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Apollo Belvedere, from "Classical Statues in Rome"
Francesco Piranesi
1783
Black and white mosaic that adorns the cell of the Temple of Isis, and the large inscription that is on the door of the surrounding wall, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 70
Francesco Piranesi
1806
Bronze vases with movable handles, believed to have been intended to hold oil, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 29
Francesco Piranesi
1806
Bronze helmet that was used in shows, found in the excavations of Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 3
Francesco Piranesi
1805
Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Neptune, plate 15 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Interior view of the Pantheon, called the Rotonda, from "Vedute di Roma" (Roman Views), part II
Francesco Piranesi
ca. 1780
Mercury, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
The Chariot of the Sun, or of Apollo (Char du Soleil, ou d'Apollon), plate 1 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
The Birth of Erichthonios (La Naissance de Erechthée), plate 8 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Equestrian Statue of Marcus Aurelius, from "Classical Statues in Rome"
Francesco Piranesi
1785
Terracotta bas-relief of a chariot race, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1791
Niobe, from "Classical Statues in Rome"
Francesco Piranesi
1784
Bronze Situla or Bucket on three feet, ornamented with Bacchic emblems and and the Latin name of Cornelia Chelidonis on the handle, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 16
Francesco Piranesi
1805–7
Base of marble and travertine constructed during the pontificate of Pope Benedict XIV for the pedestal of the column, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column); Columna Antonina
Francesco Piranesi
1774–79
Plate XIV: detail of spiral relief with Victory inscribing a shield in the center surrounded by trophies of the Dacians, the Samatians and other allies, from two plates, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Large bronze paten for used for the worship of Mars in Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 28
Francesco Piranesi
1805
Vases for use in the toilette, and spoons used for ointment, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 28
Francesco Piranesi
1806
Chariot of Jupiter (Char de Jupiter), plate 3 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
The Fifth Hour of the Day, from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
View of the sarcophagus of Scipione Barbato and the Monument of Aula Cornelia, tavola 3 from "Monumenti degli Scipioni" (Monuments of the Scipios)
Francesco Piranesi
1785
Chariot of Saturn (Char de Saturne), plate 7 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
Vue du Pranao du temple d'Isis
Francesco Piranesi
n.d.
Venus in her chariot, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Interior of St Peter's, Rome, with the illumination of the Cross of St. Peter
Francesco Piranesi
1787
Large illustration of a part of the interior of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
The Genius of Silenus (Génie de Silène), plate 11 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Raccolta de'Tempi Antichi, Prima Parte (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Section of the length of the Pantheon that illustrates the Pronao, or Portico and the interior of the Temple, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1786
Pan and Syringue (Pan et Syringue), plate 5 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
One of the Colossal Statues of the Quirinale, representing Castor and Pollux, from "Classical Statues in Rome"
Francesco Piranesi
1790
View of the Tavern of Pompeii that has the sign of Priapus [dedicated to Priapus]; the interior can be seen through the two entries, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 24
Francesco Piranesi
1804
Decorative stucco fragments from a building near the Circus of Caracalla, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
Restored detail of the Trophy of Octavian Augustus, plate 7 from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
Ground plan of the current state of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1790
Ornamental capital 'A', from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
The Interior of the Grotto of Posillipo, Naples
Francesco Piranesi
1791

Illustrations of the set of the scena mobile, for the tragedies, comedies and satires, and the raised stage in perspective, tavola 9 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)

Francesco Piranesi
1783
Restored detail of the Trophy of Octavian Augustus, plate 8 from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
Neptune lovingly embraces the contours of his dear Thetis (Neptune enlace de ses bras amoureux les contours de sa chère Thétis), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 12
Tommaso Piroli
1807