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  • Objects with changed or unknown ownership in continental Europe between 1933-1945.

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Showing 1,175 results
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Penance of St. John Chrysostomus
Anonymous
16th century
Wilton album, folio 12f: The Nativity, the Holy Family on the right
Anonymous
1527–50
Valentine
Anonymous
1850–70
Valentine
Anonymous
1850–70
Christ seen in half-length, holding a globe surmounted by a cross
Anonymous
1600–1680
Copy of Découverte des Malfaiteurs (The Discovery of the Criminals), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 9
Anonymous
after 1633
Hildephunsus, Archbishop of Toledo
Anonymous
1578–1628
Copy of L'Arquebusade (The Shot the Arquebus), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 12
Anonymous
after 1633
Copy of La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady Wearing a Long Veil and a Fur-Lined Robe), from La Noblesse (The Nobility)
Anonymous
17th century
Valentine
Anonymous
1850–70
Finish the job
Anonymous
ca. 1919
Wilton album, folio 56e: Seated woman holding a chalice
Anonymous
1550–1650
Valentine
Anonymous
1847–70
Cobweb Valentine with urn of flowers
Anonymous
1822
Camille Pissarro, calling card
Anonymous
ca. 1855–1903
Reverse Copy of L'Homme Enroulé dans son Manteau (Man Wrapped in his Mantle), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Honor Flag
Anonymous
1918
Valentine
Anonymous
1850–79
Micrographic Design in the Shape of a Pair of Glasses
Anonymous
early 17th century
Designs for Gothic tracery
Anonymous
ca. 1805 (?)
Valentine - Mechanical Layered Birthday - die cut roses and woman.
Anonymous
ca. 1875
Reverse Copy of Madame Bouthillier (Marie de Bragelogne)
Anonymous
ca. 1815
American Christmas Cards and Birthday Cards from the 1920s and Scrapbook with Calling Cards
Anonymous
1920s
Design for a Palace Façade
Anonymous
ca. 1700
Un Gentilhomme et son Page (A Gentleman and his Page), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Plate for Sr. Bernardino Savello, from a series of twelve showing knights and their attendants dressed for a tournament (plate 11)
Anonymous
1565
The Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Afternoon Dress worn in Toronto in 1860, from: ROMA Paper Dolls
Anonymous
20th century
Portico of the Temple of Julius, from "Speculum Romanae Magnificentiae"
Anonymous
1550
Isaiah, Jeremiah and Ezekiel, plate 4 from "The Prophets"
Anonymous
1585
Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Drawings of Ancient Sword Treasure, Kamakura, Hachiman Temple
Anonymous
ca. 1804
Wilton album, folio 128: portrait of a man wearing a hat with a ram necklace around his neck, his left hand on his sword
Anonymous
17th century
Reverse Copy of Le Joueur de Vielle (The Hurdy-Gurdy Player), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Anonymous
17th century
Henri Matisse, calling card
Anonymous
ca. 1904–31
Valentine
Anonymous
1850–60
Landscape with Figures (After The Marriage of Isaac and Rebecca, 1648)
Anonymous
published 1830
Wilton album, folio 102: Judith, looking towards the right, placing the head of Holofernes into a sack, which is held by her maid at left
Anonymous
17th century
Reverse Copy of L'Aveugle et son Chien (The Blind Man and his Dog), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Reverse Copy of La Factoria (The Factory), from "Les Caprices"
Anonymous
17th century