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White Flag, Jasper Johns  American, Encaustic, oil, newsprint, and charcoal on canvas
Jasper Johns
1955
Nocturne, John La Farge  American, Watercolor, gouache, and charcoal on off-white wove paper
 adhered to wove paper, American
John La Farge
ca. 1885
Böhmen liegt am Meer (Bohemia Lies by the Sea), Anselm Kiefer  German, Oil, emulsion, shellac, charcoal, and powdered paint on burlap
Anselm Kiefer
1996
Self-Portrait Looking at The Last Supper, Marisol  American, born France, Wood, plywood, stone, plaster, aluminum, dye, charcoal
Marisol
1982–84
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), Henri de Toulouse-Lautrec  French, Graphite, black and colored pastel, and charcoal on off-white heavy wove paper
Henri de Toulouse-Lautrec
1899
Bottle, Glass, and Pipe (Violette de Parme), Georges Braque  French, Cut-and-pasted newspaper, painted paper and wallpaper, charcoal, graphite, and gouache on paperboard
Georges Braque
Paris, early 1914
Reflection in the Mirror, Henri Matisse  French, Charcoal on paper
Henri Matisse
early 1923
The Artist's Wife (Périe, 1849–1887) Reading, Albert Bartholomé  French, Pastel and charcoal on wove paper, laid down on blue wove paper, laid down on stretched canvas
Albert Bartholomé
1883
Bather Stepping into a Tub, Edgar Degas  French, Pastel and charcoal on blue laid paper, mounted at perimeter on backing board
Edgar Degas
ca. 1890
Dancer with a Fan, Edgar Degas  French, Pastel and charcoal on buff-colored wove tracing paper
Edgar Degas
ca. 1890–95
The Milliner, Edgar Degas  French, Pastel and charcoal on warm gray wove paper, now discolored to buff (watermark MICHALLET), laid down on dark brown wove paper
Edgar Degas
ca. 1882
Woman Drying Her Arm, Edgar Degas  French, Pastel and charcoal on light pink wove paper, discolored at the edges
Edgar Degas
late 1880s–early 1890s
Turkish Fountain with Garden (from Louis C. Tiffany Estate, Oyster Bay), Jane Peterson  American, Oil and charcoal on canvas, American
Jane Peterson
ca. 1910
Spring Blossoms, Montclair, New Jersey, George Inness  American, Oil and crayon or charcoal on canvas, American
George Inness
ca. 1891
Still Life: "2ᵉ étude", Georges Braque  French, Oil, charcoal, and sand on unprimed canvas
Georges Braque
Paris, early 1914
Three fragments of Charcoal, charcoal
ca. 1479–1458 B.C.
Charcoal Fragment, Charcoal
ca. 1479–1458 B.C.
Wise Like That, Whitfield Lovell  American, Charcoal on wood panel with iron hinge, nails, screws and found metal and wood objects
Whitfield Lovell
2000
Bottle of Marc Vieux, Georges Braque  French, Oil and charcoal on canvas
Georges Braque
1912
Violin and Sheet Music: "Petit Oiseau", Georges Braque  French, Oil and charcoal on canvas
Georges Braque
Paris, early 1913
Book of Flower Studies, Master of Claude de France, Opaque water color, organic glazes, gold and silver paint, iron and carbon-based ink and charcoal on parchment, French
Master of Claude de France
ca. 1510–1515
Untitled (HBOAIAZ), Daniel Boyd  Australian, Oil, charcoal and archival glue on canvas
Daniel Boyd
2023
Si Lewen
ca. 1950
ca. 1295–1070 B.C.
ca. 1479–1458 B.C.
Armor, Odilon Redon  French, Charcoal and conté crayon
Odilon Redon
1891
Tahitian Faces (Frontal View and Profiles), Paul Gauguin  French, Charcoal on laid paper
Paul Gauguin
ca. 1899
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci  Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Leonardo da Vinci
1510–13
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti  Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Michelangelo Buonarroti
ca. 1510–11
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)  Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Presentation Drawing of "The Statue of Liberty Illuminating the World", Frédéric-Auguste Bartholdi  French, Charcoal, heightened with white chalk
Frédéric-Auguste Bartholdi
1875
Street scene with strollers in front of an illuminated window, Paris, Emil Orlik  Austro-Hungarian, Charcoal and pastel
Emil Orlik
ca. 1898
Charcoal stick, Charcoal, Japan
Japan
late 19th–early 20th century
Charcoal burner, Iron, Japan
Japan
18th century?
Headdress: Animal, Wood, charcoal, Widekum peoples, Mogamaw group (?)
Widekum peoples, Mogamaw group (?)
20th century
Study for The Pleiades, Elihu Vedder  American, Charcoal on gray paper, American
Elihu Vedder
1883–84
Study for The Pleiades, Elihu Vedder  American, Charcoal on gray paper, American
Elihu Vedder
1883–84
Note in Pink and Brown, James McNeill Whistler  American, Charcoal and pastel on dark brown wove paper, American
James McNeill Whistler
ca. 1880
Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia, John Vanderlyn  American, Charcoal and white chalk (lightly affixed) on light gray laid paper, American
John Vanderlyn
ca. 1840–43
Father Hecker Reading Goethe, John La Farge  American, Charcoal on off-white wove paper, American
John La Farge
1866