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Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, plate 14 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Cut-away of different Atrium designs in plate 22, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 23
Francesco Piranesi
1804
Plate XI: a face of the pedestal of Trajan's column, from two plates, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Plan of the first and third floors of the three-story house; the first floor is below street-level, and that is etched in full; the other floor is dotted, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 52
Francesco Piranesi
1806
Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Aeolus or winter sitting on the clouds: the threatening north winds surround him (Eole ou l'Hiver assis sur des nuages: les Aquilons se lancent autour de lui), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli, faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 1
Tommaso Piroli
1807
View in perspective of the Thermopolium, its works and its ornaments, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 11
Francesco Piranesi
1804
Interior view of the Temple of Neptune, described in Plate X, plate 12 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
The Farnese Flora, from "Classical Statues in Rome"
Francesco Piranesi
1782
Bas-reliefs removed from Trajan's Column, tavola 21 from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)
Francesco Piranesi
1774–79
Venus and Psyche, from "La Fable de Psyché", Villa Farnesina, bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Veiled woman with buskins, thought to be Melpomene, from "Classical Statues in Rome"
Francesco Piranesi
1782
Ornamental tripod and two vases, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
Illustration of the front the Temple of Vesta in Tivoli, tavola 3 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Large profiles of the Doric order, which forms the bottom of the Tomb of Mamia, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 40
Francesco Piranesi
1805
Ground plan of the current state of the Pantheon, or Rotunda, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Ground plan of the current state of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1790
Cut-away of the width of the Tomb of Mamia, of its plan, of its Ustrinum, and of its circular portion called the Schola, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 36
Francesco Piranesi
1805
The Genius of Mars (Génie de Mars), plate 3 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
The Genius of Bacchus (Génie de Bacchus), plate 5 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Illumination of the Cross in St. Peter's
Francesco Piranesi
1758–1810
Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 2
Francesco Piranesi
1804
View of another temple in the city of Pesto (Paestum), which is commonly believed to have been dedicated to Juno, plate 18 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Another interior view of the remains of the so-called College des Anfictions...(Basilica), plate 9 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
View of the entrance of the city of Pompeii, with the buildings that exist outside of the gateway, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 4
Francesco Piranesi
1804
Plate XV: architectural detail of the plinth of the pedestal of Trajan's column, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Handles, knockers, hinges, and bronze hinges that were used on doors in Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 20
Francesco Piranesi
1806
Hermaphroditus, from "Classical Statues in Rome"
Francesco Piranesi
1787

Rear view of the Pantheon with the Remains of the Baths of Agrippa, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi
ca. 1750–80
Two draped dancing figures above a vignette with a tiger and a leopard, from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
ca. 1804
View of some columns of the facade opposite the one shown in the preceding plate...(Basilica), plate 3 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
View of the Temple of Isis, showing the reconstruced parts etched in line and the existing parts in chiaroscuro, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 69
Francesco Piranesi
1806
Title page, from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli, faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi)
Tommaso Piroli
1807
Tomb Inscriptions, and others, found in buildings adjacent to the entrance to the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 7
Francesco Piranesi
1804

Illustrations of the set of the scena mobile, for the tragedies, comedies and satires, and the raised stage in perspective, tavola 9 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)

Francesco Piranesi
1783
The Birth of Erichthonios (La Naissance de Erechthée), plate 8 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Plan of the House of the Surgeon inside the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 14
Francesco Piranesi
1804
Plan and Elevation of the Kitchen inside the House of the Surgeon, at Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 20
Francesco Piranesi
1804
View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof..., plate 16 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Hinges, pins, studs, and various pieces of door fittings in Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 21
Francesco Piranesi
1805