Успение Пресвятой Богородицы

Bernardo Daddi Italian

On view at The Met Fifth Avenue in Gallery 952

Бернардо Дадди был ведущим художником Флорентийской школы, последователем Джотто. Эта работа, вероятнее всего, составляла верхнюю часть алтаря, расписанного Дадди для капеллы Сакро Чинголо в соборе Прато рядом с Флоренцией, где хранится чтимый пояс Пресвятой Богородицы. Шесть ангелов несут Пресвятую Богородицу в рай, и в доказательство Успения, Богородица отдает свой пояс апостолу Фоме, изображение рук которого можно увидеть в крайнем левом углу фрески. На утерянной нижней части алтаря, вероятно, был изображен Святой Фома в окружении других апостолов, собравшихся у смертного одра Богородицы.

The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground

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The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground
The Assumption of the Virgin, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence) (possibly with workshop assistance), Tempera on wood, gold ground

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