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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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St. Martina kneeling amongst several figures and toppled sculptures of pagan idols, with her arms raised clutching her chest, looking towards a cloudy sky; on the right is a burning pyre
Pietro da Cortona (Pietro Berrettini)
ca. 1758–92
Venus requesting armor from Vulcan for her son, Aeneas, plate 11 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Minerva seated on the left holding a shield, reaching out to Cecrops on the right, who holds a large tree; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1647–1691
The young prince leads warriors toward their enemy's ships, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Fury as a blind woman with torches and chains emerging from the left, chasing a soldier, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Minerva with her arm resting on a shield, faces Cecrops who holds a tree at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
Pietro da Cortona (Pietro Berrettini)
ca. 1662
Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas, plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
A man and a child sitting at left weaving a basket, two women stand at center while two children play with a sword and shield at right
Lorenzo Lorenzi
ca. 1750–54
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Laban Seeking His Idols: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
John Girtin
1817
The rape of Cephalus, with Aurora carrying Cephalus away toward a carriage pulled by two horses
Jean-Baptiste Lucien
ca. 1770–1806
An allegorical composition with Charity and prisoners in chains; a plate from Rossi's series of engravings of Pietro da Cortona's fresco in the Camera of Mars in the Pitti Palace, Florence.
Jacques Blondeau
1677
Section of stucco and frescoed frieze above the cornice from the Camera of Venus in the Pitti Palace, Florence, stitched together with Barberinae aulae fornix
Charles Delahaye
ca. 1677
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
The genius of poetry crowns a child with laurels
Cornelis Bloemaert
ca. 1633–84
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Barberinai Aulae Fornix
Pietro da Cortona (Pietro Berrettini)
ca. 1648–77
Allegory in Honor of the Roman College Founded by the Borghese Family
Claude Mellan
1615–88
Offering to Ceres: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Martyrdom of Saint Lawrence
Jacques Blondeau
ca. 1675–98
Emperor Augustus standing at right, facing Cleopatra and her attendants at left, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Albertus Clouwet
ca. 1677
Anthony kneeling in prayer in the right foreground of a landscape, the Virgin appearing as the Mother of Mercy on the left, and three putti look down from clouds at the upper right; heraldic coat-of-arms at bottom center inside a circle
Sir Nicolas Dorigny
ca. 1675–1746
Triumph of Divine Providence, plate 5 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1645–50
Birth of the Virgin Mary, who is being held by a maid in the left foreground, surrounded by three female attendants; St. Anne rests in bed and a female servant tends to her
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Adoration of the shepherds, with Virgin and child at center surrounded by the shepherds with putti above in clouds holding a banderole
Cornelis Bloemaert
ca. 1620–92
Scipio Africanus seated on a throne, pointing toward a young woman kneeling at left, two men and a female attendant in the background; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Reduced copy in reverse of the arrival of Aeneas and his fleet in Italy; plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Christ Appearing to Mary in the Garden
Pietro da Cortona (Pietro Berrettini)
1766
Scipio Africanus seated on a throne, pointing toward a young woman kneeling at left, two men and a female attendant in the background, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Aeneas and his son Ascanius before King Latinus, Aeneas extending an olive branch to the King, plate 13 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Cleopatra on the left with three female attendants, Augustus on the right with two soldiers behind him; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1656–79
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
Saint Bibiana Refusing to Sacrifice to Pagan Idols
Giovanni Battista Mercati
1626
Vulcan seated at center, his head resting on his arm, with two cyclopes at far left; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677