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  • Objects with changed or unknown ownership in continental Europe between 1933-1945.

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Martyrdom of Saint Lawrence, after Pietro da Cortona
Jacques Blondeau
ca. 1675–98
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Castor and Pollux holding the reins of two horses, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Reduced copy in reverse of a composition with stucco ornaments, Castor and Pollux, and Cybele and Ceres; from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
Pietro da Cortona (Pietro Berrettini)
ca. 1662
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
ca. 1759–70
Musick
Robert Samuel Marcuard
1777
The Battle of Aeneas and Turnus, plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Hercules expelling the Harpies, after Pietro da Cortona
Cornelis Bloemaert
1642
Juno requesting the aid of Aeolus to destroy the fleet of Aeneas, plate 6 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Minerva with her arm resting on a shield, faces Cecrops who holds a tree at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Composition with stucco ornaments of a woman on the left and a man holding a club on the right, plate 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
Design for the Coat of Arms of a Cardinal with three Angels
Pietro da Cortona (Pietro Berrettini)
ca. 1640–60
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Sisygambis kneeling before Alexander the Great, surrounded by female attendants and soldiers, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Conrad Lauwers
ca. 1677
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Marriage of the Virgin; Mary and Joseph stand at the top of the stairs in the center of the print, with their hands joined by the priest; numerous attendants appear at the left and right along the staircase; cupids and an angel float above amongst clouds
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Saint Martina receiving the lily
Pietro da Cortona (Pietro Berrettini)
ca. 1760?–?1800
Allegory in Honor of the Roman College Founded by the Borghese Family
Claude Mellan
1615–88
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century
Sacrifice to Diana
Francesco Bartolozzi
1776
Allegory with symbols of Prudence, with two bears and Fabius Cunctator; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1642
Hagar, followed by an angel, returns to Abraham and Sarah; after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Wisdom leading the muses
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
King Masinissa seated at left pointing toward Sophonisba at far right, in the foreground is a figure seen from behind, carrying a vase, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Jean Gerardin
ca. 1677
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Mount Athos being cut to resemble a giant with a waterfall forming from his hands; Pope Alexander VIII at the lower right being shielded by an umbrella, reviewing the building plans from his two architects; five putti above hold a banderole
Pietro da Cortona (Pietro Berrettini)
ca. 1657–81
Allegory with Hercules fighting off the Harpies at left, to the right Justice and Plenty come to the aid of the beggars below, plate 6 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Reduced copy in reverse of Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas; plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
Moses rescued from the Nile by Pharaoh's daughter and female attendants, two of whom lift his craddle onto the banks of the river; a walled city appears in the distance on the left
Pietro da Cortona (Pietro Berrettini)
after 1596
Portraits of Celebrated Painters with Medallions from Their Best Performances
John M. Corner
1825