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Do American Girls Like Freedom?, Lillian Bassman, Gelatin silver print with color film transparency — Do American Girls Like Freedom?
Lillian Bassman
Paul Himmel
1946

[Grave, Alabama], Walker Evans American, Film negative — [Grave, Alabama]
Walker Evans
1936

[Grave, Alabama], Walker Evans American, Film negative — [Grave, Alabama]
Walker Evans
1936

[Grave, Alabama], Walker Evans American, Film negative — [Grave, Alabama]
Walker Evans
1936

[Grave, Alabama], Walker Evans American, Film negative — [Grave, Alabama]
Walker Evans
1936

[Grave, Alabama], Walker Evans American, Film negative — [Grave, Alabama]
Walker Evans
1936

[Grave, Alabama], Walker Evans American, Film negative — [Grave, Alabama]
Walker Evans
1936

[Undertaker's Notice, Alabama], Walker Evans American, Film negative — [Undertaker's Notice, Alabama]
Walker Evans
1936

[Graves, Alabama], Walker Evans American, Film negative — [Graves, Alabama]
Walker Evans
1936

[33 Interior Views of the Price-Hartigan House, including Portraits of Anne Glidden, Walpole, Maine], Walker Evans American, Film negative — [33 Interior Views of the Price-Hartigan House, including Portraits of Anne Glidden, Walpole, Maine]
Walker Evans
July 23, 1962

[3 Interior Views of Heliker/LaHotan House, Walpole, Maine], Walker Evans American, Film negative — [3 Interior Views of Heliker/LaHotan House, Walpole, Maine]
Walker Evans
1962

[12 Portraits of Robert LaHotan, Cranberry Island, Maine], Walker Evans American, Film negative — [12 Portraits of Robert LaHotan, Cranberry Island, Maine]
Walker Evans
1962

[198 Portraits Betty Parsons, Jock Truman, Sue and Ted Hilles, and Interior and Exterior Architectural Views from Trip to Nova Scotia], Walker Evans American, Film negative — [198 Portraits Betty Parsons, Jock Truman, Sue and Ted Hilles, and Interior and Exterior Architectural Views from Trip to Nova Scotia]
Walker Evans
Betty Parsons
1967–68

[24 Interior Views of a Fisherman's House, Nova Scotia, and Studies of the Interior of the Heliker House, Cranberry Island, Maine], Walker Evans American, Film negative — [24 Interior Views of a Fisherman's House, Nova Scotia, and Studies of the Interior of the Heliker House, Cranberry Island, Maine]
Walker Evans
1969–71

[33 Interior and Exterior Views of House and Portraits of Family, Nova Scotia], Walker Evans American, Film negative — [33 Interior and Exterior Views of House and Portraits of Family, Nova Scotia]
Walker Evans
1969–71

[231 Interior and Exterior Views of Robert Frank's House and Portraits of Robert Frank and June Leaf, Nova Scotia; also Interior Studies of the Heliker House, Cranberry Island, Maine], Walker Evans American, Film negative — [231 Interior and Exterior Views of Robert Frank's House and Portraits of Robert Frank and June Leaf, Nova Scotia; also Interior Studies of the Heliker House, Cranberry Island, Maine]
Walker Evans
1969–71

[12 Details of Door with Printed Cardboard, Nova Scotia], Walker Evans American, Film negative — [12 Details of Door with Printed Cardboard, Nova Scotia]
Walker Evans
1969–71

[24 Exterior Views of Beach Cabins, Nova Scotia], Walker Evans American, Film negative — [24 Exterior Views of Beach Cabins, Nova Scotia]
Walker Evans
1969–71

[13 Portraits of Jane Bouche DuBois, Stonington, Connecticut], Walker Evans American, Film negative — [13 Portraits of Jane Bouche DuBois, Stonington, Connecticut]
Walker Evans
June 1946

[27 Miscellaneous Views in Connecticut, Including Yale Students Photographing, Street Furniture, Trash, Storefronts, and Portraits of Young Boy], Walker Evans American, Film negative — [27 Miscellaneous Views in Connecticut, Including Yale Students Photographing, Street Furniture, Trash, Storefronts, and Portraits of Young Boy]
Walker Evans
1965–69

[10 Views of a Victorian House, Old Mystic, Connecticut and the Fuller House, Stonington, Connecticut], Walker Evans American, Film negative — [10 Views of a Victorian House, Old Mystic, Connecticut and the Fuller House, Stonington, Connecticut]
Walker Evans
June–July 1946

[22 Exterior Views of Houses in Old Mystic and Stonington, Connecticut, and Portraits of Sage Fuller], Walker Evans American, Film negative — [22 Exterior Views of Houses in Old Mystic and Stonington, Connecticut, and Portraits of Sage Fuller]
Walker Evans
June 1946

[6 Views of Stonington, Connecticut: Power Lines, Fence, Window], Walker Evans American, Film negative — [6 Views of Stonington, Connecticut: Power Lines, Fence, Window]
Walker Evans
June 1946

[49 Architectural Studies and Street Scenes, Stonington, Connecticut], Walker Evans American, Film negative — [49 Architectural Studies and Street Scenes, Stonington, Connecticut]
Walker Evans
June 1946

[23 Exterior Views of the Fuller House, Stonington, Connecticut], Walker Evans American, Film negative — [23 Exterior Views of the Fuller House, Stonington, Connecticut]
Walker Evans
1952

[12 Architectural Studies and Street Scenes, Stonington, Connecticut], Walker Evans American, Film negative — [12 Architectural Studies and Street Scenes, Stonington, Connecticut]
Walker Evans
1952

[12 Views of Demonstration in Trafalgar Square, London], Walker Evans American, Film negative — [12 Views of Demonstration in Trafalgar Square, London]
Walker Evans
July 8, 1954

[3 Views of Street Furniture: Mailbox and 'No Litter' Sign, London], Walker Evans American, Film negative — [3 Views of Street Furniture: Mailbox and 'No Litter' Sign, London]
Walker Evans
1950s

['No Entry Sign, London], Walker Evans American, Film negative — ['No Entry Sign, London]
Walker Evans
1950s

[Civic Building Entrance with Clock, London], Walker Evans American, Film negative — [Civic Building Entrance with Clock, London]
Walker Evans
1950s

[12 Views of Backyards in Paddington District, London], Walker Evans American, Film negative — [12 Views of Backyards in Paddington District, London]
Walker Evans
1957

[48 Portraits of John Piper, Painter, in His Studio, England], Walker Evans American, Film negative — [48 Portraits of John Piper, Painter, in His Studio, England]
Walker Evans
1954

[12 Views of Rooftops, Possibly from the Hotel Continental, Paris], Walker Evans American, Film negative — [12 Views of Rooftops, Possibly from the Hotel Continental, Paris]
Walker Evans
1950s

[179 Interior and Exterior Views of Mabry House, Allensville, Kentucky, and Portraits of Unidentified People Outdoors and on Horseback], Walker Evans American, Film negative — [179 Interior and Exterior Views of Mabry House, Allensville, Kentucky, and Portraits of Unidentified People Outdoors and on Horseback]
Walker Evans
May 1966

[75 Views of Storefronts, Architecture, Railroad Details in Colorado, and Views of Photography Installation and Campus of University of California, Santa Cruz], Walker Evans American, Film negative — [75 Views of Storefronts, Architecture, Railroad Details in Colorado, and Views of Photography Installation and Campus of University of California, Santa Cruz]
Walker Evans
August 1967

[132 Interior and Exterior Views of the Barnes House, Colorado and Campus of the University of California, Santa Cruz], Walker Evans American, Film negative — [132 Interior and Exterior Views of the Barnes House, Colorado and Campus of the University of California, Santa Cruz]
Walker Evans
August 1967

[Facade of House with Large Numbers, Denver, Colorado], Walker Evans American, Film negative — [Facade of House with Large Numbers, Denver, Colorado]
Walker Evans
August 1967

[31 Views of Seaside, Architecture, and Signs, Anna Maria, Florida], Walker Evans American, Film negative — [31 Views of Seaside, Architecture, and Signs, Anna Maria, Florida]
Walker Evans
March 1968

[35 Exterior Views of Walker Evans's House and Portraits of Jane Evans, Old Lyme, Connecticut], Walker Evans American, Film negative — [35 Exterior Views of Walker Evans's House and Portraits of Jane Evans, Old Lyme, Connecticut]
Walker Evans
Jane Smith Evans
1949

[4 Exterior Views of Walker Evans's House, Old Lyme, Connecticut], Walker Evans American, Film negative — [4 Exterior Views of Walker Evans's House, Old Lyme, Connecticut]
Walker Evans
1949