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'Loyalty' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
Goya (Francisco de Goya y Lucientes)
1799

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Goya (Francisco de Goya y Lucientes)
1799

Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid.
Goya (Francisco de Goya y Lucientes)
1816

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)
Goya (Francisco de Goya y Lucientes)
1799

Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)
Goya (Francisco de Goya y Lucientes)
1799

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98

Plate 46 from "Los Caprichos": Correction (Correccion)
Goya (Francisco de Goya y Lucientes)
1799

Plate 25 from "La Tauromaquia": They loose dogs on the bull
Goya (Francisco de Goya y Lucientes)
1816

Philip IV on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
Goya (Francisco de Goya y Lucientes)
1810

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)

Vicente Osorio de Moscoso, Conde de Trastamara
Goya (Francisco de Goya y Lucientes)
ca. 1787

Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid
Goya (Francisco de Goya y Lucientes)
1816

Landscape
Goya (Francisco de Goya y Lucientes)
ca. 1807–10

'Loyalty' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
Goya (Francisco de Goya y Lucientes)
1816

Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
Goya (Francisco de Goya y Lucientes)
1810–15 (published 1863)

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Crowd in a Park; page 31 from the "Images of Spain" album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
1799

Plate 28 from "Los Caprichos": Hush (Chiton)
Goya (Francisco de Goya y Lucientes)
1799

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)
Goya (Francisco de Goya y Lucientes)
1810

The Disasters of War, plates 1-80 (Los Desastres de la Guerra)
Goya (Francisco de Goya y Lucientes)
1810–15 (published 1863)

Exotic Flower
Edouard Manet
1868

Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
Goya (Francisco de Goya y Lucientes)
1816

Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

A Maja standing against a dark background with figures
Goya (Francisco de Goya y Lucientes)
1859

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1859)

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)