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Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian
Hercules and Achelous
Attributed to the Master of the Martyrdom of St. Sebastian
probably mid-17th century
Booklet with Scenes of the Passion, Elephant ivory, polychromy, and gilding, North French (carving); Upper Rhenish (painting)
Booklet with Scenes of the Passion
North French (carving); Upper Rhenish (painting)
ca. 1300 (carving); ca. 1310–20 (painting)
Satyr, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua
Satyr
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520
Seated satyr with an inkwell and a candlestick, Bronze, Northern Italian
Seated satyr with an inkwell and a candlestick
Northern Italian
ca. 1530–40
Oil lamp in the form of a bearded athlete balanced on his knees, Agostino Zoppo Italian, Bronze, partially oil-gilt, Italian, Padua
Oil lamp in the form of a bearded athlete balanced on his knees
Agostino Zoppo
ca. 1520–30
Tobias, Severo Calzetta da Ravenna Italian, Bronze, Italian, probably Ravenna
Tobias
Workshop of Severo Calzetta da Ravenna
early to mid-16th century
Sea monster, Severo Calzetta da Ravenna Italian, Bronze, probably Italian, Padua
Sea monster
Workshop of Severo Calzetta da Ravenna
ca. 1500–1510
Hercules and the Nemean Lion, Bronze, with brown lacquer patina, Italian or German
Hercules and the Nemean Lion
Italian or German
late 17th century
Male nude supporting a wreath on his head, Bronze, with remains of dark brown lacquer, probably French
Male nude supporting a wreath on his head
probably French
late 16th–early 17th century
Hercules and Antaeus, Bronze, with red-brown natural patina, and remains of dark brown lacquer., possibly Italian
Hercules and Antaeus
possibly Italian
probably 19th century
Bacchus and a Panther, Bronze, Italian, probably Florence
Bacchus and a Panther
Italian, probably Florence
16th–17th century
Hercules and the Erymanthian boar, Giambologna Netherlandish, Bronze, with red-brown lacquer patina, Italian, probably Florence
Hercules and the Erymanthian boar
After a model by Giambologna
Late 17th or 18th century
The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence
The crucified Christ
Founder Workshop of Antonio Susini
Modeler After a model by Giambologna
Model: early 17th century; cast: 18th or 19th century
Prisoner, Bronze, later fire gilding, Possibly northern Europe
Prisoner
Possibly northern Europe
late 16th–early 17th century
Hercules and the Nemean Lion, Bronze, with etched golden-brown surface, oxidized dark brown where rubbed, possibly French
Hercules and the Nemean Lion
possibly French
early 17th century
Incense burner, Bronze, Northern Italian, probably Padua
Incense burner
Northern Italian, probably Padua
ca. 1530–40
Owl on a Frog, Bronze, with brown lacquer patina, Austrian, Innsbruck
Owl on a Frog
Austrian, Innsbruck
ca. 1620
Wild Man, Brass, Flemish
Wild Man
Flemish
16th century
Christ bearing the cross, Ferdinando Tacca Italian, Bronze, Possibly Italian or English
Christ bearing the cross
Ferdinando Tacca
mid-17th century
Renaissance-style mortar, Vincenzo Grandi , and, Bronze, with dark brown lacquer patina, Italian, Padua or Trent
Renaissance-style mortar
Style of the workshop of Vincenzo Grandi
Gian Gerolamo Grandi
19th century
Doorknocker, Bronze, iron (hammer and suspension loop), Italian, Venice
Doorknocker
Italian, Venice
late 16th century or later
Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian
Seated satyr with a shell
Workshop of Andrea Briosco, called Riccio
after 1600
Pair of double-headed monsters, Bronze, with black lacquer patina, Italian, possibly Venice
Pair of double-headed monsters
Italian, possibly Venice
late 17th century
Two Landsknechts, Bronze, with natural brown patina, and remains of black lacquer, German, probably Nuremberg
Two Landsknechts
German, probably Nuremberg
mid-16th century
Venus, Bronze, with yellow-brown natural patina, Southern German
Venus
Southern German
early 16th century
Lucretia, Boxwood, German
Lucretia
German
possibly 17th century
Standing cup, Glass, enameled and gilt, Italian, Venice (Murano)
Standing cup
Italian, Venice (Murano)
ca. 1530
Triptych with the Nativity and the Annunciation, Master of the Orléans Triptych French, Painted enamel on copper, partly gilt, French, Limoges
Triptych with the Nativity and the Annunciation
In the style of the Master of the Orléans Triptych
late 19th–early 20th century
Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian Austrian, Ivory, Austrian
Hercules and Achelous (in the form of a bull)
Attributed to the Master of the Martyrdom of St. Sebastian
ca. 1670
Madonna and Child with Two Angels, Vittore Crivelli Italian, Tempera and gold on wood
Madonna and Child with Two Angels
Vittore Crivelli
ca. 1481–82
Heinrich(?) vom Rhein zum Mohren (1477–1536), Conrad Faber von Creuznach German, Oil and gold on oak
Heinrich(?) vom Rhein zum Mohren (1477–1536)
Copy after Conrad Faber von Creuznach
late 1520s
The Adoration of the Christ Child, Jan Joest of Kalkar German, Oil on wood
The Adoration of the Christ Child
Follower of Jan Joest of Kalkar
Saint Romuald, Pseudo-Palmeruccio Italian, Tempera on wood, gold ground
Saint Romuald
Pseudo-Palmeruccio
possibly ca. 1320–30
The Presentation in the Temple, Alvaro Pirez Portuguese, Tempera and gold on wood
The Presentation in the Temple
Alvaro Pirez
ca. 1405–15
The Lamentation, Ambrosius Benson Netherlandish, Oil on canvas, transferred from wood
The Lamentation
Ambrosius Benson
ca. 1520–25
Virgin and Child, Dieric Bouts Netherlandish, Oil on wood
Virgin and Child
Workshop of Dieric Bouts
1475–99
Christ and the Adulteress, Lucas Cranach the Younger and Workshop German, Oil on beech
Christ and the Adulteress
Lucas Cranach the Younger and Workshop
ca. 1545–50
Christ Blessing the Children, Lucas Cranach the Younger and Workshop German, Oil on beech
Christ Blessing the Children
Lucas Cranach the Younger and Workshop
ca. 1545–50
Venus and Cupid, Lucas Cranach the Elder German, Oil on wood
Venus and Cupid
Lucas Cranach the Elder
ca. 1525–27
Madonna and Child Enthroned, Carlo Crivelli Italian, Tempera on wood, gold ground
Madonna and Child Enthroned
Carlo Crivelli
1472
The Adoration of the Magi, Gerard David and Workshop Netherlandish, Oil on wood
The Adoration of the Magi
Gerard David
ca. 1520
The Resurrection, Spanish (Aragonese) Painter Spanish, Oil and silver on wood, gold ground
The Resurrection
Spanish (Aragonese) Painter