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Untitled, from "The Art Pro Choice II Print Portfolio"
Ross Bleckner
1991
Ancient Funerall Monuments within the United Monarchies of Great Britaine, Ireland, and the Ilands adiacent, etc. (sic)
John Weever
1631
Miss Lizzie Weston as Oberon: "And Maidens call it, love in idleness. Fetch me that flower" (Midsummer Night's Dream, Act 2, Scene 2)
Martin & Johnson, New York
1855
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Dante Alighieri
1807
Having Pleasure
Jacques Louis Copia
1797
La Chocolatière
James Posselwhite
1842
Homer's Ilias, Seriös und Comisch in Ein und Zwanzig Radirten Blättern
Homer
1871
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
King Louis XIV is crowned with a garland while the "Dictionaire de l'academie françoise" is celebrated with flowers by three women aided by genii
Jean-Baptiste Corneille
1694
Mr. Jamieson as Brutus: "I would not Cassius; Yet I love him well" (Julius Caesar Act I, Scene II)
Martin & Johnson, New York
1855
Mary, Queen of Scots, with scene of her escape from Loch Leven Castle
Thomas William Hunt
ca. 1850–80
Zephyr
Pierre Paul Prud'hon
1864
The Happy Mother
Alexis François Girard
1857
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal
Francesco Piranesi
1801–2
Mr. Edward Eddy as Posthumous: "Kneel not to me" (Cymbelline, Act 5, Scene 5)
Martin & Johnson, New York
1855
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman
1805
The Liberation of Anzia
Barthélemy Joseph Fulcran Roger
1800
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory and Paradise with quotations from the Italian and translations from the version of the Reverend H. Boyd
John Flaxman
1807
Effigy of Mary, Queen of Scots on her tomb in Westminster Abbey (from The Pictorial History of Scotland, volume 1)
T. W. Knight
1859
Compositions from the Tragedies of Aeschylus
John Flaxman
1795
Washington's First Interview with Mrs. Custis (Afterwards His Wife)
George R. Hall
1863
Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4)
Martin & Johnson, New York
1855
The Preparation for War
Anonymous, French
ca. 1800
Frontispiece to Jerusalem, the Emanation of the Great Albion
William Blake
[ca. 1804–20] (?)
Francesco Bartolozzi
Luigi Rados
1827
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
Liber Fluviorum; or, River Scenery of France
Joseph Mallord William Turner
1853
The Liberation of Anzia
Barthélemy Joseph Fulcran Roger
1800
The Abduction of Psyche
Henri-Charles Müller
January 1821
The Bath
Barthélemy Joseph Fulcran Roger
1800
The Iliad and the Odyssey
John Flaxman
1834
Compositions from the Tragedies of Aeschylus
Aeschylus
1831
Plans de Plusieurs Chateaux, Palais et Residences de Souverains de France, Italie, Espagne, et de Russie
Charles Percier
[1833]
Title page for the second volume of "L'Esprit de l'Almanach des Muses"
Chaumerot Librairie
1809
The Iliad and the Odyssey
John Flaxman
1834
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
John Flaxman
1795–1817
Letterhead for the Police Ministry
Barthélemy Joseph Fulcran Roger
ca. 1796
Compositions Tirées des Ouvrages, des Jours, et de la Théogonie d'Hésiode, dessinées par Jean Flaxman, R.A.P.S.
John Flaxman
1818 (?)
The Abduction of Psyche
Henri-Charles Müller
1821
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
John Flaxman
1793