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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The Happy Mother
Alexis François Girard
1857
Mr. Dyott as Leontes: "I have drank and seen the Spider" (Winter's Tale, Act 2, Scene 1)
Robert Thew
1855
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde.
Francesco Piranesi
1801–2
The Abduction of Psyche
Henri-Charles Müller
1817
Edifices Modernes de Rome, 3 volumes
Paul Marie Letarouilly
1853
Traité Pratique de Construction Navale
Antoine Joseph de Fréminville
1864
La Chocolatière
James Posselwhite
1842
The Iliad and the Odyssey
John Flaxman
1834
The Preparation for War
Anonymous, French
ca. 1800
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
John Flaxman
1795–1817
Auguste Vestris
Henry Meyer
May 1, 1809
Liber Fluviorum; or, River Scenery of France
Joseph Mallord William Turner
1853
The Strike of the Cat's Paw, or The Pains That Love Causes Us
Jean Prud'hon
1804–14
Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4)
Martin & Johnson, New York
1855
Mr. Jamieson as Brutus: "I would not Cassius; Yet I love him well" (Julius Caesar Act I, Scene II)
Martin & Johnson, New York
1855
The Grotto
Barthélemy Joseph Fulcran Roger
1799
La Divina Commedia di Dante Alighieri, Cioe l'Inferno, il Purgatorio, ed il Paradiso
Dante Alighieri
1802
Compositions from the Tragedies of Aeschylus
John Flaxman
1795
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman
1805
The Iliad and the Odyssey
John Flaxman
1834
Effigy of Mary, Queen of Scots on her tomb in Westminster Abbey (from The Pictorial History of Scotland, volume 1)
T. W. Knight
1859
Homer's Ilias, Seriös und Comisch in Ein und Zwanzig Radirten Blättern
Homer
1871
Liberty
Pierre Paul Prud'hon
1794
The Iliad and the Odyssey
John Flaxman
1834
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
A New Parallel of the Orders of Architecture
Auguste Charles Pugin
1829
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal
Francesco Piranesi
1801–2
The Abduction of Psyche
Henri-Charles Müller
January 1821
Ancient Funerall Monuments within the United Monarchies of Great Britaine, Ireland, and the Ilands adiacent, etc. (sic)
John Weever
1631
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
Mr. Edward Eddy as Posthumous: "Kneel not to me" (Cymbelline, Act 5, Scene 5)
Martin & Johnson, New York
1855
The Happy Mother
Alexis François Girard
1857
The Bath
Barthélemy Joseph Fulcran Roger
1800
Mr. Fleming as Edgar: "Away! the foul fiend follows me" (King Lear, Act 3, Scene 4)
Samuel Hollyer
1855
Queen Victoria on Horseback in Windsor Park
Henry Lemon
1849
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
John Flaxman
1805
The Liberation of Anzia
Barthélemy Joseph Fulcran Roger
1800
The Abduction of Psyche
Henri-Charles Müller
1821
The Bath
Barthélemy Joseph Fulcran Roger
1800
Title page for the second volume of "L'Esprit de l'Almanach des Muses"
Chaumerot Librairie
1809