Alfred Stieglitz, L'accoucheur d'idées (The Midwife to Ideas)

Marius de Zayas Mexican

Not on view

The Met owns six de Zayas caricature drawings of Alfred Stieglitz, ranging in date from about 1908 to 1915. Some are completely abstract, others more realistic, yet all convey a salient aspect of Stieglitz's physical appearance, personal magnetism, intellectual prowess, or creative genius. Here, in this dark and mysterious charcoal drawing, where figure and ground merge into blackness, Stieglitz's leonine head is illuminated by a white circle of undrawn paper that transforms him into a religious icon. Such dramatic lighting was perhaps inspired by Steichen's photographic portraits of a few years earlier. This drawing may have been included in de Zayas's first exhibition at 291, in January 1909. One critic noted that Stieglitz was "ready and willing to take his own medicine [as] demonstrated by the appearance of a most formidable likeness of himself . . . and De Zayas flatters no one, not even his discoverer." When this caricature was later reproduced in Camera Work in April 1912, it was newly entitled L'Accoucheur d'Idées (The Midwife to Ideas).

Alfred Stieglitz, L'accoucheur d'idées (The Midwife to Ideas), Marius de Zayas (Mexican, Veracruz 1880–1961 Stamford, Connecticut), Charcoal and graphite on paper

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