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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1947
El libro negro del terror Nazi en Europa (The Black Book of Nazi Terror in Europe)
Alexander Abusch
1943
On an island situated between Cabo Catoche and Sibera; a group of monkeys around a table, one hanging from the ceiling reading a book (The Editors), illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
ca. 1847 (impression printed 1944)
Plate 75: the traitor Saturnino Cedillo agent of the foreign petroleum companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1947
Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1947
'La coiffure': a woman resting her head on a table, another combing her hair
Alfredo Zalce
1931
A horse bucking and a man stumbling out of a carriage, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
ca. 1847 (impression printed 1944)
Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946
Pages 1, 2, 7 and 8 of an eight page broadsheet 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings) addressing imperialism with images of 'calaveras' accompanied by 'corridos' (ballads); on the first page, a calavera cow with foot and mouth disease in nylon stockings refering to the contamination of milk
José Chávez Morado
1947
Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1946
The Beach (Playa), plate 5 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce
1947
The Ipiranga, the people say goodbye to '30 years of peace' (El 'Ipiranga': el pueblo despide '30 años de paz', 31 de mayo de 1911), Plate 66 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Alfredo Zalce
1960
A man reading and a man listening to him
Alfredo Zalce
1941
A Storm, from "El Sombrerón"
Alfredo Zalce
1945
Let’s remove the blindfold!; Literacy campaign (¡Quitemos la venda!; Campaña de alfabetización)), Plate 117 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Alfredo Zalce
1960
A Tortoise (Tortuga), plate 4 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce
1947
Portrait of a man wearing a hat
Alfredo Zalce
1942
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings)
José Chávez Morado
1947
Corn cribs (a type of granary) with a figure in the foreground
Alfredo Zalce
1947
What an article of truths and lies; a man standing on a printing press, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
ca. 1847 (impression printed 1944)
Miguel Hidalgo talking to farmers bearing arms , illustration for 'Hidalgo'
Alfredo Zalce
ca. 1946
A figure carrying a load on his back whipping a fallen man, illustration for 'Hidalgo'
Alfredo Zalce
ca. 1946
A leopard and a group of seated men holding weapons, from "El Sombrerón"
Alfredo Zalce
1945
Sailfish (Pez vela), plate 7 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce
1947
'Los muñeceros' (people making wax figures)
Alfredo Zalce
1931
Allegory of the ten tragic days, 9-18 February 1913
Alfredo Zalce
1945
Woman resting on a mat, another suckling a child
Alfredo Zalce
1931
450 años de lucha: Homenaje al pueblo mexicano (450 Years of Struggle: Homage to the Mexican People)
Various
1960
Eight uncut pages from the Marxist newspaper 'Rumbo Grafico' with illustrations by Méndez and Zalce including an advertisement from the TGP offering their design and printing services at competitive prices for effective propaganda
Alfredo Zalce
1940
A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana on the subject of the place of women in Nazi society
Alfredo Zalce
1938
'Yucatan Night': a woman standing in a doorway
Alfredo Zalce
ca. 1940–46
The traitor Saturnino Cedillo, agent of the oil companies (El traidor Saturnino Cedillo, agente de las empresas petroleras. 1938), Plate 112 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Alfredo Zalce
1960
Building a Boat (Construyendo una barca), plate 3 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce
1947
Ranchero: man on horseback facing right
Alfredo Zalce
ca. 1930
Poster commemorating two dates: the liberation of Mexican farmers in 1919 during the revolution, and 1938, the anniversary of Mexican economic independence. A portrait of Emiliano Zapata dominates the poster
Alfredo Zalce
1938
Plate 50: a woman attending to an wounded guerilla, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1945
Plate 82: The press and the Mexican Revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1947
Miguel Hidalgo holding a document and speaking to workers, illustration for 'Hidalgo'
Alfredo Zalce
ca. 1946
A woman and the eyes of God, from "El Sombrerón"
Alfredo Zalce
ca.1946
TGP Mexico, el taller de gráfica popular, doce años de obra artística colectiva (the workshop for popular graphic art, a record of twelve years of collective artistic work)
Hannes Meyer
1949