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Department
[Group of 11 Early Stereograph Views of Famous British Houses], Unknown, Albumen silver prints
[Group of 11 Early Stereograph Views of Famous British Houses]
Multiple artists/makers
1850s–1910s
[Group of 12 Stereograph Views of British Cathedrals], Unknown, Albumen silver prints
[Group of 12 Stereograph Views of British Cathedrals]
Multiple artists/makers
1850s–1910s
[Group of 6 Stereograph Views of British Homes], Unknown, Albumen silver prints
[Group of 6 Stereograph Views of British Homes]
Multiple artists/makers
1850s–1910s
[Death Mask of Shakespeare]
London Stereoscopic and Photographic Company
Person in Photograph William Shakespeare
ca. 1865
Cassio Bowing, Théodore Chassériau French, Black chalk
Cassio Bowing
Théodore Chassériau
Subject William Shakespeare
1852
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5), Henry Fuseli Swiss, Pen and brown ink over faint graphite
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)
Henry Fuseli
Subject William Shakespeare
1790
The Death of Hamlet, Eugène Delacroix French, Lithograph; second state of three
The Death of Hamlet
Eugène Delacroix
Lithographer Villain
Subject William Shakespeare
1843
The Play-Within-A-Play, Eugène Delacroix French, Lithograph; second state of three
The Play-Within-A-Play
Eugène Delacroix
Lithographer Villain
Subject William Shakespeare
1835
Hamlet and the Queen, Eugène Delacroix French, Lithograph; third state of four
Hamlet and the Queen
Eugène Delacroix
Lithographer Villain
Subject William Shakespeare
1834
Death of Ophelia, Eugène Delacroix French, Lithograph; first state of three
Death of Ophelia
Eugène Delacroix
Subject William Shakespeare
1843
Puck (Shakespeare, Le songe d'une nuit d'été / A Midsummer Night's Dream), Umberto Brunelleschi French?, Graphite
Puck (Shakespeare, Le songe d'une nuit d'été / A Midsummer Night's Dream)
Umberto Brunelleschi
Publisher Georges Guillot, Paris
Subject William Shakespeare
1947
The Tempest (Ariel edition), Alice Cordelia Morse American, Black leather cloth covered boards with gold decoration
The Tempest (Ariel edition)
Designer Cover designed by Alice Cordelia Morse
Subject William Shakespeare
Publisher G. P. Putnam's Sons, New York
ca. 1892–94
Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), William Blake British, Etching and engraving
Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4)
Multiple artists/makers
1774
Hamlet and the Ghost of his Father, Adam Vogler Austrian, Pen and gray ink, over graphite; double framing lines in pen and gray ink
Hamlet and the Ghost of his Father
Adam Vogler
Subject William Shakespeare
mid-19th century
The Vine, or Plumpy Bacchus, Samuel Palmer British, Etching on chine collé; fourth state of four
The Vine, or Plumpy Bacchus
Samuel Palmer
Subject William Shakespeare
1880
The Rehearsal or the Baron and the Elephant, George Cruikshank British, Hand-colored etching
The Rehearsal or the Baron and the Elephant
Multiple artists/makers
January 1, 1812
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), James Fittler British, Engraving
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2)
Multiple artists/makers
1794
Much Ado About Nothing, William Heath ('Paul Pry') British, Hand-colored etching
Much Ado About Nothing
William Heath ('Paul Pry')
Publisher Thomas McLean
Subject William Shakespeare
1828
Rosalind, Francesco Bartolozzi Italian, Stipple engraving and etching
Rosalind
Multiple artists/makers
November 30, 1781
Chicago Nominee: "I knew him, Horatio; a fellow of infinite jest...Where be your gibes now?–Hamlet, Act IV [sic], Scene 1", Justin H. Howard American, Wood engraving
Chicago Nominee: "I knew him, Horatio; a fellow of infinite jest...Where be your gibes now?–Hamlet, Act IV [sic], Scene 1"
Multiple artists/makers
1864
Garrick Speaking the Jubilee Ode, Caroline Watson British, Stipple engraving
Garrick Speaking the Jubilee Ode
Multiple artists/makers
1784
Miranda (Shakespeare, The Tempest, Act 1, Scene 2), Caroline Watson British, Stipple engraving; printed in brown ink
Miranda (Shakespeare, The Tempest, Act 1, Scene 2)
Multiple artists/makers
1784
Ophelia (Shakespeare, Hamlet, Act 4, Scene 5), Caroline Watson British, Stipple engraving; printed in brown ink
Ophelia (Shakespeare, Hamlet, Act 4, Scene 5)
Multiple artists/makers
1784
Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Caroline Watson British, Stipple with etching; printed in brown ink
Miranda (Shakespeare, The Tempest, Act 1, Scene 1)
Multiple artists/makers
April 14, 1809
Card Number 108, Macbeth, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, W. Duke, Sons & Co. American, Albumen photograph
Card Number 108, Macbeth, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Publisher Issued by W. Duke, Sons & Co.
Subject William Shakespeare
1880s
Mary, Queen of Scots, Edward Harding British, Stipple engraving
Mary, Queen of Scots
Multiple artists/makers
1793
The Banquet (Shakespeare, Macbeth, Act 3, Scene 3), John Baldrey British, Stipple engraving
The Banquet (Shakespeare, Macbeth, Act 3, Scene 3)
Multiple artists/makers
October 10, 1786
Scene from Antony and Cleopatra, at the Princess's Theatre, from "Illustrated London News", Alfred Hunt British, Wood engraving
Scene from Antony and Cleopatra, at the Princess's Theatre, from "Illustrated London News"
After Alfred Hunt
Subject William Shakespeare
Sitter Isabella Glyn
June 8, 1867
Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), David Lucas British, Mezzotint; progress proof touched with white chalk
Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1)
Engraver David Lucas
After John Constable
Subject William Shakespeare
1830
Cassandra, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Cassandra, from "Twelve Characters from Shakespeare"
Artist and publisher Etched and published by John Hamilton Mortimer
Subject William Shakespeare
March 15, 1776
Poet, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Poet, from "Twelve Characters from Shakespeare"
Artist and engraver Etched and published by John Hamilton Mortimer
Subject William Shakespeare
May 20, 1775
Edgar, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Edgar, from "Twelve Characters from Shakespeare"
Artist and engraver Etched and published by John Hamilton Mortimer
Subject William Shakespeare
May 20, 1775
"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5), George Richmond British, Graphite
"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5)
George Richmond
Subject William Shakespeare
ca. 1830
King Henry the Eighth and Anna Bullen, William Hogarth British, Etching and engraving
King Henry the Eighth and Anna Bullen
Multiple artists/makers
ca. 1728
Bardolph, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Bardolph, from "Twelve Characters from Shakespeare"
John Hamilton Mortimer
Subject William Shakespeare
May 20, 1775
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4, Lumb Stocks British, Etching and engraving
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4
Multiple artists/makers
January 1867
Falstaff and His Friends, "The Merry Wives of Windsor," from "The Art Journal," opposite p. 84, William Greatbach British, Etching and engraving
Falstaff and His Friends, "The Merry Wives of Windsor," from "The Art Journal," opposite p. 84
Multiple artists/makers
May 1868
The Strong-Based Promontory (The Tempest, Act 5, Scene 1), Maxfield Parrish American, Color photographic process
The Strong-Based Promontory (The Tempest, Act 5, Scene 1)
After Maxfield Parrish
Publisher Dodge Publishing Co.
Subject William Shakespeare
1910–11
The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4), Anonymous, French, 19th century French, Brush and brown ink, gouache, and wash on blue paper. Pen and black ink framing lines added when mounted.
The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4)
Anonymous, French, 19th century
Former Attribution Formerly attributed to Anonymous, German, 19th century
Subject William Shakespeare
19th century
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), Anonymous, French, 19th century French, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper.
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3)
Anonymous, French, 19th century
Former Attribution Formerly attributed to Anonymous, German, 19th century
Subject William Shakespeare
19th century
Hamlet Reproaches His Mother, Eugène Delacroix French, Graphite
Hamlet Reproaches His Mother
Eugène Delacroix
Subject William Shakespeare
ca. 1834
Lady Macbeth, Lisa Rhana American, Watercolor
Lady Macbeth
Lisa Rhana
Subject William Shakespeare
1926–7