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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Spider, Web, Snake and Flowers (for "The Duchess of Malfi and The White Devil")
Henry Weston Keen
ca. 1930
"He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
The Peacock Skirt, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales"
William Heath Robinson
ca. 1923
The Golden Age
Kenneth Grahame
1900
The Eyes of Herod, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
Border for title page, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
The Ghost of Isabella (for "The White Devil," Act III, scene iii)
Henry Weston Keen
ca. 1930
"They Heard Six Voices Calling Them Back" (for "Two Wee Pogeys" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"And in it She Floated Home Safely" (for "Skinnemelink" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
The Defence of Guenevere and other poems
William Morris
1904
"While he was talking of every-day matters, her mind was in a reverie far away" (for "The Red Lily")
Donia Nachshen
ca. 1930
The Golden Asse of Lucius Apuleius
Lucius Madaurensis Apuleius
1923
"Over Farms and Fields and Rivers and Ponds" (for "Cosy Hokie" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
The Woman in the Moon (frontispiece), for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
"Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"Who Got it from the Fruit-woman" (for "Perriwinkie, The Puddock" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
A Portfolio of Aubrey Beardsley's Drawings Illustrating Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
The Dancer's Reward, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
Emma from "Madame Bovary"
John Archibald Austen
ca. 1928
"The End," tailpiece for "Topsy-Turvy Tales"
William Heath Robinson
ca. 1923
A Child's Garden of Verses
Robert Louis Stevenson
1896
A Platonic Lament, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
Sketches in Poetry, Prose, Paint and Pencil
James Henry Worthington
1916
Dream Days
Kenneth Grahame
1902
The Russian Ballet in Western Europe 1909–1920
Walter Archibald Propert
1921
Skull Crowned with Snakes and Flowers (for "The Duchess of Malfi")
Henry Weston Keen
ca. 1930
Peacock cover design for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
The Suitors of Aprille
Norman Garstin
1900
Floral Tailpiece Designs for "The Duchess of Malfi" and "The White Devil"
Henry Weston Keen
ca. 1930
Salomé on a Settle, or Maîtresse d'Orchestre, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
A Masque of May Morning
Walford Graham Robertson
1904
The Sphinx
Oscar Wilde
1920
"Some Busybody Will Come Along" (for "The Kelpie of Snooziepool" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"A Spirited Epiphonema -- raised a third and sometimes a full fifth above the key of the discourse" (for "Tristram Shandy")
John Archibald Austen
ca. 1927
Haidée and Juan (for "Don Juan")
John Archibald Austen
ca. 1926
"She has taken great pains in honor of her husband's memory, who was said to have loved Italian art" (for "The Red Lily")
Donia Nachshen
ca. 1930
Nightlights
Dorothy Una Ratcliffe
1929
A Hundred Fables of Aesop
Aesop
1899
A Memoir by Ezra Pound
Henri Gaudier-Brzeska
1916