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The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Madonna and Child, Benvenuto di Giovanni  Italian, Tempera on wood, gold ground
Benvenuto di Giovanni
ca. 1470
The Annunciation, Botticelli (Alessandro di Mariano Filipepi)  Italian, Tempera and gold on wood
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92
A Goldsmith in his Shop, Petrus Christus  Netherlandish, Oil on oak panel
Petrus Christus
1449
The Annunciation, Hans Memling  Netherlandish, Oil on panel, transferred to canvas
Hans Memling
1480–89
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Madame Roulin and Her Baby, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1888
Sergeant of the Colonial Regiment, Albert Marquet  French, Oil on canvas
Albert Marquet
1906–7
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
del Tasso
ca. 1530
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
German, perhaps Frankfurt-am-Main
ca. 1705–11
The Adoration of the Magi, Bartolo di Fredi  Italian, Tempera and gold on wood
Bartolo di Fredi
ca. 1390
The Coronation of the Virgin, Niccolò di Buonaccorso  Italian, Tempera on wood, gold ground
Niccolò di Buonaccorso
ca. 1380
The Nativity, Lorenzo Monaco (Piero di Giovanni)  Italian, Tempera and gold on wood
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera on wood, gold ground
Master of Saint Francis
ca. 1272
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century
Watch, Jacques Goullons  French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Jacques Goullons
ca. 1645–48
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Multiple artists/makers
ca. 1781–85
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1665–67
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Before Dinner, Pierre Bonnard  French, Oil on canvas
Pierre Bonnard
1924
Nude in Front of a Mantel, Balthus (Balthasar Klossowski)  French, Oil on canvas
Balthus (Balthasar Klossowski)
1955
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
South Netherlandish
late 14th or early 15th century