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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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On the River at Antwerp
Samuel Colman
1884
Naples
Samuel Colman
Finish—First International Race for America's Cup, August 8, 1870
Samuel Colman
1870
The Hill of the Alhambra, Granada
Samuel Colman
1865
The Water Towers of Marfil, Mexico
Samuel Colman
ca. 1890
Catalogue of Etching Proofs Exhibited at the National Academy of Design, New York
New York Etching Club
1891–93
View of Venice
Samuel Colman
ca. 1875
On the River at Antwerp
Samuel Colman
1884
Armchair
Louis C. Tiffany
ca. 1891–92
Jiutepec, near Cuernavaca, Mexico
Samuel Colman
1904
What Shall We Do With Our Walls?
Clarence Cook
1881
Ruins of a Mosque
Samuel Colman
1887
Durham, England
Samuel Colman
ca. 1880
Spanish Peaks, Southern Colorado, Late Afternoon
Samuel Colman
1887
Catalogues of the New York Etching Club Exhibition at the National Academy of Design
New York Etching Club
1884–89
Original Etchings by American Artists
Sylvester Rosa Koehler
1883
Catalogues of the New York Etching Club Exhibition at the National Academy of Design, New York
New York Etching Club
1882–85
Egyptian Revival Triptych
Samuel Colman
1885 (?)
Venice
Samuel Colman
19th century
Woman's handiwork in modern homes..
Constance Cary Harrison (Mrs. Burton Harrison)
1882
Kew, England (in Catalogue of Etching Proofs Exhibited at the National Academy of Design, New York, 1891)
Samuel Colman
1891
"What Shall We Do With Our Walls?"
Clarence Cook
1881
Moonlit Beach Scene
Samuel Colman
1917
Farmington
Samuel Colman
1843