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'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
16th century
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Poet Hatifi
Calligraphy, illumination, and painting by Suzi
dated 904 AH/1498–99 CE
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Painting by Mustafa ibn Vali
Patron Commissioned by Sultan Murad III
Author Mustafa b. Yusuf al-Darir al-Erzerumi
ca. 1595
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
Calligrapher 'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
"Bellini" Carpet, Wool (warp, weft, and pile); symmetrically knotted pile
16th–17th century
Textile Fragment, Silk, metal wrapped thread; lampas (kemha)
mid-16th century
Qur'an Manuscript, Ink, opaque watercolor, and gold on paper; leather binding
dated 1268 AH/1851–52 CE
Hammam Shoes, Wood, mother-of-pearl, silver
19th century
Rosewater Sprinkler, Glass; blown
late 18th–19th century
Rosewater Sprinkler, Glass; blown
late 18th–19th century
Tile Spandrel, Stonepaste; polychrome painted under transparent glaze
17th century
Tile Spandrel, Stonepaste; polychrome painted under transparent glaze
17th century
Ewer, Copper
dated 1707 CE
Ewer, Silver; partially gilded
19th century
Textile Fragment, Silk, metal wrapped thread; lampas (kemha)
16th century
'Star Ushak' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
16th–17th century
Dish, Stonepaste; painted in turquoise and two hues of blue under transparent glaze
mid-16th century
Rectangular Textile Fragment, Silk, metal wrapped thread; cut and voided velvet, brocaded
second half 16th century
Tile Panel, Stonepaste; polychrome painted under transparent glaze.
second half 16th century
Tile Panel, Stonepaste; polychrome painted under a transparent glaze
second half 16th century

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.