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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945.
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Newsboys (El Papelero), plate 11 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

Portfolio of eight lithographs: 'Estampas de Yucatán'
Alfredo Zalce
1946

The salt deposits of Celestún, from 'Estampas de Yucatán' (1946)
Alfredo Zalce
1945

Fascism I (Facismo I), plate 19 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

The garden of Hecelchacán, from 'Estampas de Yucatán' (1946)
Alfredo Zalce
1945

A small cut by Posada of a skeleton frightening a man pasted to an advertisment for a limited edition portfolio of prints by Posada with an introdution by Leopoldo Méndez
José Guadalupe Posada
ca. 1940–50 (publication date)

The Symphonic Concert of Skeletons (Concierto Sinfónico de Calaveras), plate 8 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

The seated woman, from 'Estampas de Yucatán' (1946)
Alfredo Zalce
1945

Accident (El Accidente), plate 7 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

Horsemen (Jinetes), plate 3 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

The Letter (La Carta), plate 21 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

Street Meeting (Mitin Improvisado), plate 12 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

The weaver of bécal hats, from 'Estampas de Yucatán' (1946)
Alfredo Zalce
1945

25 prints by Leopoldo Méndez
Leopoldo Méndez
1943

A Henequén worker, from 'Estampas de Yucatán' (1946)
Alfredo Zalce
1945

Fools' Concert (Concierto de Locos), plate 5 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

Protest (Protesta), plate 23 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

Chicle Gatherer (Chiclero), plate 15 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

For teaching them to read (Por eseñar a leer), plate 22 from "25 prints of Leopoldo Méndez"
Leopoldo Méndez
1943

Bound set of progressive proofs for Charlot's 10 lithographs "Mexihkanantli" (Mexican Mother)

Jean Charlot

1946–47