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Showing 62 results for 537

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Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

Booklet with Scenes of the Passion, Elephant ivory, polychromy, and gilding, North French (carving); Upper Rhenish (painting) — Booklet with Scenes of the Passion
North French (carving); Upper Rhenish (painting)
ca. 1300 (carving); ca. 1310–20 (painting)

Hercules and the Nemean Lion, Bronze, with brown lacquer patina, Italian or German — Hercules and the Nemean Lion
Italian or German
late 17th century

Male nude supporting a wreath on his head, Bronze, with remains of dark brown lacquer, probably French — Male nude supporting a wreath on his head
probably French
late 16th–early 17th century

Hercules and Antaeus, Bronze, with red-brown natural patina, and remains of dark brown lacquer., possibly Italian — Hercules and Antaeus
possibly Italian
probably 19th century

Bacchus and a Panther, Bronze, Italian, probably Florence — Bacchus and a Panther
Italian, probably Florence
16th–17th century

Hercules and the Erymanthian boar, Giambologna Netherlandish, Bronze, with red-brown lacquer patina, Italian, probably Florence — Hercules and the Erymanthian boar
Giambologna
Late 17th or 18th century

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Prisoner, Bronze, later fire gilding, Possibly northern Europe — Prisoner
Possibly northern Europe
late 16th–early 17th century

Hercules and the Nemean Lion, Bronze, with etched golden-brown surface, oxidized dark brown where rubbed, possibly French — Hercules and the Nemean Lion
possibly French
early 17th century

Incense burner, Bronze, Northern Italian, probably Padua — Incense burner
Northern Italian, probably Padua
ca. 1530–40

Christ bearing the cross, Ferdinando Tacca Italian, Bronze, Possibly Italian or English — Christ bearing the cross
Ferdinando Tacca
mid-17th century

Renaissance-style mortar, Vincenzo Grandi , and, Bronze, with dark brown lacquer patina, Italian, Padua or Trent — Renaissance-style mortar
Vincenzo Grandi
Gian Gerolamo Grandi
19th century

Doorknocker, Bronze, iron (hammer and suspension loop), Italian, Venice — Doorknocker
Italian, Venice
late 16th century or later

Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian — Seated satyr with a shell
Andrea Briosco, called Riccio
after 1600

Pair of double-headed monsters, Bronze, with black lacquer patina, Italian, possibly Venice — Pair of double-headed monsters
Italian, possibly Venice
late 17th century

Two Landsknechts, Bronze, with natural brown patina, and remains of black lacquer, German, probably Nuremberg — Two Landsknechts
German, probably Nuremberg
mid-16th century

Venus, Bronze, with yellow-brown natural patina, Southern German — Venus
Southern German
early 16th century

Owl on a Frog, Bronze, with brown lacquer patina, Austrian, Innsbruck — Owl on a Frog
Austrian, Innsbruck
ca. 1620

Wild Man, Brass, Flemish — Wild Man
Flemish
16th century

Lucretia, Boxwood, German — Lucretia
German
possibly 17th century

Standing cup, Glass, enameled and gilt, Italian, Venice (Murano) — Standing cup
Italian, Venice (Murano)
ca. 1530

Triptych with the Nativity and the Annunciation, Master of the Orléans Triptych French, Painted enamel on copper, partly gilt, French, Limoges — Triptych with the Nativity and the Annunciation
Master of the Orléans Triptych
late 19th–early 20th century

Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian Austrian, Ivory, Austrian — Hercules and Achelous (in the form of a bull)
Master of the Martyrdom of St. Sebastian
ca. 1670

Mary (1505–1558), Queen of Hungary, Jan Cornelisz Vermeyen Netherlandish, Oil on wood — Mary (1505–1558), Queen of Hungary
Jan Cornelisz Vermeyen

Portrait of a Man with a Rosary, Jan Cornelisz Vermeyen Netherlandish, Oil on wood — Portrait of a Man with a Rosary
Jan Cornelisz Vermeyen
1545

Leda and the Swan, Bachiacca (Francesco d'Ubertino Verdi) Italian, Oil on wood — Leda and the Swan
Bachiacca (Francesco d'Ubertino Verdi)

Madonna and Child, Bachiacca (Francesco d'Ubertino Verdi) Italian, Oil and gold on wood — Madonna and Child
Bachiacca (Francesco d'Ubertino Verdi)
possibly early 1520s

Portrait of a Man, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Oil on wood — Portrait of a Man
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
shortly after 1497

The Lamentation, Ambrosius Benson Netherlandish, Oil on canvas, transferred from wood — The Lamentation
Ambrosius Benson
ca. 1520–25

Virgin and Child, Dieric Bouts Netherlandish, Oil on wood — Virgin and Child
Dieric Bouts
1475–99

Katharina Merian, Hans Brosamer German, Oil, gold, and white metal on linden — Katharina Merian
Hans Brosamer

Madonna and Child, Bernardino dei Conti Italian, Oil on wood — Madonna and Child
Bernardino dei Conti

Christ and the Adulteress, Lucas Cranach the Younger and Workshop German, Oil on beech — Christ and the Adulteress
Lucas Cranach the Younger and Workshop
ca. 1545–50

Christ Blessing the Children, Lucas Cranach the Younger and Workshop German, Oil on beech — Christ Blessing the Children
Lucas Cranach the Younger and Workshop
ca. 1545–50

Venus and Cupid, Lucas Cranach the Elder German, Oil on wood — Venus and Cupid
Lucas Cranach the Elder
ca. 1525–27

Madonna and Child Enthroned, Carlo Crivelli Italian, Tempera on wood, gold ground — Madonna and Child Enthroned
Carlo Crivelli
1472

Madonna and Child with Two Angels, Vittore Crivelli Italian, Tempera and gold on wood — Madonna and Child with Two Angels
Vittore Crivelli
ca. 1481–82

The Adoration of the Magi, Gerard David and Workshop Netherlandish, Oil on wood — The Adoration of the Magi
Gerard David
ca. 1520

Heinrich(?) vom Rhein zum Mohren (1477–1536), Conrad Faber von Creuznach German, Oil and gold on oak — Heinrich(?) vom Rhein zum Mohren (1477–1536)
Conrad Faber von Creuznach
late 1520s