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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Holy Family
Agostino Carracci
1597
Saint Roch
Agostino Carracci
1580
Saint Thomas holding a staff in his right hand, walking to the right
Franz Aspruck
1601
Wilton album, folio 134: Saint Jerome, half-length in profile to the left, beating his chest with a stone, a lion at lower left, from 'Santini'
Agostino Carracci
1581
Susanna and the Elders
Agostino Carracci
ca. 1590–95
Ecce Homo
Agostino Carracci
1587
Headpiece in the Form of a Fan
Agostino Carracci
ca. 1589–95
Omnia Vincit Amore
Agostino Carracci
1599
Susanna and the Elders
Agostino Carracci
ca. 1590–95
Saint Jerome
Agostino Carracci
ca. 1602
Portrait of Giovanni Gabrielli, Called "Il Sivello"
Agostino Carracci
1599
Foraging party returning with the armour of Rinaldo; soldiers gather around and present the armour to a seated man in a tent, in the background soldiers, horses, tents outside a walled city from La Gerusalemme Liberata by Torquato Tasso
Agostino Carracci
1590
Coat of Arms of a Bishop
Agostino Carracci
mid-1590s
Saint JudasThadeus with his head turned to his right, reading a book in his right hand
Franz Aspruck
1601
Ecce Homo
Agostino Carracci
1587
Aeneas and his family fleeing Troy
Agostino Carracci
1595
The Trojans Taking Sinon Prisoner, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Aeneas and his family fleeing Troy
Agostino Carracci
1595
Wilton album, folio 142: Saint Peter, looking upwards and holding a book and keys in his right hand, the papal tiara at bottom right, from 'Christ, The Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci
1583
Portrait of Pope Innocent IX
Agostino Carracci
1591
Saint Jerome
Agostino Carracci
ca. 1602
Deipare Assumptio; The Assumption of the Virgin, with Apostles gathered around the empty tomb and the Virgin carried above by angels
Joseph Wagner
1750–70
Venus Chastizing Cupid
Agostino Carracci
ca. 1590–95
The Trojans Sacrifice Bulls to Neptune, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Wilton album, folio 134: Saint Francis receiving the stigmata, facing right with his hands open
Agostino Carracci
ca. 1583
Saint Jerome
Agostino Carracci
late 19th century, based on 16th–17th century original
Portrait of Ulisse Aldrovandi
Agostino Carracci
1596
Wilton album, folio 142: Saint Philip, facing right and holding a book in his right hand and a long cross in his left hand, from 'Christ, The Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci
1583
Allegory of the Psalm of David
Agostino Carracci
1580
Title Plate and Pages from a Drawing Book
Pietro Stefanoni
ca. 1597–1629
Title page for the 'Rime de I Gelati'
Agostino Carracci
1615
Wilton album, folio 142: Saint John the Baptist, holding a staff in his right hand, a lamb at bottom right, from 'Christ, The Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci
1583
Wilton album, folio 142: Saint Bartholomew facing right in profile and holding a knife in his left hand, from 'Christ, the Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci
1583
The Temptation of Saint Anthony
Agostino Carracci
1557–1602
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Agostino Carracci
1589–92
Mercury and the Three Graces
Agostino Carracci
1589
Saint Simon holding up his robes and with a palm frond in his left hand
Franz Aspruck
1601
Argantes and Tancred preparing for combat amidst soldiers on horses, with tents and a castle in the background from 'La Gerusalemme Liberata' by Torquato Tasso
Agostino Carracci
1590
La Gierusalemme Liberata
Torquato Tasso
1590
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73