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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The Allegro, from Milton
Domenico Cunego
1768
Galatea, plate 8 from "Schola Italica Picturae"
Domenico Cunego
1771
The Creation of Adam, Sistine Chapel, plate 2 from "Schola Italica Picturae"
Domenico Cunego
1772
St. Mary Magdalen, plate 34 from "Schola Italica Picturae"
Domenico Cunego
ca. 1770
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
1772
Adoration of the Shepherds
Domenico Cunego
1779
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese...
Marc'Antonio Pindemonte
1755
Juno
Domenico Cunego
1767
A Man and Woman Embracing, plate 20 from "Schola Italica Picturae"
Domenico Cunego
1773
Moses holding the Tables of the Law above his head, plate 16 from "Schola Italica Picturae"
Domenico Cunego
1773
The Road to Calvary, Christ at center carrying the cross, surrounded by soldiers, the Holy Women swooning in the foreground, after the altarpiece (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel in San Giovanni de' Fiorentini, Rome
Giuseppe Sforza Perini
1776
The Origin of Painting
Domenico Cunego
1777
Innocentia
Domenico Cunego
1766
Portrait of Clement XIV, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)
Domenico Cunego
1774–79
Lot and his Daughters, plate 36 from "Schola Italica Picturae"
Domenico Cunego
1771
The adoration of the Magi
Domenico Cunego
ca. 1778
Virgin and Child
Domenico Cunego
1772
An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
The entombment of Christ
Domenico Cunego
1775
The Penseroso, from Milton
Domenico Cunego
1768
Providence, plate 27 from "Schola Italica Picturae"
Domenico Cunego
1772
A man and woman embracing
Domenico Cunego
1773
St. Peter raising Tabitha
Domenico Cunego
1630–60
Portrait of a Lady, known as La Fornarina, plate 9 from "Schola Italica Picturae"
Domenico Cunego
1772
Frontispiece: Portrait of Pope Clement XIII, from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Domenico Cunego
1761
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
The Agony in the Garden, Christ at top with arms outstretched towards an angel holding a cup, the disciples asleep below, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Camillo Tinti
1776
St. Hieronymus, plate 35 from "Schola Italica Picturae"
Domenico Cunego
1769
Two Nereids accompanied by cupids, one scatters pearls and other other holds a piece of coral
Domenico Cunego
1771
Prodigal Son
Domenico Cunego
1770
The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,
James Adam
1822
Moses
Domenico Cunego
1773
An outline of the fresco paintings by Michelangelo on the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
Frederica Charlotte Ulrica, Duchess of York
Domenico Cunego
1787
Portrait of Antonio di Ponte, plate 25 from "Schola Italica Picturae"
Domenico Cunego
1769
Ganymede riding on the back of Jupiter as an eagle
Domenico Cunego
1770
The Works in Architecture of Robert and James Adam, Esquires. Volume II. Containing the Five Following Numbers, viz... and vol. III, Containing the Remainder of the Designs...
Robert Adam
[1822]
An illustration of Psalms 46.6, with Christ at center ascending surrounded by angels holding instruments of the Passion, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Stefano Coppa
1776
Apollo and Hyacinth, plate 33 from "Schola Italica Picturae"
Domenico Cunego
1771
The head of Mary Magdalene looking down to the right, after Reni
Domenico Cunego
ca. 1745–1803