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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945.
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Figure 50: Affected weeping and face in repose
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 71: Same head as in Plate 70
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 3: The face of an old man... photographed in repose.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 73: Head of Niobe
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 34: Grimace
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 26: Expression of painful attention and attention, attentive gaze.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 36: Scornful laughter and scornful disgust
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 21: Painful recollection and recollection or calling something to mind
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 70: Head of the Laocoön of Rome
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 63: Expression of terror
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 82: Lady Macbeth, strong expression of cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 47: A suggestion of this same weeping
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 15: Mediation, mental concentration
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 56: Surprise
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 52: Voluntary retraction of the lower lip
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 25: Not an expression of pain
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 49: Painful weeping and forward looking.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 18: Aggression, wickedness
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 78: Scene of coquetry
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 22: No painful expression
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 53: Whimpering and false laughter
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 60: Fright
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 54: Voluntary lowering of the lower jaw
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 45: Pain and despair.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Pierrot with Fruit

Nadar

1855