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Dragon-Handled Jug with Inscription, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound
Dragon-Handled Jug with Inscription
early 16th century
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
Panel with the god Zeus/Serapis/Ohrmazd and worshiper, Terracotta, gouache, Kushan
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Kushan
ca. 3rd century CE
Head of Buddha, Stucco with traces of paint, Afghanistan (probably Hadda)
Head of Buddha
Afghanistan (probably Hadda)
5th–6th century
"Dancing Dervishes", Folio from a Divan of Hafiz, Hafiz Iranian, Opaque watercolor and gold on paper
"Dancing Dervishes", Folio from a Divan of Hafiz
Poet Hafiz
Painting attributed to Bihzad
ca. 1480
A Stallion, Habiballah of Sava Iranian, Ink, opaque watercolor, and gold on paper
A Stallion
Painting by Habiballah of Sava
ca. 1601–6
"The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Maulana Azhar, Ink, opaque watercolor, silver, and gold on paper
"The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Calligrapher Maulana Azhar
Poet Nizami
Painting by Unknown
ca. 1430
Fragment of an Ivory Comb, Ivory, Afghanistan, possibly of West Indian manufacture
Fragment of an Ivory Comb
Afghanistan, possibly of West Indian manufacture
1st–3rd century
Ritual Basin, Bronze, Afghanistan or Central Asia
Ritual Basin
Afghanistan or Central Asia
6th–8th century
Seated Bodhisattva Maitreya (Buddha of the Future), Schist, Afghanistan (found near Kabul)
Seated Bodhisattva Maitreya (Buddha of the Future)
Afghanistan (found near Kabul)
7th–8th century
Linga with Face of Shiva (Ekamukhalinga), White marble, Afghanistan
Linga with Face of Shiva (Ekamukhalinga)
Afghanistan
9th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di Iranian, Ink, opaque watercolor, silver, and gold on paper
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di Iranian, Ink, opaque watercolor, silver, and gold on paper
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz , Sa'di Iranian, Ink, opaque watercolor, silver, and gold on paper

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz

Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di Iranian, Ink, opaque watercolor, silver, and gold on paper
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz
Author Sa'di
Author Hafiz
Calligrapher Sultan 'Ali al-Mashhadi
late 15th century
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Green Palace on Monday", Folio 224 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Green Palace on Monday", Folio 224 from a Khamsa (Quintet) of Nizami of Ganja
Author Nizami
dated 931 AH/1524–25 CE
Portrait of a Lady Holding a Flower, Muhammadi of Herat Iranian, Opaque watercolor, ink, and gold on paper
Portrait of a Lady Holding a Flower
Painted by Muhammadi of Herat
1565–75
"Bahman Taking Revenge on the Sistanians" Folio from the Majma' al-Tavarikh (Compendium of Histories) of Hafiz-i Abru, Hafiz-i Abru Iranian, Ink, opaque watercolor, and gold on paper
"Bahman Taking Revenge on the Sistanians" Folio from the Majma' al-Tavarikh (Compendium of Histories) of Hafiz-i Abru
Author Hafiz-i Abru
ca. 1425
"Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories), Hafiz-i Abru Iranian, Opaque watercolor, silver, and gold on paper
"Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories)
Author Hafiz-i Abru
ca. 1425
Illuminated Frontispiece of a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Folio: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather
Illuminated Frontispiece of a Bustan of Sa`di
Calligrapher Sultan Muhammad Nur
dated 920 AH/1514 CE
Square Tile, Stonepaste; molded and monochrome glazed
Square Tile
early 13th century
Square Tile, Stonepaste; molded and monochrome glazed
Square Tile
early 13th century
Hexagonal Tile, Stonepaste; molded and monochrome glazed
Hexagonal Tile
early 13th century
Divan of Sultan Husayn Baiqara, Sultan 'Ali al-Mashhadi Iranian, Ink, opaque watercolor, and gold on paper; lacquer binding
Divan of Sultan Husayn Baiqara
Calligrapher Sultan 'Ali al-Mashhadi
dated 905 AH/1500 CE
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja
Calligrapher Ja'far Baisunghuri
Author Nizami
dated 835 AH/1431–32 CE
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja
Calligrapher Ja'far Baisunghuri
Author Nizami
835 AH/1431–32 CE
"Bahram Gur on the Chase", Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Bahram Gur on the Chase", Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Maulana Azhar
ca. 1430
"Bahram Gur and the Indian Princess in the Dark Palace on Saturday", Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Bahram Gur and the Indian Princess in the Dark Palace on Saturday", Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Maulana Azhar
ca. 1430
"How a Braggart was Drowned in a Well", Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"How a Braggart was Drowned in a Well", Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Maulana Azhar
ca. 1430
Illuminated Frontispiece of a Manuscript of the Mantiq al-Tayr (Language of the Birds), Sultan 'Ali al-Mashhadi Iranian, Ink, opaque watercolor, silver, and gold on paper
Illuminated Frontispiece of a Manuscript of the Mantiq al-Tayr (Language of the Birds)
Calligrapher Sultan 'Ali al-Mashhadi
Illuminator Zain al-'Abidin al-Tabrizi
Author Farid al-Din `Attar
text: dated 892 AH/1487 CE; illumination: ca. 1600
High-Tin Bronze Bowl, Abu Nasr al-Naqqash, High-tin bronze; cast, chased, punched, engraved
High-Tin Bronze Bowl
Abu Nasr al-Naqqash
11th century
Rubab, Wood and various materials, Afghan
Rubab
Afghan
early 20th century
Dutār, mulberry, bone, brass, silver, carnelian, turquoise, Afghan (Turkmen)
Dutār
Afghan (Turkmen)
ca. 1860
Waj, Wood, hide, animal hair, nylon, cloth, Afghan (Nuristan)
Waj
Afghan (Nuristan)
mid-20th century
Niche with the Seated Bodhisattva Shakyamuni Flanked by Devotees and an Elephant, Stucco, Afghanistan (Hadda)
Niche with the Seated Bodhisattva Shakyamuni Flanked by Devotees and an Elephant
Afghanistan (Hadda)
ca. 4th–5th century
Coat, Leather, silk; embroidered
Coat
1900–1958
Boots, Leather, silk; embroidered
Boots
1900–1971
Wedding Tunic, Cotton, metal, synthetics; embroidered
Wedding Tunic
1875–1925
Knife Blade, Steel, gold, Afghan
Knife Blade
Afghan
11th–13th century
Ammunition Belt (Kamr) with Powder Flask and Two Pouches, Cowhide, steel, camel's intestine, Afghan
Ammunition Belt (Kamr) with Powder Flask and Two Pouches
Afghan
19th century

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