Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 377 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
[Group of 11 Early Stereograph Views of Famous British Houses], Unknown, Albumen silver prints
[Group of 11 Early Stereograph Views of Famous British Houses]
Multiple artists/makers
1850s–1910s
[Group of 12 Stereograph Views of British Cathedrals], Unknown, Albumen silver prints
[Group of 12 Stereograph Views of British Cathedrals]
Multiple artists/makers
1850s–1910s
[Group of 6 Stereograph Views of British Homes], Unknown, Albumen silver prints
[Group of 6 Stereograph Views of British Homes]
Multiple artists/makers
1850s–1910s
[Death Mask of Shakespeare]
London Stereoscopic and Photographic Company
Person in Photograph William Shakespeare
ca. 1865
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), Richard Earlom British, Stipple engraving; fourth state of four
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1)
Multiple artists/makers
first published 1792; reissued 1852
Pity, William Blake British, Relief etching, printed in color and finished with pen and ink and watercolor
Pity
William Blake
Subject William Shakespeare
ca. 1795
Shakespeare – Sacrificed; or, The Offering to Avarice, James Gillray British, Etching and aquatint; undescribed state
Shakespeare – Sacrificed; or, The Offering to Avarice
Multiple artists/makers
June 20, 1789
Jane Morris: Study for "Mariana", Dante Gabriel Rossetti British, Red, brown, off-white and black chalk on tan paper; four sheets butt-joined (and slightly tented)
Jane Morris: Study for "Mariana"
Dante Gabriel Rossetti
Subject William Shakespeare
1868
The Strong-Based Promontory (The Tempest, Act 5, Scene 1), Maxfield Parrish American, Color photographic process
The Strong-Based Promontory (The Tempest, Act 5, Scene 1)
After Maxfield Parrish
Publisher Dodge Publishing Co.
Subject William Shakespeare
1910–11
The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4), Anonymous, French, 19th century French, Brush and brown ink, gouache, and wash on blue paper. Pen and black ink framing lines added when mounted.
The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4)
Anonymous, French, 19th century
Former Attribution Formerly attributed to Anonymous, German, 19th century
Subject William Shakespeare
19th century
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), Anonymous, French, 19th century French, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper.
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3)
Anonymous, French, 19th century
Former Attribution Formerly attributed to Anonymous, German, 19th century
Subject William Shakespeare
19th century
Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), William Blake British, Etching and engraving
Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4)
Multiple artists/makers
1774
The Tempest (Ariel edition), Alice Cordelia Morse American, Black leather cloth covered boards with gold decoration
The Tempest (Ariel edition)
Designer Cover designed by Alice Cordelia Morse
Subject William Shakespeare
Publisher G. P. Putnam's Sons, New York
ca. 1892–94
Hamlet and the Ghost of his Father, Adam Vogler Austrian, Pen and gray ink, over graphite; double framing lines in pen and gray ink
Hamlet and the Ghost of his Father
Adam Vogler
Subject William Shakespeare
mid-19th century
Lady Macbeth, Lisa Rhana American, Watercolor
Lady Macbeth
Lisa Rhana
Subject William Shakespeare
1926–7
Mr. Garrick in the Character of Richard III, William Hogarth British, Etching and engraving; second state of two
Mr. Garrick in the Character of Richard III
Multiple artists/makers
June 20, 1746
Bardolph, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Bardolph, from "Twelve Characters from Shakespeare"
John Hamilton Mortimer
Subject William Shakespeare
May 20, 1775
Shylock, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Shylock, from "Twelve Characters from Shakespeare"
John Hamilton Mortimer
Subject William Shakespeare
March 15, 1776
Duke of York, from "Twelve Characters from Shakespeare", John Hamilton Mortimer British, Etching
Duke of York, from "Twelve Characters from Shakespeare"
John Hamilton Mortimer
Subject William Shakespeare
March 15, 1776
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4, Lumb Stocks British, Etching and engraving
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4
Multiple artists/makers
January 1867
Falstaff and His Friends, "The Merry Wives of Windsor," from "The Art Journal," opposite p. 84, William Greatbach British, Etching and engraving
Falstaff and His Friends, "The Merry Wives of Windsor," from "The Art Journal," opposite p. 84
Multiple artists/makers
May 1868
The Vine, or Plumpy Bacchus, Samuel Palmer British, Etching on chine collé; fourth state of four
The Vine, or Plumpy Bacchus
Samuel Palmer
Subject William Shakespeare
1880
Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1), Samuel William Reynolds, the elder British, Mezzotint and etching; before first state
Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1)
Multiple artists/makers
1829
Design for a Desk with Decorations from "A Midsummer Night's Dream", G. Clark Stanton British, Scottish, Graphite
Design for a Desk with Decorations from "A Midsummer Night's Dream"
G. Clark Stanton
Subject William Shakespeare
1851
"O Spartan dog": plate 15 from Othello (Act 5, Scene 2), Théodore Chassériau French, Etching, engraving, roulette, drypoint, aquatint or sulphur tint on chine collé
"O Spartan dog": plate 15 from Othello (Act 5, Scene 2)
Théodore Chassériau
Subject William Shakespeare
1844
Macbeth IV, Wilhelm Lehmbruck German, Drypoint; first state of two
Macbeth IV
Wilhelm Lehmbruck
Subject William Shakespeare
1918
Macbeth III, Wilhelm Lehmbruck German, Drypoint; only state
Macbeth III
Wilhelm Lehmbruck
Publisher T. C. & E. C. Jack
Subject William Shakespeare
1918
Illustration to the Tempest: Caliban, Ferdinand and Ariel, Henry Courtney Selous British, Graphite and pen and red ink
Illustration to the Tempest: Caliban, Ferdinand and Ariel
Henry Courtney Selous
Subject William Shakespeare
1836
Modern Oddities, by P. Pry Esq., Plate 1st, William Heath ('Paul Pry') British, Hand-colored etching
Modern Oddities, by P. Pry Esq., Plate 1st
William Heath ('Paul Pry')
Publisher Thomas McLean
Subject William Shakespeare
June 30, 1829
John Henderson, in the Character of Iago (Shakespeare's Othello), Francesco Bartolozzi Italian, Stipple engraving and etching; third state of three
John Henderson, in the Character of Iago (Shakespeare's Othello)
Multiple artists/makers
1786
Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1), Francesco Bartolozzi Italian, Stipple engraving and etching, printed in brown ink; third state of four
Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1)
Multiple artists/makers
February 1, 1790
Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet, Francesco Bartolozzi Italian, Etching and engraving, printed in brown ink; third state of three
Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet
Multiple artists/makers
May 1, 1796
Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet, Francesco Bartolozzi Italian, Stipple engraving and etching; early state
Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet
Multiple artists/makers
May 1, 1796
The Nymph of Immortality, Attended by the Loves, Crowning the Bust of Shakespeare, Francesco Bartolozzi Italian, Stipple engraving and etching, hand colored; fifth state of five
The Nymph of Immortality, Attended by the Loves, Crowning the Bust of Shakespeare
Multiple artists/makers
September 1784
Ophelia (Shakespeare, Hamlet, Act 4), Francesco Bartolozzi Italian, Etching and stipple engraving, printed in brown ink; fourth state of four
Ophelia (Shakespeare, Hamlet, Act 4)
Engraver Francesco Bartolozzi
After James Nixon
Subject William Shakespeare
1784
"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1), Théodore Chassériau French, Etching, engraving, and roulette on chine collé
"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1)
Théodore Chassériau
Subject William Shakespeare
1844
Frontispiece, from Othello, Théodore Chassériau French, Etching, engraving, roulette, drypoint on chine collé
Frontispiece, from Othello
Théodore Chassériau
Subject William Shakespeare
1900
"She thank'd me": plate 2 from Othello (Act 1, Scene 3), Théodore Chassériau French, Etching, engraving, roulette, and drypoint on chine collé
"She thank'd me": plate 2 from Othello (Act 1, Scene 3)
Théodore Chassériau
Subject William Shakespeare
1844
"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3), Théodore Chassériau French, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3)
Théodore Chassériau
Subject William Shakespeare
etched 1844, reprinted 1900
Shakespeare's Tempest (Macklin's British Poets), Francesco Bartolozzi Italian, Stipple engraving, hand-colored; third state of three
Shakespeare's Tempest (Macklin's British Poets)
Multiple artists/makers
1798
Mrs. Abington as Thalia, Francesco Bartolozzi Italian, Stipple engraving and etching; working proof, printed in brown ink
Mrs. Abington as Thalia
Multiple artists/makers
1783
Macbeth, Thomas Goff Lupton British, Mezzotint
Macbeth
Multiple artists/makers
1828