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Cincinnato, from "Classical Statues in Rome"
Francesco Piranesi
1785
Venus at Cythera (Vénus à Cythere), plate 1 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Illustrations of the set of the scena mobile, for the tragedies, comedies and satires, and the raised stage in perspective, tavola 9 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi
1783
Combatant Hero, from "Classical Statues in Rome"
Francesco Piranesi
ca. 1770–1820
View of the door of the surrounding wall of the Temple of Isis [...], from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 61
Francesco Piranesi
1805
View of Pompeii (Altra veduta della Stanza dove si preparava il Bogno Caldo . . . )
Francesco Piranesi
n.d.
Bronze Satyr Tripod, found at Pompeii, and lock of the door of the Cell of the Temple of Isis at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 12
Francesco Piranesi
1805–7
Bronze vases with movable handles, believed to have been intended to hold oil, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 29
Francesco Piranesi
1806
Plate III: Front view of Trajan's column, from six plates
Giovanni Battista Piranesi
1774–79
Temple of Sibyl in Tivoli, now called the Church of S. George, tavola 13 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
View of the entrance of the city of Pompeii, with the buildings that exist outside of the gateway, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 4
Francesco Piranesi
1804
Bound volume of prints by Giovanni Battista Piranesi, Francesco Piranesi and others from the series 'Trofeo o sia Magnifica Colonna Coclide ...' (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Demonstration [illustration] of the Impluvium, or Catch Basin established at the middle of the Courtyard inside the House of the Surgeon at Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 19
Francesco Piranesi
1804
Bas-reliefs removed from Trajan's Column, tavola 21 from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)
Francesco Piranesi
1774–79
View of the buildings at the entrance of the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 5
Francesco Piranesi
1804
Apollo Belvedere, from "Classical Statues in Rome"
Francesco Piranesi
1783
View of some columns of the facade opposite the one shown in the preceding plate...(Basilica), plate 3 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Ground plan of both of the Precinzioni of stairs, and of the scena stabile [architectural units of the stage] and the scena mobile [scenery], tavola 3 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi
1783
Discobolus, from "Classical Statues in Rome"
Francesco Piranesi
1791
View of Castel San Angelo, Rome from the other bank across the bridge, with a firework display and spectators
Francesco Piranesi
ca. 1790
Illustration of the door of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
View of the Gate to the ancient city of Pompeii
Francesco Piranesi
1789
Front view of the Temple of Honor, and of Virtue outside of the Port of S. Sebastiano, tavola 2 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1804); La fable de Psyché; (XXVI) Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807)
Tommaso Piroli
1803–07
Geometrical drawing of a vase, and of different fragments found in the Tomb of Mamia, as well as Masks that were found inside its Ustrinum, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 39
Francesco Piranesi
1805
Arrotino, from "Classical Statues in Rome"
Francesco Piranesi
1785
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
Mercury, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
View of the tomb of Mamia in the ruins of the city of Pompeii
Francesco Piranesi
1789
Ground plan of part of the interior and exterior of the Arch, or Cupola of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Jupiter, from "Classical Statues in Rome"
Francesco Piranesi
1781
The Farnese Bull, from "Classical Statues in Rome"
Francesco Piranesi
ca. 1770–1820
Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce, aujourd'hui Royaume de Naples, Gravées par Francois Piranesi, Membre de l'Académie de Stockolm, et Ancien Ministre de la Cour de Suède a celle de Rome d'après les Dessins Originaux et les Observations Locales du feu Célébre Architete, Peintre, Sculpteur, Greveur, Le Chev.er Jean-Baptise Piranesi; rédigées et expliqués par Antoine-Joseph Guattani
Francesco Piranesi
1804–07
Cupid and Jupiter, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Two draped dancing figures above a vignette with a tiger and a leopard, from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
ca. 1804
Plan of the second floor of the three-storey house and of its basilica that are level with the street, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 50
Francesco Piranesi
1806
Cut-aways of the House of the Surgeon, with supplement of the Vitruvian Tuscan Atrium inside the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 15
Francesco Piranesi
1804
Ground plan of the current state of the Pantheon, or Rotunda, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Restored detail of the Trophy of Octavian Augustus, plate 4 from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
Five different friezes, which bring together whims, taste, and the beautiful imitation of the antique, plate 8 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803