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Christ and the Two Thieves Crucified, Michelangelo Buonarroti Italian, Bronze, Italian, probably Rome
Christ and the Two Thieves Crucified
Multiple artists/makers
ca. 1560–70
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Night, John Singer Sargent American, Graphite on off-white wove paper, American
Night
John Singer Sargent
After Michelangelo Buonarroti
1870
Night (from Scrapbook), John Singer Sargent American, Graphite on off-white wove paper, American
Night (from Scrapbook)
John Singer Sargent
After Michelangelo Buonarroti
ca. 1872–74
Dawn (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent American, Graphite on off-white wove paper, American
Dawn (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
After Michelangelo Buonarroti
1870
Samson and the Philistines, Michelangelo Buonarroti Italian, Bronze, Italian, Florence
Samson and the Philistines
After a model by Michelangelo Buonarroti
ca. 1550
Pietà, Michelangelo Buonarroti Italian, Gilt bronze, Italian, Rome
Pietà
Follower of Michelangelo Buonarroti
mid-16th century
Hercules and Cacus, Michelangelo Buonarroti Italian, Bronze, possibly Northern European
Hercules and Cacus
After a model by Michelangelo Buonarroti
19th century?
Dying Slave, Michelangelo Buonarroti Italian, Plaster, Italian
Dying Slave
After an original by Michelangelo Buonarroti
1505–45
Rebellious Captive, Michelangelo Buonarroti Italian, Plaster, Italian
Rebellious Captive
After an original by Michelangelo Buonarroti
1505–45
The Day (one of a pair), Michelangelo Buonarroti Italian, Terracotta, Italian
The Day (one of a pair)
After an original by Michelangelo Buonarroti
ca. 1600
The Dusk (one of a pair), Michelangelo Buonarroti Italian, Terracotta, Italian
The Dusk (one of a pair)
After an original by Michelangelo Buonarroti
ca. 1600
Orazione fvnerale di M. Benedetto Varchi fatta, e recitata da lui pubblicamente nell'essequie di Michelagnolo Bvonarroti in Firenze, nella chiesa di San Lorenzo, Benedetto Varchi Italian
Orazione fvnerale di M. Benedetto Varchi fatta, e recitata da lui pubblicamente nell'essequie di Michelagnolo Bvonarroti in Firenze, nella chiesa di San Lorenzo
Author Benedetto Varchi
Subject of book Michelangelo Buonarroti
1564
Pietà
After an original by Michelangelo Buonarroti
1550–55
Lorenzo de Medici
After an original by Michelangelo Buonarroti
1521–34
Evening
After an original by Michelangelo Buonarroti
1521–34
Dawn
After an original by Michelangelo Buonarroti
1521–34
Moses
After an original by Michelangelo Buonarroti
1505–45
The Italian school of design : being a series of fac-similes of original drawings, William Young Ottley British
The Italian school of design : being a series of fac-similes of original drawings
Author William Young Ottley
Michelangelo Buonarroti
Raphael (Raffaello Sanzio or Santi)
1823
Cupid, Michelangelo Buonarroti Italian, Marble, Italian, Florence
On loan to The Met
Cupid
Michelangelo Buonarroti
ca. 1490
Design for the Tomb of Pope Julius II della Rovere, Michelangelo Buonarroti Italian, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti
1505–6
The Cumaean Sibyl (after Michelangelo), Jean Robert Ango French, Red chalk
The Cumaean Sibyl (after Michelangelo)
Jean Robert Ango
After Michelangelo Buonarroti
1767
The creation of Eve who emerges from behind Adam, Giulio Bonasone Italian, Engraving
The creation of Eve who emerges from behind Adam
Giulio Bonasone
After Michelangelo Buonarroti
ca. 1530–70
Bust portrait of Michelangelo facing right, set within a cartouche, Giulio Bonasone Italian, Engraving
Bust portrait of Michelangelo facing right, set within a cartouche
Giulio Bonasone
Sitter Michelangelo Buonarroti
1546
Crucifixion with Two Angels, Giulio Bonasone Italian, Engraving and etching
Crucifixion with Two Angels
Giulio Bonasone
After Michelangelo Buonarroti
ca. 1540
Joseph of Arimathea, after Michelangelo's Crucifixion fresco in the Cappella Paolina, Vatican, Nicolas Beatrizet French, Engraving
Joseph of Arimathea, after Michelangelo's Crucifixion fresco in the Cappella Paolina, Vatican
Nicolas Beatrizet
After Michelangelo Buonarroti
1540–66
A Nude Male Seen from the Back in Clouds (after Michelangelo Buonarroti), Daniel Fröschl German, Red and black chalk
A Nude Male Seen from the Back in Clouds (after Michelangelo Buonarroti)
Daniel Fröschl
After Michelangelo Buonarroti
1602 (?)
Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo's Madonna del Silenzio), Giulio Bonasone Italian, Engraving and etching
Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo's Madonna del Silenzio)
Giulio Bonasone
After Michelangelo Buonarroti
1561
Vatican Pietà, Adamo (Ghisi) Scultori Italian, Engraving
Vatican Pietà
Adamo (Ghisi) Scultori
After Michelangelo Buonarroti
1566
The Last Judgment, Michelangelo Buonarroti Italian, Black chalk on brownish paper
The Last Judgment
School of Michelangelo Buonarroti
1570–90
Anatomical Studies of a Leg (recto); Study of a Leg (verso), Michelangelo Buonarroti Italian, Pen and brown ink, and red chalk (recto); pen and brown ink (verso)
Anatomical Studies of a Leg (recto); Study of a Leg (verso)
School of Michelangelo Buonarroti
1475–1564
A Figure and Some Architectural Details, Michelangelo Buonarroti Italian, Pen and brown ink
A Figure and Some Architectural Details
School of Michelangelo Buonarroti
1475–1564
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso)
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Giovanni Battista Naldini
After Michelangelo Buonarroti
After Rosso Fiorentino
1537–91
Anatomical Study of a Knee, Michelangelo Buonarroti Italian, Pen and brown ink
Anatomical Study of a Knee
School of Michelangelo Buonarroti
1475–1564
The Climbers, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
The Climbers
Agostino Veneziano (Agostino dei Musi)
After Michelangelo Buonarroti
1524
The Tomb of Giuliano de' Medici from The Tombs of the Medici, Cornelis Cort Netherlandish, Engraving
The Tomb of Giuliano de' Medici from The Tombs of the Medici
Cornelis Cort
After Michelangelo Buonarroti
1570
Madonna and Child Between St Comas and St Damian, Cornelis Cort Netherlandish, Engraving
Madonna and Child Between St Comas and St Damian
Multiple artists/makers
1570
The Tomb of Lorenzo de' Medici from The Tombs of the Medici, Cornelis Cort Netherlandish, Engraving
The Tomb of Lorenzo de' Medici from The Tombs of the Medici
Cornelis Cort
After Michelangelo Buonarroti
1570
Studies after Michelangelo, Jean-Baptiste Carpeaux French, Graphite
Studies after Michelangelo
Jean-Baptiste Carpeaux
After Michelangelo Buonarroti
mid-19th century
Three Heads after Michelangelo's Frescoes in the Sistine Chapel, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Heads after Michelangelo's Frescoes in the Sistine Chapel
Anonymous, Italian, 16th century
After Michelangelo Buonarroti
16th century
Adam and Eve being expelled from paradise, Marcantonio Raimondi Italian, Engraving
Adam and Eve being expelled from paradise
Marcantonio Raimondi
After Michelangelo Buonarroti
ca. 1515–25
Pietà with Angels in front of the Cross, Giulio Bonasone Italian, Engraving
Pietà with Angels in front of the Cross
Giulio Bonasone
After Michelangelo Buonarroti
1546