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View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof..., plate 16 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Ceres in her chariot, holding a cornucopia, pulled by two serpents, plate 10 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Mercury, the messenger of the gods, is here the symbol of eloquence (Mercure, le messager des Dieux, est ici le symbole de l'èloquence), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 9
Tommaso Piroli
1807
Prison Scene
Francesco Piranesi
n.d.
Large illustration of a part of the Pronao, or Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Venus and Cupid, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Side view of the Temple of Vesta in Tivoli, tavola 4 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Large plan of the Temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 68
Francesco Piranesi
1806
Bacchus or Autumn: he empties his cup; he gazes with delight; a Satyr is by the God of the harvest (Bacchus ou l'Automne: il vide la coupe; il la contemple avec délices; un Satyre est auprés du Dieu des vendeges), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli, faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 4
Tommaso Piroli
1807
The Genius of Bacchus (Génie de Bacchus), plate 5 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
A dancer from a Bacchanalian Festival found in the ruins of Pompeii
Girolamo Carattoni
1787
Amphitrite, plate 14 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Ground plan of the current state of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1790
Sections of the three previous houses [...] in the City of Pompeii, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 55
Francesco Piranesi
1804–7
Illustration of the door of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Bronze Satyr Tripod, found at Pompeii, and lock of the door of the Cell of the Temple of Isis at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 12
Francesco Piranesi
1805–7
Interior view of the Pantheon, called the Rotonda, from "Vedute di Roma" (Roman Views), part II
Francesco Piranesi
ca. 1780
Plans, Elevations, and cutaways of the Thermopolium [...], from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 9
Francesco Piranesi
1804
A draped female figure carrying a book or box above a vignette of grapevines and a mask, from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
ca. 1804
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal
Francesco Piranesi
1801–2
The Farnese Bull, from "Classical Statues in Rome"
Francesco Piranesi
ca. 1770–1820
Venus Callipyge, from "Classical Statues in Rome"
Francesco Piranesi
1783
Illustration of the side of the theater, and the stage, cross-sections of the stairs, which go up to the Vomitoria, tavola 5 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi
1783
Elevation and Cut-away of the Tomb of Mamia with its restorations in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 35
Francesco Piranesi
1804
Large illustration of a part of the second order of the interior of the Pantheon, which now no longer exist, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Ground plan of part of the interior and exterior of the Arch, or Cupola of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Venus in her chariot, pulled by two flying cupids, plate 9 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Cut-away of the width of the Tomb of Mamia, of its plan, of its Ustrinum, and of its circular portion called the Schola, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 36
Francesco Piranesi
1805
The Girandola at the Castel Sant'Angelo
Louis Jean Desprez
n.d.
Hermaphroditus, from "Classical Statues in Rome"
Francesco Piranesi
1787
View of the Temple of Isis, and of its two wings of the Peristyle, all taken from the front, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 66
Francesco Piranesi
1806
Illumination of the Cross in St. Peter's
Francesco Piranesi
1758–1810
Marble bas-relief of Hercules and Omphale, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1786
Ornamental capital and column base, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
The eight other Signs of the Zodiac, with Cancer represented as a crab, rather than as a crayfish, plate 12 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
Plan of the Temple of Vesta in Tivoli, tavola 2 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1780
Decorative stucco fragments from a building near the Circus of Caracalla, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
The Interior of the Grotto of Posillipo, Naples
Francesco Piranesi
1791
View of the remains of the superstructure...of the Acqua Giulia, from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
View of the remains of the pronaos of the building known as the College des Anfictions...(Basilica), plate 5 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778