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Figure 53: Whimpering and false laughter
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 75: Nun saying her prayers
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 45: Pain and despair.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 50: Affected weeping and face in repose
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Pierrot Running
Nadar
1854–55
[Self-Portrait]
Adrien Tournachon
ca. 1855
Figure 19: Suffering
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Absalon
Adrien Tournachon
ca. 1855–60
Pierrot in pain
Nadar
ca. 1854–55
Figure 52: Voluntary retraction of the lower lip
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Pascaline
Adrien Tournachon
ca. 1855–60
Figure 34: Grimace
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 4: The face in repose of a young man
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 3: The face of an old man... photographed in repose.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 62: Terror, semiprofile
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Pierrot Laughing
Nadar
1855
Figure 57: Astonishment, stupefaction, amazement
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 49: Painful weeping and forward looking.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 25: Not an expression of pain
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 54: Voluntary lowering of the lower jaw
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 16: Expression of severity
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 10: Showing the expressive lines of m. frontalis in a young girl
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 78: Scene of coquetry
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 27: Expression proportionally more pained
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 36: Scornful laughter and scornful disgust
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 21: Painful recollection and recollection or calling something to mind
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Electro–Physiologie, Figure 64
Adrien Tournachon
1854–56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Lefrisé
Adrien Tournachon
1860
Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 20: Profound suffering, with resignation
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 47: A suggestion of this same weeping
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 48: Mild weeping, pity and feeble false laughter
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862