中文 (简体)
捐赠会员资格门票
我们正在努力尽快翻译此页面。感谢您的理解。

Search for Art

Search Tips
1-42 of 62 results for 537
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Attributed to the Master of the Martyrdom of St. Sebastian
probably mid-17th century
Booklet with Scenes of the Passion, Elephant ivory, polychromy, and gilding, North French (carving); Upper Rhenish (painting)
North French (carving); Upper Rhenish (painting)
ca. 1300 (carving); ca. 1310–20 (painting)
Satyr, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520
Tobias, Severo Calzetta da Ravenna  Italian, Bronze, Italian, probably Ravenna
Workshop of Severo Calzetta da Ravenna
early to mid-16th century
Sea monster, Severo Calzetta da Ravenna  Italian, Bronze, probably Italian, Padua
Workshop of Severo Calzetta da Ravenna
ca. 1500–1510
Hercules and the Nemean Lion, Bronze, with brown lacquer patina, Italian or German
Italian or German
late 17th century
Male nude supporting a wreath on his head, Bronze, with remains of dark brown lacquer, probably French
probably French
late 16th–early 17th century
Hercules and Antaeus, Bronze, with red-brown natural patina, and remains of dark brown lacquer., possibly Italian
possibly Italian
probably 19th century
Bacchus and a Panther, Bronze, Italian, probably Florence
Italian, probably Florence
16th–17th century
Hercules and the Erymanthian boar, Giambologna  Netherlandish, Bronze, with red-brown lacquer patina, Italian, probably Florence
After a model by Giambologna
Late 17th or 18th century
The crucified Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Founder Workshop of Antonio Susini
Modeler After a model by Giambologna
Model: early 17th century; cast: 18th or 19th century
Prisoner, Bronze, later fire gilding, Possibly northern Europe
Possibly northern Europe
late 16th–early 17th century
Hercules and the Nemean Lion, Bronze, with etched golden-brown surface, oxidized dark brown where rubbed, possibly French
possibly French
early 17th century
Incense burner, Bronze, Northern Italian, probably Padua
Northern Italian, probably Padua
ca. 1530–40
Christ bearing the cross, Ferdinando Tacca  Italian, Bronze, Possibly Italian or English
Ferdinando Tacca
mid-17th century
Renaissance-style mortar, Vincenzo Grandi , and, Bronze, with dark brown lacquer patina, Italian, Padua or Trent
Style of the workshop of Vincenzo Grandi
Gian Gerolamo Grandi
19th century
Doorknocker, Bronze, iron (hammer and suspension loop), Italian, Venice
Italian, Venice
late 16th century or later
Seated satyr with a shell, Andrea Briosco, called Riccio  Italian, Bronze, Italian
Workshop of Andrea Briosco, called Riccio
after 1600
Pair of double-headed monsters, Bronze, with black lacquer patina, Italian, possibly Venice
Italian, possibly Venice
late 17th century
Two Landsknechts, Bronze, with natural brown patina, and remains of black lacquer, German, probably Nuremberg
German, probably Nuremberg
mid-16th century
Venus, Bronze, with yellow-brown natural patina, Southern German
Southern German
early 16th century
Owl on a Frog, Bronze, with brown lacquer patina, Austrian, Innsbruck
Austrian, Innsbruck
ca. 1620
Wild Man, Brass, Flemish
Flemish
16th century
Lucretia, Boxwood, German
German
possibly 17th century
Standing cup, Glass, enameled and gilt, Italian, Venice (Murano)
Italian, Venice (Murano)
ca. 1530
Triptych with the Nativity and the Annunciation, Master of the Orléans Triptych  French, Painted enamel on copper, partly gilt, French, Limoges
In the style of the Master of the Orléans Triptych
late 19th–early 20th century
Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian  Austrian, Ivory, Austrian
Attributed to the Master of the Martyrdom of St. Sebastian
ca. 1670
Leda and the Swan, Bachiacca (Francesco d'Ubertino Verdi)  Italian, Oil on wood
Bachiacca (Francesco d'Ubertino Verdi)
Madonna and Child, Bachiacca (Francesco d'Ubertino Verdi)  Italian, Oil and gold on wood
Bachiacca (Francesco d'Ubertino Verdi)
possibly early 1520s
Portrait of a Man, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)  Italian, Oil on wood
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
shortly after 1497
The Lamentation, Ambrosius Benson  Netherlandish, Oil on canvas, transferred from wood
Ambrosius Benson
ca. 1520–25
Virgin and Child, Dieric Bouts  Netherlandish, Oil on wood
Workshop of Dieric Bouts
1475–99
Katharina Merian, Hans Brosamer  German, Oil, gold, and white metal on linden
Attributed to Hans Brosamer
Madonna and Child, Bernardino dei Conti  Italian, Oil on wood
Bernardino dei Conti
Christ and the Adulteress, Lucas Cranach the Younger and Workshop  German, Oil on beech
Lucas Cranach the Younger and Workshop
ca. 1545–50
Christ Blessing the Children, Lucas Cranach the Younger and Workshop  German, Oil on beech
Lucas Cranach the Younger and Workshop
ca. 1545–50
Venus and Cupid, Lucas Cranach the Elder  German, Oil on wood
Lucas Cranach the Elder
ca. 1525–27
Madonna and Child Enthroned, Carlo Crivelli  Italian, Tempera on wood, gold ground
Carlo Crivelli
1472
Madonna and Child with Two Angels, Vittore Crivelli  Italian, Tempera and gold on wood
Vittore Crivelli
ca. 1481–82
The Adoration of the Magi, Gerard David and Workshop Netherlandish, Oil on wood
Gerard David
ca. 1520

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.
How are these search results?