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Mars, Venus and Cupid
Simone Cantarini
The Martyrdom of Saint Justina of Padua
Agostino Carracci
1582
The Marriage at Cana (central section of painting)
Girolamo Scotto
ca. 1807–1850
Cybele Holding a Lion, after the fresco in the Sala dell'Olimpo of the Palazzo Trevisan, Murano, plate 24 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760
Mars, Venus and Cupid
Simone Cantarini
The Virgin protecting two members of a confraternity arms outstretched over the kneeling men
Agostino Carracci
1582
Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1550–70
The Family of Cain
Peter Oliver
ca. 1638–47
The Wedding at Cana
Josef Kohlschein
1875
Two Putti Supporting a Palm, plate 21 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760
St. Barnaby
Pierre Brebiette
n.d.
Feast at the House of Simon, with Mary Magdalen washing the feet of Christ at lower right, plate 23 from "Schola Italica Picturae"
Giovanni Volpato
1772
The Crucifixion
Agostino Carracci
1582
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
John Girtin
1817
Four Cameos of Olympian Deities, after the lost fresco in the Loggia of the Palazzo Trevisan, Murano, plate 22 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760
The Mystic Marriage of Saint Catherine
Agostino Carracci
1582
Boy with a Greyhound
Paolo Veronese (Paolo Caliari)
possibly 1570s
The Marriage at Cana, after Veronese
Charles Nicolas Cochin I
1703–54
Christ Appearing to the Apostles (The Tranfiguration)
Paolo Veronese (Paolo Caliari)
1579–1637
Adoration of the Shepherds
Giuseppe Maria Mitelli
Juno with Her Peacock, after the fresco in the Sala dell'Olimpo of the Palazzo Trevisan, Murano, plate 23 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760
Descent from the Cross and Apparition of the Virgin, volume 2, plate 138 from "Monuments des Arts du Dessin"
Baron François Joseph Bosio
1829
Mars, Venus and Cupid
Simone Cantarini
ca. 1637–39
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel)
Claude Mellan
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois
Bernard Picart
1716
Esther Conducted to Ahasuerus
Giuseppe Maria Mitelli
Christ at the Feast of Simon the Pharisee
Jan (Pietersz.) Saenredam
ca. 1585–1607
Allegory of the Redemption of the World
Paolo Veronese (Paolo Caliari)
1528–88
Christ in the House of Simon, with Mary Magdalene washing Christ's feet at center
Paolo Veronese (Paolo Caliari)
ca. 1750–1800
Crucifixion
Agostino Carracci
1582
The Mystic Marriage of Saint Catherine
Agostino Carracci
1582
Alessandro Vittoria (1525–1608)
Paolo Veronese (Paolo Caliari)
ca. 1580
Three Dogs
Giovanni Domenico Tiepolo
1727–1804
Studies for The Allegories of Love
Paolo Veronese (Paolo Caliari)
1570–75
The Wedding Feast at Cana (after Paolo Veronese)
Federico Zuccaro (Zuccari)
1540–1609
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Nine heads after Paolo Veronese
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Three Representations of the Virgin and Child, volume 2, plate 139 from "Monuments des Arts du Dessin"
Nicolas Poussin
1829
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Agostino Carracci
1582
Head of a Bearded Man
School of Paolo Veronese
ca. 1565