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Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) , Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai
ca. 1830–32
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766
Home is a Foreign Place, Zarina American, born India, Portfolio of 36 woodcut, printed chine collé with pen and black ink on paper
Home is a Foreign Place
Zarina
1999
New Year picture of equestrian door god Mao Chao, Unidentified artist(s) , Chinese, early 20th century, Polychrome woodblock print; ink and color on paper, China
New Year picture of equestrian door god Mao Chao
Unidentified artist(s)
early 20th century
New Year picture of equestrian door god Ma Dai, Unidentified artist(s) , Chinese, early 20th century, Polychrome woodblock print; ink and color on paper, China
New Year picture of equestrian door god Ma Dai
Unidentified artist(s)
early 20th century
Interior, Three Figures: Sake Party, Hasegawa Mitsunobu Japanese, Monochrome woodblock print; ink on paper, Japan
Interior, Three Figures: Sake Party
Hasegawa Mitsunobu
ca. 1730
The Kitchen of a Joroya., Hishikawa Moronobu Japanese, Woodblock print; ink and color on paper, Japan
The Kitchen of a Joroya.
Hishikawa Moronobu
ca. 1680
A Banquet in a Joroya, Hishikawa Moronobu Japanese, Monochrome woodblock print; ink and color on paper, Japan
A Banquet in a Joroya
Hishikawa Moronobu
ca. 1680
Interior Scene in the Yoshiwara, Hishikawa Moronobu Japanese, Woodblock print; ink on paper, Japan
Interior Scene in the Yoshiwara
Hishikawa Moronobu
ca. 1680
Refined Lavers (A Kind of Sea Weed) and a Handy Writing Outfit with Pouch, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Refined Lavers (A Kind of Sea Weed) and a Handy Writing Outfit with Pouch
Ryūryūkyo Shinsai
probably 1819
Sea Bream (Tai) on Nabeshima Porcelain Dish, Sake Cup on Stand, and Painting of a Peony, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Sea Bream (Tai) on Nabeshima Porcelain Dish, Sake Cup on Stand, and Painting of a Peony
Ryūryūkyo Shinsai
ca. 1820
Halfbeak on a Lacquer Tray with Turnips and White Baits on a Porcelain Dish with Plum Blossoms on Broken Ice, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Halfbeak on a Lacquer Tray with Turnips and White Baits on a Porcelain Dish with Plum Blossoms on Broken Ice
Ryūryūkyo Shinsai
probably 1815 (Year of the Boar)
Red Table with Fans and a Brush Stand, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Red Table with Fans and a Brush Stand
Ryūryūkyo Shinsai
19th century
Street Scene in the New Year Season, Utagawa Kuninao Japanese, Woodblock print (surimono); ink and color on paper, Japan
Street Scene in the New Year Season
Utagawa Kuninao
1814
Halberd, Brocade Robe and Seal, Woodblock print (surimono); ink and color on paper, Japan
Halberd, Brocade Robe and Seal
Kubo Shunman
19th century
New Year’s Sake Bottles and Shrine Plaque (Ema) for the Year of the Rooster, Katsushika Hokusen Japanese, Woodblock print (surimono); ink and color on paper, Japan
New Year’s Sake Bottles and Shrine Plaque (Ema) for the Year of the Rooster
Katsushika Hokusen
probably 1813 or 1825
Mirror and Stand, Kikugawa Eizan Japanese, Woodblock print (surimono); ink and color on paper, Japan
Mirror and Stand
Kikugawa Eizan
probably 1815
Stone of Three Lights: Sun, Moon and Star, Keisai Eisen Japanese, Woodblock print (surimono); ink and color on paper, Japan
Stone of Three Lights: Sun, Moon and Star
Keisai Eisen
19th century
Kitchen Utensils with Greens for the Ceremony on January 7th, Hachifusa Shūri Japanese, Woodblock print (surimono); ink and color on paper, Japan
Kitchen Utensils with Greens for the Ceremony on January 7th
Hachifusa Shūri
19th century
Tray with Noshi Paper (Noshi Indicates a Present), Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan
Tray with Noshi Paper (Noshi Indicates a Present)
Totoya Hokkei
1816
Atlas of My World (Six Works), Zarina American, born India, Portfolio of 6 woodcuts with Urdu text printed in black on Indian handmade paper
Atlas of My World (Six Works)
Zarina
2001
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Anonymous, French, 16th century
Rue de Montorgueil
Publisher Denis Fonteney
ca. 1560–80
Liverpool Shipping, Edward Alexander Wadsworth British, Woodcut on Japanese paper
Liverpool Shipping
Edward Alexander Wadsworth
1918
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Hypnerotomachia Poliphili, Francesco Colonna Italian, Printed book with woodcut illustrations
Hypnerotomachia Poliphili
Multiple artists/makers
December 1499
Snake Man, Alison Saar American, Color woodcut and lithograph
Snake Man
Alison Saar
Publisher Vinalhaven Press
1994
Poster advertising an exhibition of work by young Mexican artists 'of the revolution' held at the Casa de Vacas in Retiro Park, Madrid, June 1929, Gabriel Fernández Ledesma Mexican, Woodcut, letterpress
Poster advertising an exhibition of work by young Mexican artists 'of the revolution' held at the Casa de Vacas in Retiro Park, Madrid, June 1929
Gabriel Fernández Ledesma
1929
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer German, Woodcut
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Albrecht Dürer
After Leonardo da Vinci
before 1521
Astronomicum Caesareum, Michael Ostendorfer German, Hand-colored woodcuts
Astronomicum Caesareum
Michael Ostendorfer
Author Petrus Apianus
Printer Georg and Petrus Apianus
May 1540
Junkernboden, Ernst Ludwig Kirchner German, Color woodcut, working proofs recto and verso; recto: black ink with traces of yellow and green ink and wax crayon; verso: black, pink, dark red, and two shades of green ink
Junkernboden
Ernst Ludwig Kirchner
1919
Bathing in the Sea (Kaisuiyoku), Gyosei Shuntei Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Bathing in the Sea (Kaisuiyoku)
Gyosei Shuntei
dated 1898
The Brine Maidens of Suma (Shiokumi, Suma), Torii Kiyonaga Japanese, Woodblock print; ink and color on paper, Japan
The Brine Maidens of Suma (Shiokumi, Suma)
Torii Kiyonaga
1783
Poem by Minamoto no Muneyuki Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Poem by Minamoto no Muneyuki Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839
Parody of the Legend of Xu You and Chao Fu, Okumura Masanobu Japanese, Monochrome woodblock print (sumie); ink on paper, Japan
Parody of the Legend of Xu You and Chao Fu
Okumura Masanobu
ca. 1715
The Actor Ichimura Takenojo Reclining on a Balcony, Okumura Masanobu Japanese, Monochrome woodblock print (sumie); ink on paper, Japan
The Actor Ichimura Takenojo Reclining on a Balcony
Okumura Masanobu
ca. 1715
Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō, Okumura Masanobu Japanese, Woodblock print; ink and color on paper, Japan
Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō
Okumura Masanobu
1750
Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32
“The Courtesan Hanazuma Reading a Letter,” from the series Beauties Compared to Flowers (Bijin hana awase), Kitagawa Utamaro Japanese, Woodblock print; ink and color on paper, Japan
“The Courtesan Hanazuma Reading a Letter,” from the series Beauties Compared to Flowers (Bijin hana awase)
Kitagawa Utamaro
1790s
Elopers in Musashino, Kitagawa Utamaro Japanese, Right sheet of a triptych of woodblock prints; ink and color on paper, Japan
Elopers in Musashino
Kitagawa Utamaro
early 19th century
Bird and Iris, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Bird and Iris
Utagawa Hiroshige
A Black-Naped Oriole on a Stem of Rose Mallow, Utagawa Hiroshige Japanese, Woodblock print, Japan
A Black-Naped Oriole on a Stem of Rose Mallow
Utagawa Hiroshige
ca. 1834
Portrait of a Woman in Large Circle with Landscape Below, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Portrait of a Woman in Large Circle with Landscape Below
Katsushika Hokusai