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Story of Laocoon and His Sons: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Bellerophon wearing a plumed helmet and holding a shield, riding on the back of Pegasus; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1641–1691
Fury as a blind woman with torches and chains emerging from the left, chasing a soldier, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Allegory with the symbols of Fortitude, including a lion at bottom left, plate 8 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right, plate 7 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Madonna and Child in the Manger
Ferdinand Piloty
early 19th century
The triumph of Bacchus; a procession of maenads and fauns led by Silenus, Bacchus in a chariot behind; after Pietro da Cortona
Pietro Aquila
1670–92
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Cesi's dedication of the series to Prince Camillo Pamphili, plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Saint Martina with Virgin and Child
Pietro da Cortona (Pietro Berrettini)
ca. 1660
The nymphs Florilla and Melissa at left, with Melissa fainting in Florilla's arms, Apollo and the Muses at right, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Copy in reverse of Venus requesting armor from Vulcan for her son, Aeneas; plates 10, 11, and 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Christ Appearing to Mary in the Garden
Pietro da Cortona (Pietro Berrettini)
1766
Marriage of the Virgin; Mary and Joseph stand at the top of the stairs in the center of the print, with their hands joined by the priest; numerous attendants appear at the left and right along the staircase; cupids and an angel float above amongst clouds
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
St. Martina kneeling amongst several figures and toppled sculptures of pagan idols, with her arms raised clutching her chest, looking towards a cloudy sky; on the right is a burning pyre
Pietro da Cortona (Pietro Berrettini)
ca. 1758–92
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
Tabulae anatomicae ex archetypis egregii pictoris Petri Berettini Cortonensis expressae et in aes incisae...
Pietro da Cortona (Pietro Berrettini)
1788
Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas, plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Moses rescued from the Nile by Pharaoh's daughter and female attendants, two of whom lift his craddle onto the banks of the river; a walled city appears in the distance on the left
Pietro da Cortona (Pietro Berrettini)
after 1596
Sacrifice to Diana
Francesco Bartolozzi
1776
Offering to Ceres: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Mary Magdalene reaching out to Christ in a garden after his resurrection
Pietro da Cortona (Pietro Berrettini)
ca. 1700–40
Allegory with the symbols of Prudence, including two bears at the bottom and Fabius Cunctator above, plate 10 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Rachel hiding the idols of Laban; with Rachel seated at left, Laban kneeling on the ground, and Jacob lifting the lid of a box
Pellegrino dal Colle
ca. 1757–1812
Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden
Richard Earlom
18th–19th century
Naval battle scene
Stefano Mulinari
1781
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Abraham and Hagar in the foreground, with an angel behind her left shoulder and a young boy seated on the ground with a dog in the left background; on the right, Sarah watches from inside a shelter, with two male passersby at the far right
Carlo Faucci
1766
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Faith, Hope, and Charity
Dominique Barrière
1630?–78
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Aeneas and his son Ascanius before King Latinus, Aeneas extending an olive branch to the King, plate 13 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
David slaying Goliath; David stands over the defeated Goliath with his sword raised above his head; another battle is taking place in the background on the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Copy in reverse of a composition with stucco ornaments surrounding two medallions; one depicting Aeneas with a lance and doves, the other, youths shooting a bird; plates 2 and 15 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
King Masinissa seated at left pointing toward Sophonisba at far right, in the foreground is a figure seen from behind, carrying a vase, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Jean Gerardin
ca. 1677