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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The suicide of Dido who reclines on a pyre in centre, surrounded by many figures
Giovanni Cesare Testa
1650–55
The Departure of the Prodigal Son, Shown About to Mount a Horse
Pietro Testa
ca. 1645
Standing Male Figure Supporting a Shield
Pietro Testa
1612–50
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
The suicide of Dido who reclines on a pyre in centre
Giovanni Cesare Testa
1650–55
The triumph of the virtuous artist on Parnassus
Pietro Testa
ca. 1644–46
The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42
Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn), an oval composition
Anonymous, 17th century
ca.1650–80
The birth and the infancy of Achilles
Pietro Testa
1648–50
Putto at the left hold aloft grapes,another seated at the right holding an urn, an allegory of the seasons (Summer), an oval composition
Anonymous, 17th century
ca. 1650–80
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right
Pietro Santi Bartoli
1650–90
Allegory of Summer
Pietro Testa
ca. 1642–44
Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
1630–50
The Holy Family attended by Angels
Pietro Testa
ca. 1642–44
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
ca. 1645
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer), an oval composition
Anonymous, 17th century
ca.1650–80
The Holy Family fed by Angels
Pietro Testa
ca. 1642–44
Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the left
Pietro Testa
ca.1645–50
Venus and Adonis embracing after the hunt
Anonymous, 17th century
1650–1700
Venus giving arms to Aeneas
Pietro Testa
ca. 1638–40
Saint Sebastian being tied to a tree
Girolamo Pedrignani
1625–50
Sinorix being carried from the temple after being poisioned
Arnold van Westerhout
1650–1700
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
1729–64
The suicide of Dido lying on the pyre in the centre surrounded by figures
Anonymous, 18th century
1780
The Triumph of Painting; in the centre female figure representing Painting being crowned by the Three Graces rides a chariot toward Parnassus in the upper right, many other figures crowd the composition
Pietro Testa
ca. 1642
The Sacrifice of Isaac by his Father Abraham
Pietro Testa
ca. 1640–2
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right
Pietro Testa
1631–37
A young man at left standing between Vice and Virtue holding a shield flanked by figures; attributes and personifications of Virtue at left, satyrs, Pan and dancing figures representing Vice at right
Pietro Testa
ca. 1644
Saint Sebastian being tied to a tree
Girolamo Pedrignani
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37
The Suicide of Dido
Pietro Testa
1650–1700
Self-Portrait
Pietro Testa
ca. 1645
An allegory in honor of Innocent X who appears in a cartouche in the upper right, below are many figures representing Rome in the springtime of the golden age
Pietro Testa
1644
The Academy of Painting (Il Liceo della Pittura), after Pietro Testa
Pietro Testa
ca. 1685–1700
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1637–38
The Sacrifice of Iphigenia
Pietro Testa
ca. 1640–42
Classical scene of figures gathered around an orator at right (possibly related to healing the lame)
Matthias Oesterreich
1752
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648