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Illuminated Psalter, Tempera, black ink and gold on parchment, Byzantine
Byzantine
late 1100s
Manuscript Leaf Showing an Illuminated Initial R with The Resurrection, Parchment, tempera, ink, metal leaf, Rhenish
Rhenish
late 13th century
Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. Gervasius, Olivetan Master  Lombard, Tempera, gold, and ink on parchment, Italian
Olivetan Master
mid-15th century
Manuscript Leaf Showing an Illuminated Initial A and The Resurrection, Parchment, tempera, ink, metal leaf, North Italian
North Italian
second half of 14th–early 15th century
Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, Parchment, tempera, ink, metal leaf, French
French
1390–1400
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, Tempera, gold, silver, ink on parchment, Italian
Italian
second half of the 15th century
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., Parchment, tempera, ink, metal leaf, French
French
late 15th century
Four Gospels in Armenian, Tempera and gold on paper; stamped leather binding, Armenian
Armenian
1434/35
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle  French, Grisaille, tempera, and ink on vellum, French
Jean Pucelle
ca. 1324–28
Book of Hours, Simon Bening  Netherlandish, Tempera, gold, and ink on parchment; modern red leather binding, Netherlandish
Simon Bening
ca. 1530–35
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura)  Italian, Tempera, ink, and gold on parchment, Italian
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Mishneh Torah, Master of the Barbo Missal  Italian, Tempera and gold leaf on parchment; leather binding, North Italian
Illuminator Attributed to Master of the Barbo Missal
Author Maimonides
Scribe Nehemiah
ca. 1457
The Cloisters Apocalypse, Tempera, gold, silver, and ink on parchment; later leather binding, French
French
ca. 1330
Manuscript Leaf with Initial A, from a Gradual, Tempera, ink, and metal leaf on parchment, German
German
second quarter 15th century
Jaharis Byzantine Lectionary, Tempera, gold, and ink on parchment; leather binding, Byzantine
Byzantine
ca. 1100
Spanish Translation of Saint Augustine's "City of God", Cano de Aranda  Spanish, Tempera and gold on parchment, tooled leather binding, Spanish
Cano de Aranda
1446–82
Manuscript Leaf with Coat of Arms, from a Book of Hours, Tempera, ink, and shell gold on parchment, Netherlandish
Netherlandish
ca. 1500
Spanish Translation of Saint Augustine's "City of God", Cano de Aranda  Spanish, Tempera and gold on parchment, tooled leather binding, Spanish
Cano de Aranda
1446–82
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, Jean Le Noir , and Workshop French, Tempera, grisaille, ink, and gold on vellum, French
Attributed to Jean Le Noir
before 1349
Bifolium from a Gradual, Tempera, ink, and metal leaf on parchment, German
German
late 15th century
Leaf from a Beatus Manuscript: Table of the Antichrist, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Bible, Tempera and gold on parchment; leather binding, French
French
ca. 1250–75
Manuscript Illumination with David in Prayer in an Initial M, from a Psalter, Girolamo dai Libri  Italian, Tempera, ink, and gold on parchment, Italian
Girolamo dai Libri
1501–2
Bifolium with Christ in Majesty in an Initial A, from an Antiphonary, Tempera, gold, and ink on parchment, Bohemian
Bohemian
ca. 1405
Manuscript Leaf with Initial B, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
German
second quarter 15th century
Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem), T'oros the Deacon  Armenian, Ink and pigments on oriental paper, Armenian
T'oros the Deacon
1311
Spanish Translation of Saint Augustine's "City of God", Cano de Aranda  Spanish, Tempera and gold on parchment, tooled leather binding, Spanish
Cano de Aranda
1446–82
Manuscript Leaf with June Calendar, from a Royal Psalter, Tempera and gold on parchment, British
British
13th century
Leaf from a Beatus Manuscript: the Seventh Angel Proclaims the Reign of the Lord, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers  Franco-Netherlandish, Tempera, gold, and ink on vellum, French
The Limbourg Brothers
1405–1408/1409
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
Missal, Tempera, ink, and metal leaf on parchment; leather binding, German
German
1472
Hebrew Bible: Castle Ramparts with Knightly Pursuits (fols. 444v-445), Joseph the Frenchman, Tempera, gold, and ink on parchment
On loan to The Met
Illuminated by Joseph the Frenchman
1299–1300
Initial S with Saint Peter Liberated from Prison, Tempera, gold, and ink on parchment, Italian
Italian
first half 14th century
Hebrew Bible: Unicorns and Other Creatures (fols. 440v-441), Joseph the Frenchman, Tempera, gold, and ink on parchment
On loan to The Met
Illuminated by Joseph the Frenchman
1299–1300
Manuscript Leaf with the Crucifixion, from a Book of Hours, Tempera, ink, and shell gold on parchment, North French
North French
last quarter 15th century
Hebrew Bible, Ink, tempera, and gold on parchment; leather binding, Spanish
Spanish
1300–1350 (before 1366)
Manuscript Leaf with the Pièta, from a Book of Hours, Tempera, ink, and shell gold on parchment, North French
North French
last quarter 15th century
Manuscript Leaf, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
German
second quarter 15th century
Pectoral with Christ and the Lamb of God and the Symbols of the Four Evangelists, Walrus ivory with gilded copper sheets and copper alloy pin, British or North French
British or North French
1000–1050
Bowl with Lioness, Earthenware, Byzantine
Byzantine
1100–1300

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