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The Robert Lehman Collection

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Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas — Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas — Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67

Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas — Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67

Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Christ Carrying the Cross
El Greco (Domenikos Theotokopoulos)
ca. 1577–87

Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel — Watch
Jacques Goullons
ca. 1645–48

Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish — Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century

Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main — Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas — The Annunciation
Hans Memling
1480–89

Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel — Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas — Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836

The Palace of Westminster, André Derain French, Oil on canvas — The Palace of Westminster
André Derain
1906–1907

Nude in Front of a Mantel, Balthus (Balthasar Klossowski) French, Oil on canvas — Nude in Front of a Mantel
Balthus (Balthasar Klossowski)
1955

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Dish (piatto): Man Washing the Mouth of an Ass, Maiolica (tin-glazed earthenware), Italian, Deruta — Dish (piatto): Man Washing the Mouth of an Ass
Italian, Deruta
ca. 1550–60

Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware) — Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli
1528

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory. — Secretary
Multiple artists/makers
ca. 1781–85

A Goldsmith in his Shop, Petrus Christus Netherlandish, Oil on oak panel — A Goldsmith in his Shop
Petrus Christus
1449

Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel — Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres French, Oil on canvas — Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres
1851–53

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), Paul Signac French, Oil on canvas — Evening Calm, Concarneau, Opus 220 (Allegro Maestoso)
Paul Signac
1891

Before Dinner, Pierre Bonnard French, Oil on canvas — Before Dinner
Pierre Bonnard
1924

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian — Tabernacle frame
del Tasso
ca. 1530

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels — Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel — Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel — Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground — The Assumption of the Virgin
Bernardo Daddi
ca. 1337–39