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Silk bobbin

Spanish

early 19th century

Ferdinand VII (1784–1833), When Prince of Asturias

Goya

Telegraph (Album H)

Goya (Francisco de Goya y Lucientes)

1824–28

Blouse

Spanish

fourth quarter 19th century

Still Life with Dead Hares

Goya (Francisco de Goya y Lucientes)

ca. 1808–12

Sampler

Spanish

19th century

The Diplomat, man seated holding hat facing left

Mariano Fortuny, 1838–1874

ca. 1860–70

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

Goya (Francisco de Goya y Lucientes)

1816

[Interior of the Choir of the Cathedral of Toledo]

Casiano Alguacil

1880s–90s

A Moroccan family in front of an arch, father standing, mother lower left on the ground holding a child

Mariano Fortuny, 1838–1874

1862

Gloves

Spanish

early 19th century

Masquerade

Mariano Fortuny Marsal

1868

Broadside with 30 scenes relating the life story of the virgin matyr Saint Eulalia, patron of Barcelona

José Noguera

ca. 1855–70

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

Goya (Francisco de Goya y Lucientes)

1810 (published 1863)

Portrait of the painter Eduardo Zamacois seated at a table

Mariano Fortuny, 1838–1874

ca. 1869

Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull

Goya (Francisco de Goya y Lucientes)

1816

[Patio of the Acequia in the Generalife]

Rafael Garzón

1880s–90s

Cape

Spanish

late 19th century

Broadside with 48 scenes relating to the carnival in Barcelona

José Noguera

1862

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!)

Goya (Francisco de Goya y Lucientes)

ca. 1810 (published 1863)

Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)

Goya (Francisco de Goya y Lucientes)

1810 (published 1863)

Broadside with 48 scenes telling the story of the chicken (social advancement and decline)

Juan Llorens

ca. 1860–70

Draughtsmen (30) and box-board for checkers, backgammon and nine-men's morris

Spanish

probably mid-19th century

Plate 17: four street vendors from Madrid selling parsley, mats etc, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino

1809–17

Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)

Goya (Francisco de Goya y Lucientes)

1810 (published 1863)

Architectural Model Based on the Alhambra

Rafael Contreras

19th century (?)

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

Goya (Francisco de Goya y Lucientes)

1816

Fan

Spanish

19th century

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes)

ca. 1815–19 (private printing ca.1854)

Fragment

Spanish

19th century

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)

Goya (Francisco de Goya y Lucientes)

1810

Erection of statue to Columbus, at Cardeñas, Cuba, 1862

J.S.D.

19th century

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes)

1816

A beggar, seated on the ground holding a stick

Mariano Fortuny, 1838–1874

ca. 1862

Anchorite: a partially naked man seated at left in a landscape with what appears to be a long sheet unfolded over his knees

Mariano Fortuny, 1838–1874

ca. 1869

Beggar with a staff in his left hand; folio 70 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes)

ca. 1812–20

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes)

ca. 1815–19 (private printing ca.1854)

Sampler

Spanish

1867

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Goya (Francisco de Goya y Lucientes)

1816

[Cathedral of Toledo]

Casiano Alguacil

1880s–90s

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