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Stéphane Mallarmé, from "Vers et Prose", James McNeill Whistler American, Transfer lithograph; only state (Chicago); printed in gray-black ink on ivory laid paper — Stéphane Mallarmé, from "Vers et Prose"
James McNeill Whistler
1892

Sara Wearing Her Bonnet and Coat, Mary Cassatt American, Transfer lithograph, printed in brown ink; only state — Sara Wearing Her Bonnet and Coat
Mary Cassatt
ca. 1904

The Smith's Yard, James McNeill Whistler American, Transfer lithograph; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish — The Smith's Yard
James McNeill Whistler
Thomas Robert Way
1895

The Savoy Pigeons, James McNeill Whistler American, Transfer lithograph; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper — The Savoy Pigeons
James McNeill Whistler
Thomas Robert Way
1896

The Tyresmith, from "The Whirlwind", James McNeill Whistler American, Transfer lithograph, printed in black ink on smooth ivory wove paper — The Tyresmith, from "The Whirlwind"
James McNeill Whistler
Thomas Robert Way
November 15, 1890

The Smith's Yard, James McNeill Whistler American, Transfer lithograph; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish — The Smith's Yard
James McNeill Whistler
1895

The Draped Figure, Seated, James McNeill Whistler American, Transfer lithograph with stumping; only state (Chicago), this impression printed without letters either before or after the edition; medium weight cream laid paper — The Draped Figure, Seated
James McNeill Whistler
1893

The Farriers, James McNeill Whistler American, Transfer lithograph; only state (Chicago); printed in black ink on cream wove proof paper — The Farriers
James McNeill Whistler
1888

Victoria Club, James McNeill Whistler American, Transfer lithograph with scraping, printed in black ink on Japanese paper mounted on ivory plate paper; second state of two (Chicago) — Victoria Club
James McNeill Whistler
1879

The Fan, James McNeill Whistler American, Transfer lithograph, printed in black ink on ivory wove paper; only state (Chicago) — The Fan
James McNeill Whistler
1879

Entrance Gate, James McNeill Whistler American, Transfer lithograph,printed in black ink on cream laid Dutch paper; only state (Chicago) — Entrance Gate
James McNeill Whistler
1887

Churchyard, James McNeill Whistler American, Transfer lithograph on grayish chine mounted on off-white plate paper; only state (Chicago) — Churchyard
James McNeill Whistler
1887

Chelsea Rags, James McNeill Whistler American, Transfer lithograph, printed in black ink on cream India wove; only state (Chicago) — Chelsea Rags
James McNeill Whistler
1888

The Farriers, James McNeill Whistler American, Transfer lithograph, printed in black ink on cream wove proof paper; only state (Chicago) — The Farriers
James McNeill Whistler
1888

The Winged Hat, James McNeill Whistler American, Transfer lithograph, printed in black ink on off-white medium weight laid paper; second state of two (Chicago) — The Winged Hat
James McNeill Whistler
1890

Little Nude Model, Reading, James McNeill Whistler American, Transfer lithograph, printed on tan chine mounted on white wove; only state (Chicago) — Little Nude Model, Reading
James McNeill Whistler
1889–90

Dancing Girl, James McNeill Whistler American, Transfer lithograph, cream India mounted on heavy ivory wove paper; only state (Chicago) — Dancing Girl
James McNeill Whistler
1889

Model Draping, James McNeill Whistler American, Transfer lithograph, with additions in graphite, printed in black ink on ivory laid paper; only state (Chicago) — Model Draping
James McNeill Whistler
probably 1889

Gatti's, James McNeill Whistler American, Transfer lithograph, printed on grayish ivory chine mounted on white plate paper; only state (Chicago) — Gatti's
James McNeill Whistler
1890

Hôtel Colbert, Windows, James McNeill Whistler American, Transfer lithograph, printed in black ink on medium weight tan laid paper; only state (Chicago) — Hôtel Colbert, Windows
James McNeill Whistler
1891

Cocks and Hens, Hôtel Colbert, James McNeill Whistler American, Transfer lithograph, printed on grayish ivory chine mounted on ivory plate paper; only state (Chicago) — Cocks and Hens, Hôtel Colbert
James McNeill Whistler
1891

The Garden, James McNeill Whistler American, Transfer lithograph, printed in black ink on ivory laid paper; only state (Chicago) — The Garden
James McNeill Whistler
1891

Vitré: The Canal, James McNeill Whistler American, Transfer lithograph with stumping, printed on black ink on ivory laid paper; only state (Chicago) — Vitré: The Canal
James McNeill Whistler
1893

The Market Place, Vitré, James McNeill Whistler American, Transfer lithograph with stumping, printed on black ink on ivory laid paper; only state (Chicago) — The Market Place, Vitré
James McNeill Whistler
1893

The Steps, Luxembourg Gardens, James McNeill Whistler American, Transfer lithograph with stumping, printed in black ink on ivory laid paper; only state (Chicago) — The Steps, Luxembourg Gardens
James McNeill Whistler
1893

The Pantheon, from the Terrace of the Luxembourg Gardens, James McNeill Whistler American, Transfer lithograph with stumping, printed in black ink on cream laid paper; only state (Chicago) — The Pantheon, from the Terrace of the Luxembourg Gardens
James McNeill Whistler
1893

Nude Model, Reclining (Nude Model Resting), James McNeill Whistler American, Transfer lithograph with stumping, printed in grayish-black ink on medium weight laid paper; third state of three (Chicago) — Nude Model, Reclining (Nude Model Resting)
James McNeill Whistler
1893

Nursemaids: "Les Bonnes du Luxembourg", James McNeill Whistler American, Transfer lithograph, printed in black ink on fine cream laid paper removed from an old ledger; second state of two (Chicago) — Nursemaids: "Les Bonnes du Luxembourg"
James McNeill Whistler
1894

The Long Balcony, James McNeill Whistler American, Transfer lithograph, printed in black ink on medium weight laid paper; second state of two (Chicago) — The Long Balcony
James McNeill Whistler
1894

The Long Gallery, Louvre, from "The Studio", James McNeill Whistler American, Transfer lithograph with stumping, printed in black ink on ivory wove paper; only state (Chicago) — The Long Gallery, Louvre, from "The Studio"
James McNeill Whistler
1894

Late Picquet, James McNeill Whistler American, Transfer lithograph; only state (Chicago); printed in black ink on cream simili-vellum — Late Picquet
James McNeill Whistler
1894

Confidences in the Garden, James McNeill Whistler American, Transfer lithograph; only state (Chicago); printed in black ink on fine cream laid Japanese paper — Confidences in the Garden
James McNeill Whistler
1894

Gabled Roofs, Vitré, James McNeill Whistler American, Transfer lithograph with stumping, printed in black ink on medium weight ivory laid paper; only state (Chicago) — Gabled Roofs, Vitré
James McNeill Whistler
1893

La Belle Dame Paresseuse, James McNeill Whistler American, Transfer lithograph; only state (Chicago); printed in black ink on cream Japanese paper — La Belle Dame Paresseuse
James McNeill Whistler
1894

The Sisters, James McNeill Whistler American, Transfer lithograph with scraping, printed on grayish white chine mounted on white plate paper; first state of two (Chicago) — The Sisters
James McNeill Whistler
1894–95

The Forge, Passage du Dragon, James McNeill Whistler American, Transfer lithograph with stumping; unique impression of the second state of four (Chicago); printed in black ink on off-white wove proofing paper — The Forge, Passage du Dragon
James McNeill Whistler
1894

The Smith, Passage du Dragon, James McNeill Whistler American, Transfer lithograph with stumping, printed on grayish white chine mounted on ivory plate paper; first state of three (Chicago) — The Smith, Passage du Dragon
James McNeill Whistler
1894

The Priest's House, Rouen, James McNeill Whistler American, Transfer lithograph with stumping and scaping; second state of two (Chicago); printed in black ink on medium weight cream laid paper — The Priest's House, Rouen
James McNeill Whistler
1894–95

Study, James McNeill Whistler American, Transfer lithograph, printed on grayish white chine mounted on white plate paper; only state (Chicago) — Study
James McNeill Whistler
1894

The Doctor, from "The Pageant", James McNeill Whistler American, Transfer lithograph; only state (Chicago); printed in black ink on medium weight off-white, smooth, glossy<br/>wove paper — The Doctor, from "The Pageant"
James McNeill Whistler
1894