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Cut-away of different Atrium designs in plate 22, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 23
Francesco Piranesi
1804
Large illustration of a part of the Pronao, or Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Orestes and Electra, from "Classical Statues in Rome"
Francesco Piranesi
1783
Ceremony held in the Cappella Paolina, Vatican
Francesco Piranesi
1787
The Birth of Venus (La Naissance de Vénus), plate 7 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Pan and Syringue (Pan et Syringue), plate 5 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Chariot of the Moon, or of Diana (Char de la Lune, ou de Diane), plate 2 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
Faun, from "Classical Statues in Rome"
Francesco Piranesi
1786
Plate XVII: detail of the capital of Trajan's column, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Genius of the races [in a chariot drawn by swans, symbols of poetry] (Génie des courses), plate 4 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Plate XV: architectural detail of the plinth of the pedestal of Trajan's column, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
View of the outside of the Monument of the Scipios with a cutaway of the tombs of Scipione Barbato and Aula Cornelia, tavola 2 from "Monumenti degli Scipioni" (Monuments of the Scipios)
Francesco Piranesi
1785
Large illustration of columns from the Temple of Vesta and the Temple of Sibyl, tavola 6 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Handles, knockers, hinges, and bronze hinges that were used on doors in Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 20
Francesco Piranesi
1806
Three fragments including a capital from Hadrian's Villa, Tivoli, and a Funerary urn, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
Instruments for building construction found at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 5
Francesco Piranesi
1805
Inscriptions found in different places in the Temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 72
Francesco Piranesi
1804–07
A draped female figure playing symbols above a vignette with two putti in chariots pulled by dolphins and a fishing putto, from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
ca. 1804
Antinoo [Antinous], from "Classical Statues in Rome"
Francesco Piranesi
1782
View of the remains of the cella of the Temple of Neptune, plate 15 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Meleager, from "Classical Statues in Rome"
Francesco Piranesi
1780
Large demonstration [illustration] of the hinges that support the door of the surrounding wall of the temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 64
Francesco Piranesi
1805
Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
General plan of the Continuation of the street, and of the buildings adjacent to the house of the surgeon, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 44
Francesco Piranesi
1806
Topography of the Temple of Vesta and of the Temple of Sibyl with their respective elevations, tavola 11 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
The Plan of Pompeii with views of the Temple of Isis and the gate to the city
Francesco Piranesi
1785
View of the Ornaments and the out-buildings of the interior of the second Tavern on the right in the City of Pompeii, from a different perspective than plate 27, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 28
Francesco Piranesi
1804
Plate IV: vertical section of Trajan's column, from three plates, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland..., plate 13 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Side view of the Temple of Vesta in Tivoli, tavola 4 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Title page, [Central dedication with a portrait medallion of Pope Pius VI, surrounded by architectural ruins, a sarcophagus and armour, the Pantheon in the Background], from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1780
Round and quadrangular metal mirrors, hair pins, and other utensils used in the Ladies' toilette at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 13
Francesco Piranesi
1805
Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Neptune lovingly embraces the contours of his dear Thetis (Neptune enlace de ses bras amoureux les contours de sa chère Thétis), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 12
Tommaso Piroli
1807
Mercury, the messenger of the gods, is here the symbol of eloquence (Mercure, le messager des Dieux, est ici le symbole de l'èloquence), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 9
Tommaso Piroli
1807
Interior view of the temple which is believed to have been dedicated to Juno...(now identified as the Temple of Athena), plate 20 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Francesco Piranesi
1778
Apollo prepared to shoot an arrow which must annihilate the serpent Python (Apollon prêt à lancer la flèche qui doit anéantir le serpent Python), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli, faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 5
Tommaso Piroli
1807
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal
Francesco Piranesi
1801–2
View of the sarcophagus of Scipione Barbato and the Monument of Aula Cornelia, tavola 3 from "Monumenti degli Scipioni" (Monuments of the Scipios)
Francesco Piranesi
1785
Diana shot an arrow from her bow (Diane décoche un trait de son arc), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 6
Tommaso Piroli
1807