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Department
Ewer, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
Ewer
French, Saint-Porchaire or Paris
ca. 1550
Platter, Bernard Palissy French, Lead-glazed earthenware, French, Paris
Platter
Follower of Bernard Palissy
last quarter 16th century
Chalice à soleil, Gilded silver, French, Paris
Chalice à soleil
French, Paris
1532–33
Henri d'Albret (1503–55), King of Navarre, Léonard Limosin French, Enamel, painted on copper and partly gilded, French, Limoges
Henri d'Albret (1503–55), King of Navarre
Léonard Limosin
1556
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35
Scenes from the Life of Joseph, Pierre Reymond French, Painted enamel on copper, partly gilt; gilded metal finial of later date, French, Limoges
Scenes from the Life of Joseph
Pierre Reymond
After woodcuts by Bernard Salomon
mid-16th century
Basin, Bernard Palissy French, Lead-glazed earthenware, French, Fontainebleau or Avon
Basin
Follower of Bernard Palissy
Decorator Decoration after pewter originals by François Briot
late 16th–early 17th century
The Annunciate Virgin (one of a pair), Colored, stained, and enameled glass, French, Paris
The Annunciate Virgin (one of a pair)
French, Paris
1552
The Angel Gabriel (one of a pair), Colored, stained, and enameled glass, French, Paris
The Angel Gabriel (one of a pair)
French, Paris
1552
The Annunciation, Master of the Triptych of Louis XII, Painted enamel on copper, partly gilt, French, Limoges
The Annunciation
Enameler Workshop of Master of the Triptych of Louis XII
probably early 16th century
The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges
The Nativity and Circumcision of Christ
Enameler Workshop of the Master of the High Foreheads
probably early 16th century
The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges
The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century
The Annunciation, Nardon Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges
The Annunciation
Nardon Pénicaud
ca. 1510–20
Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, French, Limoges
Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century
Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges
Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen
Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Circle of Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen
Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Circle of Arnold of Nijmegen
ca. 1500–1510
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Craftsmen supervised by Nicolas Castille
ca. 1508–10
Prudence, Etienne Delaune French, Chalcedony, mounted in gold with enamel, rubies, emeralds, diamond, and pearl, French, Paris
Prudence
Enamel on reverse after a design by Etienne Delaune
ca. 1550–60, back: 19th century
Watch, David Ramsay, Case: painted enamel on copper, partly gilt, and silver gilt; Movement: gilded brass, steel, partly blued, and silver, British, probably London
Watch
Watchmaker: David Ramsay
Enameler Plaques by I. R. (probably Jean Reymond)
ca. 1620–25
Clock-watch with alarm and calendar, Nicolas Forfaict French, Movement: gilded breass and steel, partly blued; case and dial: brass, silvered brass, silver; hand: steel, French, Paris
Clock-watch with alarm and calendar
Watchmaker: Nicolas Forfaict
ca. 1600–1610
Basin (Réchaud), Lead-glazed earthenware (white pottery), French, Saint-Porchaire or Paris
Basin (Réchaud)
French, Saint-Porchaire or Paris
mid-16th century
Salt, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
Salt
French, Saint-Porchaire or Paris
mid-16th century
Tazza with cover, Lead-glazed earthenware inlaid with slip, with molded ornament, with 20th century unpainted foot, French, Saint-Porchaire or Paris
Tazza with cover
French, Saint-Porchaire or Paris
ca. 1550–55, with later restorations
Tazza, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
Tazza
French, Saint-Porchaire or Paris
ca. 1547–59
Tazza cover, Lead-glazed earthenware inlaid with slip, with molded ornament, French, Saint-Porchaire or Paris
Tazza cover
French, Saint-Porchaire or Paris
mid-16th century
Jug (chevrette), Masséot Abaquesne and French, Faience (tin-glazed earthenware), French, Rouen
Jug (chevrette)
Workshop of Masséot Abaquesne
Laurent Abaquesne
ca. 1545
Pharmacy jar (albarello), Masséot Abaquesne French, Tin-glazed earthenware, French, Rouen
Pharmacy jar (albarello)
Workshop of Masséot Abaquesne
probably ca. 1542
Sacrifice of Noah, Bernard Salomon French, Faience (tin-glazed earthenware), French, Lyons or Nevers
Sacrifice of Noah
After a woodcut by Bernard Salomon
ca. 1580–1610
Dish with Joseph and His Brothers, Antoine Conrade and his family, Faïence (tin-glazed earthenware), French, Nevers
Dish with Joseph and His Brothers
Probably Workshop of Antoine Conrade
Based on a woodcut by Bernard Salomon
ca. 1630–45
Pharmacy jar (albarello), Masséot Abaquesne and French, Tin-glazed earthenware, French, Rouen
Pharmacy jar (albarello)
Workshop of Masséot Abaquesne
Laurent Abaquesne
ca. 1545
The Dormition of the Virgin, Jacques Juliot , and workshop French, Alabaster, remains of gilding, French, Troyes
The Dormition of the Virgin
Jacques Juliot
ca. 1540–50
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.
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