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Peonies Blown in the Wind, John La Farge American, Leaded opalescent glass, American
Peonies Blown in the Wind
John La Farge
ca. 1880
Nocturne, John La Farge American, Watercolor, gouache, and charcoal on off-white wove paper adhered to wove paper, American
Nocturne
John La Farge
ca. 1885
Firescreen, John La Farge American, Leaded opalescent glass, brass, American
Firescreen
John La Farge
1884
Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York, John La Farge American, Leaded opalescent glass, cloisonne glass, copper wire, paint, American
Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York
John La Farge
1908–9
Transom window from the entrance hall of the Worsham-Rockefeller House
John La Farge
ca. 1881–82
Orange Branch, John La Farge American, Oil on canvas, American
Orange Branch
Former Attribution Formerly attributed to John La Farge
ca. 1883
The Adjustment of Conflicting Interests: Count Raymond of Toulouse Swears at the Altar to Observe the Liberties of the City;ì Color Study for Mural, Supreme Court Room, Minnesota State Capitol,ì Saint Paul, John La Farge American, Gouache, watercolor, and graphite on white wove paper, American
The Adjustment of Conflicting Interests: Count Raymond of Toulouse Swears at the Altar to Observe the Liberties of the City;ì Color Study for Mural, Supreme Court Room, Minnesota State Capitol,ì Saint Paul
John La Farge
1903
Angel Sealing the Servants of God (Study for the Anna, Margaret Sherman and Gertrude Van Dalfsen Memorial Window, Trinity Church, Buffalo, N.Y.), John La Farge American, Graphite on tracing paper, American
Angel Sealing the Servants of God (Study for the Anna, Margaret Sherman and Gertrude Van Dalfsen Memorial Window, Trinity Church, Buffalo, N.Y.)
John La Farge
1889
A Bacchante, John La Farge American, Gouache, watercolor, and graphite on off-white wove paper, American
A Bacchante
John La Farge
1897
Autumn Study, View over Hanging Rock, Newport, R.I., John La Farge American, Oil on canvas, American
Autumn Study, View over Hanging Rock, Newport, R.I.
John La Farge
1868
A Brittany Beadle—Sketch from Nature, John La Farge American, Watercolor and gouache with graphite on brown wove paper, American
A Brittany Beadle—Sketch from Nature
John La Farge
1856
Portrait of Faase, the Taupo, or Official Virgin, of Fagaloa Bay, and Her Duenna, Samoa, John La Farge American, Watercolor and gouache and graphite on off-white Japan-type paper, American
Portrait of Faase, the Taupo, or Official Virgin, of Fagaloa Bay, and Her Duenna, Samoa
John La Farge
1891 (?)
"Welcome": Study for a Window, John La Farge American, Graphite, fixative layer, on off-white wove paper, laid down on pulpboard, American
"Welcome": Study for a Window
John La Farge
1909
Girls Carrying a Canoe, Vaiala in Samoa, John La Farge American, Watercolor, gouache, and graphite on off-white wove paper, American
Girls Carrying a Canoe, Vaiala in Samoa
John La Farge
1891
The Great Statue of Amida Buddha at Kamakura, Known as the Daibutsu, from the Priest's Garden, John La Farge American, Watercolor and gouache on off-white wove paper, American
The Great Statue of Amida Buddha at Kamakura, Known as the Daibutsu, from the Priest's Garden
John La Farge
1887
Wild Roses and Irises, John La Farge American, Gouache and watercolor on white wove paper, American
Wild Roses and Irises
John La Farge
1887
The Island of Moorea Looking across the Strait from Tahiti, January 1891, John La Farge American, Watercolor, gouache and graphite on heavy tan wove paper, American
The Island of Moorea Looking across the Strait from Tahiti, January 1891
John La Farge
1891
The Moral and Divine Law: Moses Receives the Law on Mount Sinai; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul, John La Farge American, Watercolor, gouache with gum arabic, and graphite on olive-green wove paper, American
The Moral and Divine Law: Moses Receives the Law on Mount Sinai; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul
John La Farge
1903
The Muse of Painting, John La Farge American, Oil on canvas, American
The Muse of Painting
John La Farge
1870
Paradise Rocks—Study at Paradise, Newport, Rhode Island, John La Farge American, Watercolor, gouache and gum arabic on white wove paper, American
Paradise Rocks—Study at Paradise, Newport, Rhode Island
John La Farge
1884
Sheep Porcupine Island, Bar Harbor, Maine, Evening Study, August 29, 1896, John La Farge American, Watercolor and gouache on off-white wove paper laid down on off-white wove paper., American
Sheep Porcupine Island, Bar Harbor, Maine, Evening Study, August 29, 1896
John La Farge
1896
Portrait of the Painter, John La Farge American, Oil on wood panel, American
Portrait of the Painter
John La Farge
1859
The Recording of Precedents: Confucius and His Pupils Collate and Transcribe Documents in Their Favorite Grove; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul, John La Farge American, Gouache, watercolor, gum arabic, and graphite on tan wove paper, American
The Recording of Precedents: Confucius and His Pupils Collate and Transcribe Documents in Their Favorite Grove; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul
John La Farge
1903
The Relation of the Individual to the State: Socrates and His Friends Discuss "The Republic," as in Plato's Account; Color Study for Mural, Supreme Court Room, Saint Paul, Minnesota State Capitol, Saint Paul, John La Farge American, Gouache, watercolor, and graphite on light tan wove paper, American
The Relation of the Individual to the State: Socrates and His Friends Discuss "The Republic," as in Plato's Account; Color Study for Mural, Supreme Court Room, Saint Paul, Minnesota State Capitol, Saint Paul
John La Farge
1903
Marine, John La Farge American, Watercolor and gouache on off-white wove paper, American
Marine
John La Farge
1883 (?)
Bar Harbor, Twilight, John La Farge American, Watercolor and gouache on off-white wove paper, American
Bar Harbor, Twilight
John La Farge
1896
The Strange Thing Little Kiosai Saw in the River, John La Farge American, Watercolor and gouache on Japanese tissue laid down on white wove paper, American
The Strange Thing Little Kiosai Saw in the River
John La Farge
1897
Three Saints (Alternate Study for Chapel Windows, Caldwell House, Newport), John La Farge American, Watercolor and gouache on white wove paper mounted on gray pulpboard, with cut-out "mat" of off-white laid paper, American
Three Saints (Alternate Study for Chapel Windows, Caldwell House, Newport)
John La Farge
ca. 1886–87
Double Study of Dawn, Moorea Seen across the Water, Tahiti, John La Farge American, Watercolor, gouache and graphite on laid paper, American
Double Study of Dawn, Moorea Seen across the Water, Tahiti
John La Farge
1891
The Wheel of Fortune, John La Farge American, Gouache, watercolor, and graphite on light tan wove paper, American
The Wheel of Fortune
John La Farge
1900
The Tomb of Iyeyasu Tokugawa, John La Farge American, Watercolor and graphite on off-white wove paper, American
The Tomb of Iyeyasu Tokugawa
John La Farge
1888
Father Hecker Reading Goethe, John La Farge American, Charcoal on off-white wove paper, American
Father Hecker Reading Goethe
John La Farge
1866
Study for Glass (Celtic Jeweled Cross in Arabesque), John La Farge American, Watercolor and graphite on heavy white paper mounted on tan cardboard, American
Study for Glass (Celtic Jeweled Cross in Arabesque)
John La Farge
ca. 1881–82
Stained Glass Lunette from the Cornelius Vanderbilt II House, New York, John La Farge American, Leaded opalescent glass, American
Stained Glass Lunette from the Cornelius Vanderbilt II House, New York
John La Farge
ca. 1880–82
Stained Glass, John La Farge American, Leaded opalescent glass, American
Stained Glass
John La Farge
ca. 1881–82
Autumn Scattering Leaves, John La Farge American, Watercolor and gouache on paper, American
Autumn Scattering Leaves
John La Farge
ca. 1900
Song of the Siren, John La Farge American, Watercolor and gouache on paper, American
Song of the Siren
John La Farge
ca. 1883–84
Design for east elevation of parlor
Attributed to Thomas Wright
Attributed to John La Farge
1881–1918
Two partially colored designs
Attributed to Thomas Wright
Attributed to John La Farge
1881–1918
Design for window
Attributed to Thomas Wright
Attributed to John La Farge
1881–1918
The Wolf-Charmer, John La Farge American, Wood engraving
The Wolf-Charmer
After John La Farge
Engraver Henry Marsh
1867
The Travelers and the Giant, John La Farge American, Wood engraving
The Travelers and the Giant
After John La Farge
Engraver Henry Marsh
1869

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