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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - Escobedo; ballad of the good neighbour - Chávez Morado; ballad regarding the expropriation of foreign petroleum companies - Zalce; ballad on the eclipse of the peso - Chávez Morado
José Chávez Morado
1938
President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879
Alfredo Zalce
1945
The ingenious invention for conserving between spouses the love they profess; a man and woman standing partially undressed, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
ca. 1847 (impression printed 1944)
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings)
José Chávez Morado
1947
A man weighing stones (crystals?), a woman in the foreground at the counter
Alfredo Zalce
1940
A woman holding her head, illustration for 'El Sombrerón'
Alfredo Zalce
1945
Semi-abstract composition with grimacing figures
Alfredo Zalce
1938
Miguel Hidalgo standing surrounded by farmers bearing arms
Alfredo Zalce
ca. 1935–1946
A Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman
Alfredo Zalce
1946
'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet
Alfredo Zalce
1945
Corn cribs (a type of granary) with a figure in the foreground
Alfredo Zalce
1947
'El Torito'; a man carry and mask of a bull above his head, surrounded by figures
Alfredo Zalce
1931
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado)
José Chávez Morado
1938
A skeleton holding a dagger and wearing a helmet decorated with a swastika hovering over and explosion on the island/reef of Bikini in the Pacific ocean
Alfredo Zalce
1946
Fallen Nazi
Alfredo Zalce
ca. 1941
Flyer relating to an anti-Calles demonstration of December 1935 in Mexico City with an image of Plutarco Elías Calles in the guise of a pirate
Alfredo Zalce
1935
Two posters; the one at left by Méndez depicting a figure with a swastika on his back and a dollar coin for his head wielding a knife about to murder men looking at newsheets; the image at right by Zalce relating to the 'revolutionary army', the power of foreign petroleum companies and corruption
Leopoldo Méndez
1938
Miguel Hidalgo holding a lantern and speaking with a military official, illustration for 'Hidalgo'
Alfredo Zalce
ca. 1946
Allegory of the ten tragic days, 9-18 February 1913
Alfredo Zalce
1945
Poster celebrating national teachers' day (15 May). In the upper section (yesteryear) a teacher falls back while a man on horseback points a pistol at him, and other at right carries a Cristero banner. In the lower section (now) a teacher instructs adults to read
Alfredo Zalce
Ca. 1938–40
Title page for 'Don Bullebulle', satirical vignettes of different members from society
Gabriel Vicente Gahona (Picheta)
1847 (impression taken in 1944)
The salt deposits of Celestún, from 'Estampas de Yucatan' (1946)
Alfredo Zalce
1945
Broadsheet relating to a subscription for Taller de Grafica Popular's 'Hoja Popular Ilustrada' (revolutionary propaganda and news), figures distributing flyers in various locations
Alfredo Zalce
ca. 1938
The neice of Uncle Bigornia, illustration for 'Don Bullebulle',
Gabriel Vicente Gahona (Picheta)
ca. 1847 (impression printed 1944)
Broadsheet relating to the expropriation of oil resources that hade been exploited by foreign companies, Lázaro Cárdenas shown signing documents designed to repel the intrusive interests
Alfredo Zalce
ca. 1938
Poster created for the Congreso de Trabajadores Mexicanos, addressing union promises for graphic art workers employed by commercial workshops. Four images relating to a payday every week (upper left, Zalce), annual vacations (lower left, Aguirre), a study centre (lower centre, Zalce) and access to a doctor and medicines, (lower right, Ramírez)
Everardo Ramírez
Ca. 1940–42
A group of people looking at animal bones in a natural history museum
Alfredo Zalce
ca. 1940
Woman resting on a mat, another suckling a child
Alfredo Zalce
1931
The press in the service of imperialism
Alfredo Zalce
1939
A leopard, rabbit, and a crow, illustration for 'El Sombreron'
Alfredo Zalce
ca. 1943
Poster commemorating two dates: the liberation of Mexican farmers in 1919 during the revolution, and 1938, the anniversary of Mexican economic independence. A portrait of Emiliano Zapata dominates the poster
Alfredo Zalce
1938
Flyer relating to the expropriation of oil resources from foreign companies, Lázaro Cárdenas signing documents designed to repel the intrusive interests
Alfredo Zalce
ca 1938
Miguel Hidalgo conversing with men seated at a table, illustration for 'Hidalgo'
Alfredo Zalce
ca. 1946
War or peace, a man holding a bouquet of flowers in one hand and a feather in the other, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
ca. 1847 (impression printed 1944)
Facade of the church in Azcapotzalco, Mexico
Alfredo Zalce
1931
Miguel Hidalgo conversing with military officials, illustration for 'Hidalgo'
Alfredo Zalce
ca. 1946
Peasant children
Alfredo Zalce
1942
Mexico transforms itself into a great city
Alfredo Zalce
1947
Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1945
Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
1945