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Jaharis Byzantine Lectionary, Tempera, gold, and ink on parchment; leather binding, Byzantine
Jaharis Byzantine Lectionary
Byzantine
ca. 1100
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Spanish
ca. 1180
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle French, Grisaille, tempera, and ink on vellum, French
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle
ca. 1324–28
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet French, Tempera and gold leaf on parchment
The Right Hand of God Protecting the Faithful against the Demons
Jean Fouquet
ca. 1452–60
Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment
Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500
Holy Face, Gerard David Netherlandish, Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Holy Face
Gerard David
ca. 1485–90
Self-portrait, Simon Bening Netherlandish, Tempera and gold leaf on parchment
Self-portrait
Simon Bening
1558
Manuscript Leaf with the Crucifixion, from a Missal, Tempera and gold on parchment, French
Manuscript Leaf with the Crucifixion, from a Missal
French
ca. 1270–80
Leaf from a Beatus Manuscript: Christ in Majesty with Angels and the Angel of God Directs Saint John to Write the Book of Revelation, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: Christ in Majesty with Angels and the Angel of God Directs Saint John to Write the Book of Revelation
Spanish
ca. 1180
Illuminated Psalter, Tempera, black ink and gold on parchment, Byzantine
Illuminated Psalter
Byzantine
late 1100s
Printed Book with Silva Nuptialis Bonis Referta Non Modicis, Giovanni Nevizzano, Printed on paper, brown calf leather binding (tooled), French
Printed Book with Silva Nuptialis Bonis Referta Non Modicis
Author Giovanni Nevizzano
Publisher J. Kerver
1521
Manuscript Leaf with the Initial V, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
Manuscript Leaf with the Initial V, from an Antiphonary
German
ca. 1425–50
Hebrew Bible, Ink, tempera, and gold on parchment; leather binding, Spanish
Hebrew Bible
Spanish
1300–1350 (before 1366)
Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem), T'oros the Deacon Armenian, Ink and pigments on oriental paper, Armenian
Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem)
T'oros the Deacon
1311
Armenian Manuscript Bifolium, Illuminator Minas (?), Tempera and gold leaf on paper, Armenian
Armenian Manuscript Bifolium
Illuminator Minas (?)
15th century
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Plaque with Christ in Majesty and the Four Evangelists, Tempera, ink, and metal leaf on parchment; leather, leather binding with ivory, Ottonian
Plaque with Christ in Majesty and the Four Evangelists
Ottonian
1000–1100
Mishneh Torah, Master of the Barbo Missal Italian, Tempera and gold leaf on parchment; leather binding, North Italian
Mishneh Torah
Illuminator Attributed to Master of the Barbo Missal
Author Maimonides
Scribe Nehemiah
ca. 1457
Book of Hours, Simon Bening Netherlandish, Tempera, gold, and ink on parchment; modern red leather binding, Netherlandish
Book of Hours
Simon Bening
ca. 1530–35
Manuscript Leaf from a Royal Psalter, Tempera and gold on parchment, British
Manuscript Leaf from a Royal Psalter
British
13th century
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, Jean Le Noir , and Workshop French, Tempera, grisaille, ink, and gold on vellum, French
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy
Attributed to Jean Le Noir
before 1349
Double-Sided Gospel Leaf, Tempera on parchment, Ethiopian
Double-Sided Gospel Leaf
Ethiopian
first half 14th century
Four Gospels in Armenian, Tempera and gold on paper; stamped leather binding, Armenian
Four Gospels in Armenian
Armenian
1434/35
Genealogical Chronicle of the Kings of England, Opaque watercolor, ink, and gold on parchment, British
Genealogical Chronicle of the Kings of England
British
1466–67
Winter Breviary from the Diocese of Constance, Paper with pen and ink, opaque paint, glazes, and applied silver and gold, South German or Swiss
Winter Breviary from the Diocese of Constance
South German or Swiss
1476–1478
Book of Flower Studies, Master of Claude de France, Opaque water color, organic glazes, gold and silver paint, iron and carbon-based ink and charcoal on parchment, French
Book of Flower Studies
Master of Claude de France
ca. 1510–1515
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
The Cloisters Apocalypse, Tempera, gold, silver, and ink on parchment; later leather binding, French
The Cloisters Apocalypse
French
ca. 1330
Initial P with the Martyrdom of Saint Peter Martyr, Tempera and ink on parchment, Italian
Initial P with the Martyrdom of Saint Peter Martyr
Italian
second half 13th century
Initial S with Saint Peter Liberated from Prison, Tempera, gold, and ink on parchment, Italian
Initial S with Saint Peter Liberated from Prison
Italian
first half 14th century
Initial A with the Battle of the Maccabees, Tempera, gold, and ink on parchment, Italian
Initial A with the Battle of the Maccabees
Italian
ca. 1360–70
Manuscript Leaf Showing an Illuminated Initial A and The Resurrection, Parchment, tempera, ink, metal leaf, North Italian
Manuscript Leaf Showing an Illuminated Initial A and The Resurrection
North Italian
second half of 14th–early 15th century
Manuscript Cutting from the Grande Chroniques de France, Parchment, tempera, ink, metal leaf, French
Manuscript Cutting from the Grande Chroniques de France
French
mid-15th century
Manuscript Cutting Showing a Scene from Hebrew Scripture, Perhaps the Life of King David (?), Parchment, tempera, ink, metal leaf, French
Manuscript Cutting Showing a Scene from Hebrew Scripture, Perhaps the Life of King David (?)
French
ca. 1400
David and Goliath, Parchment, tempera, ink, metal leaf, French
David and Goliath
French
ca. 1400
Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, Parchment, tempera, ink, metal leaf, French
Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross
French
1390–1400
Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. Gervasius, Olivetan Master Lombard, Tempera, gold, and ink on parchment, Italian
Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. Gervasius
Olivetan Master
mid-15th century
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, Tempera, gold, silver, ink on parchment, Italian
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael
Italian
second half of the 15th century
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., Parchment, tempera, ink, metal leaf, French
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest.
French
late 15th century
Manuscript Leaf Showing an Illuminated Initial R with The Resurrection, Parchment, tempera, ink, metal leaf, Rhenish
Manuscript Leaf Showing an Illuminated Initial R with The Resurrection
Rhenish
late 13th century
Descent from the Cross, Girolamo da Cremona Italian, Tempera on parchment, laid down on wood
Descent from the Cross
Girolamo da Cremona