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Figure 71: Same head as in Plate 70
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 57: Astonishment, stupefaction, amazement
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 62: Terror, semiprofile
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 73: Head of Niobe
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Lefrisé
Adrien Tournachon
1860
Electro–Physiologie, Figure 64
Adrien Tournachon
1854–56, printed 1862
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on)
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 3: The face of an old man... photographed in repose.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 50: Affected weeping and face in repose
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 63: Expression of terror
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Faradisation du muscle frontal
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 8: Contraction of the right m. frontalis.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 70: Head of the Laocoön of Rome
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Emmanuel Frémiet
Adrien Tournachon
1854–55
Figure 78: Scene of coquetry
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Absalon
Adrien Tournachon
ca. 1855–60
Figure 83: Lady Macbeth, ferocious cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 19: Suffering
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 34: Grimace
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 49: Painful weeping and forward looking.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 54: Voluntary lowering of the lower jaw
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
[Bull from Glane, Canton of Fribourg]
Adrien Tournachon
1856
Figure 52: Voluntary retraction of the lower lip
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 53: Whimpering and false laughter
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Pierrot in pain
Nadar
ca. 1854–55
Figure 36: Scornful laughter and scornful disgust
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 10: Showing the expressive lines of m. frontalis in a young girl
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
[Self-Portrait]
Adrien Tournachon
ca. 1855
Figure 27: Expression proportionally more pained
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 15: Mediation, mental concentration
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 56: Surprise
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 22: No painful expression
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862