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Ecstatic Christ, Hans Baldung (called Hans Baldung Grien) German, Pen and two shades of carbon black ink, traces of black chalk underdrawing — Ecstatic Christ
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11

Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash. — Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90

Electric Guitar, Steinberger Sound, “Steinberger blend” graphite and carbon fiber mix, metal, American — Electric Guitar
Steinberger Sound
mid 1980s

"Parker Fly" electric guitar, Parker Guitars American, Carbon-glass-epoxy composite, redwood, steel, plastic, American — "Parker Fly" electric guitar
Parker Guitars
Ken Parker
1987

Apothecary Cabinet, Nicolaus I Kolb German, Veneer: ebonized pearwood (Pyrus communis), ebony, partially gilded silver; carcass: conifer; interior: protective quilted cushion covered in red silk, drawers and chest lined with red silk velvet; gold trimming; mounts and fittings: partially gilded brass; thirty-two (32) vessels and utensils: glass, partially gilded silver, low carbon steel, leather, German, Augsburg — Apothecary Cabinet
Nicolaus I Kolb
1617–18

Archtop guitar, Ken Parker American, Alpine spruce, mahogany, holly, cherry, willow, ebony, mother-of-pearl, camel bone, Douglas fir, carbon fiber composite, mokume-gane, American — Archtop guitar
Ken Parker
2016

Book of Flower Studies, Master of Claude de France, Opaque water color, organic glazes, gold and silver paint, iron and carbon-based ink and charcoal on parchment, French — Book of Flower Studies
Master of Claude de France
ca. 1510–1515

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

"Man Skiing with Dogs", George A. Ahgupach Native American, Parchment, ink, blood serum, carbon, Inuit — "Man Skiing with Dogs"
George A. Ahgupach
ca. 1930

Lunching in the Market Place, Henry Ravell American, Gum or carbon transfer with applied color — Lunching in the Market Place
Henry Ravell
1910s

Forêt de Fontainebleau, William Harrison British, Carbon print from glass negative — Forêt de Fontainebleau
William Harrison
1870s

Sir John Herschel, Julia Margaret Cameron British, born India, Carbon Print — Sir John Herschel
Julia Margaret Cameron
1867

Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh — Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
early 12th century

[Gallery of Mystery, London], Unknown, Carbon print; lithograph — [Gallery of Mystery, London]
Unknown
1890s

Carbon Series: Predictable View, Joshua Neustein American, born Poland, Torn, scratched, and folded carbon paper — Carbon Series: Predictable View
Joshua Neustein
1976

Carbon Series: Untitled, Joshua Neustein American, born Poland, Incised, cut, scratched, and folded carbon set — Carbon Series: Untitled
Joshua Neustein
1989

Carbon Series: Line of Experience, Joshua Neustein American, born Poland, Torn, scratched, and folded carbon paper set — Carbon Series: Line of Experience
Joshua Neustein
1978

"Carbon 40" Bowl, Olgoj Chorchoj Czechoslovakian, Carbon fiber, styrene/acrylic polymer — "Carbon 40" Bowl
Multiple artists/makers
1999

Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso), Germany, Middle Rhine German, Middle Rhine, Pen and carbon black ink, traces of black chalk underdrawing, on paper prepared with sanguine wash, Germany, Middle Rhine — Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
Germany, Middle Rhine
ca. 1460–70

Contending with Contingency III, Kenturah Davis American, Carbon pencil over debossed text with graphite on wove paper, in nine parts — Contending with Contingency III
Kenturah Davis
2021

Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh — Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
early 12th century

Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, Bengal or Bangladesh — Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
early 12th century

Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh — Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
early 12th century

Design for a Monumental Sacrament House, Lorenz Lechler German, Pen and two types of ink (carbon black and iron gall) over blind ruling, 17th-century inscription in pen and ink, on parchment, German — Design for a Monumental Sacrament House
Lorenz Lechler
Unidentified
1502

Ketubah (Jewish Marriage Certificate), Carbon black ink, opaque watercolor with transparent glazes on paper — Ketubah (Jewish Marriage Certificate)
dated 1889

Prayer of the Good Shepherd window for St. James Church, Lake George, New York, Louis C. Tiffany American, Carbon print on lightweight paper, transparent and opaque watercolor in grisaille, and graphite on off-white wove paper, American — Prayer of the Good Shepherd window for St. James Church, Lake George, New York
Multiple artists/makers
1894-1910

Long Tail Halo: CTCS #2, Lee Bul South Korean, Stainless steel, ethylene-vinyl acetate, carbon fiber, paint, polyurethane — Long Tail Halo: CTCS #2
Lee Bul
2024

"To photograph throughout the U.S.A. and to center...."

Robert Frank

Walker Evans

1954

[Façade Detail of South Portal Showing Wise Virgins, Strasbourg Cathedral]

Adolphe Braun

1859, printed ca.1865

Penitents in Cuenca

José Ortiz-Echagüe

1942

José Ortiz-Echagüe

1934

José Ortiz-Echagüe

1945

Castle of Almenara

José Ortiz-Echagüe

1930s–50s

The Village Sermon, Rioja

José Ortiz-Echagüe

1903

Cerros de Calatayud

José Ortiz-Echagüe

1952

Basque in Mourning

José Ortiz-Echagüe

1930s

Morino, Andaluz

José Ortiz-Echagüe

1948

José Ortiz-Echagüe

1934

Penitent in Cuenca

José Ortiz-Echagüe

1940