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Department
Ewer, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
French, Saint-Porchaire or Paris
ca. 1550
Platter, Bernard Palissy  French, Lead-glazed earthenware, French, Paris
Follower of Bernard Palissy
last quarter 16th century
Chalice à soleil, Gilded silver, French, Paris
French, Paris
1532–33
Scenes from the Life of Joseph, Pierre Reymond  French, Painted enamel on copper, partly gilt; gilded metal finial of later date, French, Limoges
Pierre Reymond
After woodcuts by Bernard Salomon
mid-16th century
Basin, Bernard Palissy  French, Lead-glazed earthenware, French, Fontainebleau or Avon
Follower of Bernard Palissy
Decorator Decoration after pewter originals by François Briot
late 16th–early 17th century
Prudence, Etienne Delaune  French, Chalcedony, mounted in gold with enamel, rubies, emeralds, diamond, and pearl, French, Paris
Enamel on reverse after a design by Etienne Delaune
ca. 1550–60, back: 19th century
Watch, David Ramsay, Case: painted enamel on copper, partly gilt, and silver gilt; Movement: gilded brass, steel, partly blued, and silver, British, probably London
Watchmaker: David Ramsay
Enameler Plaques by I. R. (probably Jean Reymond)
ca. 1620–25
Clock-watch with alarm and calendar, Nicolas Forfaict  French, Movement: gilded breass and steel, partly blued; case and dial: brass, silvered brass, silver; hand: steel, French, Paris
Watchmaker: Nicolas Forfaict
ca. 1600–1610
Basin (Réchaud), Lead-glazed earthenware (white pottery), French, Saint-Porchaire or Paris
French, Saint-Porchaire or Paris
mid-16th century
Salt, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
French, Saint-Porchaire or Paris
mid-16th century
Tazza with cover, Lead-glazed earthenware inlaid with slip, with molded ornament, with 20th century unpainted foot, French, Saint-Porchaire or Paris
French, Saint-Porchaire or Paris
ca. 1550–55, with later restorations
Tazza, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
French, Saint-Porchaire or Paris
ca. 1547–59
Tazza cover, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
French, Saint-Porchaire or Paris
mid-16th century
Jug (chevrette), Masséot Abaquesne and French, Faience (tin-glazed earthenware), French, Rouen
Workshop of Masséot Abaquesne
Laurent Abaquesne
ca. 1545
The Annunciation, Master of the Triptych of Louis XII, Painted enamel on copper, partly gilt, French, Limoges
Enameler Workshop of Master of the Triptych of Louis XII
probably early 16th century
The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges
Enameler Workshop of the Master of the High Foreheads
probably early 16th century
The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges
Workshop of the Master of the High Foreheads
probably early 16th century
The Annunciation, Nardon Pénicaud  French, Painted enamel on copper, partly gilt, French, Limoges
Nardon Pénicaud
ca. 1510–20
Portrait of an unidentified gentleman, Léonard Limosin  French, Painted enamel on copper, French, Limoges
Léonard Limosin
mid-16th century
Portrait of an unidentified gentleman, Léonard Limosin  French, Painted enamel on copper, partly gilt, French, Limoges
Léonard Limosin
mid-16th century
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist  French, Colored, stained, and enemaled glass, French, possibly Rouen
Master of the Life of Saint John the Baptist
Circle of Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist  French, Colored, stained, and enameled glass, French, possibly Rouen
Master of the Life of Saint John the Baptist
Circle of Arnold of Nijmegen
ca. 1500–1510
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Candlestick (one of a pair), Master I. C. (probably Jean Court or Jean de Court), Painted enamel on copper, partly gilt, French, Limoges
Master I. C. (probably Jean Court or Jean de Court)
Engraver After engravings by Heinrich Aldegrever
ca. 1560–70
Candlestick (one of a pair), Master I. C. (probably Jean Court or Jean de Court), Painted enamel on copper, partly gilt, French, Limoges
Master I. C. (probably Jean Court or Jean de Court)
Engraver After engravings by Heinrich Aldegrever
ca. 1560–70
The Sibyl Aprippa, Léonard Limosin  French, Painted enamel on copper, partly gilt, French, Limoges
Workshop of Léonard Limosin
probably ca. 1535–40
Christ Bearing the Cross, Jean II Pénicaud  French, Painted enamel on copper, partly gilt, French, Limoges
Enameler Jean II Pénicaud
After a medal by Valerio Belli (Il Vicentino)
mid-16th century
Diana Hunting and Proserpina in the Underworld, Master I. D. C., Painted enamel on copper, partly gilded and silvered; gilt metal, French, Limoges
Enameler Master I. D. C.
probably early 17th century
Orpheus Attacked by the Maenads, Suzanne de Court  French, Painted enamel on copper, partly gilt; gilt brass, French, Limoges
Enameler Suzanne de Court
first quarter 17th century
Adoration of the Shepherds, Master K.I.P.  French, Painted enamel on copper, partly gilt, French, Limoges
Enameler Master K.I.P.
Composition after a medal by Valerio Belli (Il Vicentino)
mid-16th century