ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 205 results
Sort by:
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Naval Combat
Stefano della Bella
1639
Cartouche with Tritons and Sirens
Stefano della Bella
1646
Procession of draped female dancers, women bearing baskets, and male musicians, at right a satyr lies bound on a pyre, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
ca. 1617–25
Ships at Sea
Stefano della Bella
1639
March of an army on a plain, the commander in chief in front, his aides behind him, a trumpeter on horseback at right, a plain with various figures and horses in the background, from "Varie Figure"
Stefano della Bella
ca. 1645
Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
ca. 1617–25
Le Rossignol Posé sur un Buisson (A Nightingale Standing on a Bush), plate 14 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
The coat of arms of Claude de Rueil (ca.1581-1649), Bishop of Bayonne, later Bishop of Angers
Jean Couvay
17th century
Captain's Love Letter
Abraham Bosse
ca. 1636
Arms of the Ludovisi Family Surrounded by Four Allegorical Figures
Jean Couvay
17th century
Cartouche with Bull Attacked by Two Lions
Stefano della Bella
1646
Young Lady's Reply to the Captain's Letter
Abraham Bosse
ca. 1636
Les Tulipes et le Soleil (The Tulips and the Sun), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 6
Jacques Callot
1621–35
Le Corbeau et ses Petits (The Raven and his Young), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 5
Jacques Callot
1621–35
Les Deux Coeurs (The Two Hearts), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 24
Jacques Callot
1621–35
Les Roseaux et Le Vent (The Reed and The Wind), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 27
Jacques Callot
1621–35
Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
ca. 1617–25
Recueil de Diverses Pieces Modernes d'Architecture, et nouvelles inventions de portes, cheminees ornemans et autres
Jean Marot
n.d. [before 1764]
Seven vases, the vase in the middle formed by three infants, each holding an ewer, plate 3 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
ca. 1650–56
Plate 17: A cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti)
Stefano della Bella
1646
Atabalipa, Rex Peruviæ
Jerôme David
ca. 1634–37
Hunting Scenes, No. 6: Hare Hunting
Etienne Delaune
before 1556
La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
Une Ecrevisse Regardant Le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
Josef Justus
Jerôme David
1625–70
Frontispiece, from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 1
Jacques Callot
1621–35
Une Ecrevisse Regardant Le Soleil (A Crayfish Looking at the Sun), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 18
Jacques Callot
1621–35
Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 17
Jacques Callot
1621–35
L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), plate 13 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
Eight vases, the largest one in center with sculptures of a nymph and a faun, plate 4 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
ca. 1650–56
Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
ca. 1643–48
Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone, various animals and people in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
ca. 1643–48
Cartouche Framed by Personifications of Fame, a Lion Head and Two Shields
Stefano della Bella
1646
Naval Combat
Stefano della Bella
1639
Le Chandelier (The Candlabra), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 3
Jacques Callot
1621–35
La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 21
Jacques Callot
1621–35
L'Oeil Vigilant (The Watchful Eye), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 2
Jacques Callot
1621–35
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
ca. 1617–25