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Cobweb Valentine
Anonymous
1825–40
Satyrs in a Landscape (after Titian)
Anonymous
ca. 1550–60
Wilton album, folio 49b: Three tritons, one of them blowing a trumpet, riding six horses in the sea during a storm; two putti blowing wind on them in the upper left corner; one of five frieze prints depicting sea creatures and monsters in the album
Anonymous
1540–1600
The Descent from the Cross
Anonymous
after 1568
Copy of Le Pillage d'une Ferme (The Pillaging of a Farm), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 5
Anonymous
after 1633
Wilton album, folio 108: The Presentation of the Virgin in the Temple, with the Virgin at center, kneeling in prayer, Mary and Joseph at left, a woman with a basket of birds at right, Zacharias the High Priest at center, and four men carrying candles in the background
Anonymous
ca. 1650–1700
The Egyptian Obelisk of Augustus, from "Speculum Romanae Magnificentiae"
Anonymous
1589
Wilton album, folio 56g: The Virgin, reclining on the right, with the Child and the Infant Saint John the Baptist
Anonymous
1590–1660
Valentine
Anonymous
1859–69
Valentine
Anonymous
mid 19th century
Comic Valentine (woman at sewing machine)
Anonymous
ca. 1850
J.A.D. Ingres, calling card envelope
Anonymous
ca. 1824–67
Reverse Copy of Les Deux Mendiantes (The Two Female Beggars), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Romulus at right rising from his throne and ordering his soldiers to search for the Sabines
Anonymous
1570–1615
Handle and escutcheon with latch
Anonymous
18th century
Valentine
Anonymous
1850–70
Title page to 'Lusitania liberata ab injusto Castellanorum dominio ...' by António de Sousa de Macedo, title flanked by allegorical figures, a crowned monster above attacking a lion-like creature
Anonymous
1645
Job Covered in Boils, plate 3 from "The Story of Job"
Anonymous
1585
The Prison; a group of men in a dungeon bound in chains and shackles; to the right a figure hanging from his arms, tied to a boulder
Anonymous
n.d.
Reverse Copy of Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Copy of L'Hopital (The Hospital), plate 15 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Anonymous
after 1633
Merry Christmas to my Sweetheart
Anonymous
1920s
Pierre Bonnard, calling card
Anonymous
ca. 1889–1947
Copy of L'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8
Anonymous
after 1633
Reverse Copy of Escarmouche dans un Circque (Skirmish in a Circus), from Les Caprices
Anonymous
17th century
Paul Gauguin, calling card
Anonymous
ca. 1885–1903