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The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas
The Annunciation
Hans Memling
1480–89
A Goldsmith in his Shop, Petrus Christus Netherlandish, Oil on oak panel
A Goldsmith in his Shop
Petrus Christus
1449
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510
Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel
Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510
Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel
Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano) Italian, Oil on wood; (verso: oil and gold on wood)
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano)
ca. 1485–95
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano) Italian, Oil on wood; verso: oil and gold on wood
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto (Jacometto Veneziano)
ca. 1485–95
Part of a tabernacle frame, Poplar. Yellow bole, red and blue color., Flemish, Antwerp (?)
Part of a tabernacle frame
Flemish, Antwerp (?)
late 16th century
Gilt ripple frame, Poplar. Gilt; orange-red bole. Iron hanger., Sicilian(?)
Gilt ripple frame
Sicilian(?)
late 17th century
Aquamanile in the Form of a Griffin, Bronze; Ternary copper alloy with a very high content of zinc (approx. 74%<br/>copper, approx. 22% zinc, approx. 2% lead) with natural patina, hollow cast., German, Nuremberg
Aquamanile in the Form of a Griffin
German, Nuremberg
ca. 1425–50
Reverse cassetta frame, Oak. Carved, gilt; brown-red bole, dragon's blood., Southern French
Reverse cassetta frame
Southern French
ca. 1630
Rectangular table (pair with 1975.1.1949), Walnut., Italian
Rectangular table (pair with 1975.1.1949)
Italian
possibly 19th century or first half of 20th century
Cassetta frame, Walnut. Gilt; brown-red bole; hazzling., Spanish
Cassetta frame
Spanish
early 17th century
Virgin and Child with a Donor Presented by Saint Jerome, Master of the Munich Bavarian Panels, Oil and gold on poplar panel, Bavaria, probably Munich
Virgin and Child with a Donor Presented by Saint Jerome
Master of the Munich Bavarian Panels
with additions by an Unknown
ca. 1450
Adoration of the Magi, German , Middle Rhine(?), active ca. 1470-90, Oil and gold on beech panel, German, Middle Rhine(?)
Adoration of the Magi
German
ca. 1470–90
Venus with Cupid the Honey Thief, Lucas Cranach the Elder German, Oil on oak panel
Venus with Cupid the Honey Thief
Copy after Lucas Cranach the Elder
ca. 1580–1620
Nymph of the Spring, Lucas Cranach the Younger German, Oil on beech panel
Nymph of the Spring
Lucas Cranach the Younger
ca. 1545–50
Mary of Burgundy, Master H.A. or A.H. Austrian, Oil on fir panel
Mary of Burgundy
Master H.A. or A.H.
1528
Saint Christopher and the Infant Christ, Dieric Bouts Netherlandish, Oil on oak panel
Saint Christopher and the Infant Christ
Follower of Dieric Bouts
After 1485
The Adoration of the Christ Child, Master of Frankfurt Netherlandish, Oil on oak panel, Netherlandish
The Adoration of the Christ Child
Workshop of the Master of Frankfurt
possibly 1496–1502
The Holy Family, Joos van Cleve Netherlandish, Oil on oak panel, Netherlandish
The Holy Family
Workshop of Joos van Cleve
possibly 1527–33
Virgin and Child, Gerard David Netherlandish, Oil on oak panel, Netherlandish
Virgin and Child
Workshop of Gerard David
1490–1523
Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish
Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50
Portrait of a Woman, Netherlandish or French Netherlandish or French, Oil on oak panel, Franco-Flemish
Portrait of a Woman
Netherlandish or French
ca. 1470–80
Virgin and Child with a Dragonfly, Master of Saint Giles Netherlandish, French, Oil and tempera (?) on paper laid down on oak panel, Netherlandish and French
Virgin and Child with a Dragonfly
Master of Saint Giles
ca. 1500
Portrait of a Man with His Hand on His Chest, Attributed to Corneille de Lyon Netherlandish, Oil on wood, Netherlandish
Portrait of a Man with His Hand on His Chest
Attributed to Corneille de Lyon
1540–45
Chandelier with tabernacle (Kapellenkrone), F. Ring Foundry , Munich, Brass, German, Munich
Chandelier with tabernacle (Kapellenkrone)
German, cast in F. Ring Foundry
ca. 1875 after a dinanderie model from the Southern Netherlands, ca. 1450
The Lamentation of Christ, Simon Marmion French, Oil and tempera (?) on oak panel
The Lamentation of Christ
Simon Marmion
ca. 1473
Cassetta frame, Poplar. Gilt; dull orange-brown bole., Italian, Bolognese
Cassetta frame
Italian, Bolognese
early 17th century
Tabernacle frame, Walnut, Spanish
Tabernacle frame
Spanish
16th century
Rectangular table (pair with 1975.1.1950), Walnut., Italian
Rectangular table (pair with 1975.1.1950)
Italian
possibly 19th century or first half of 20th century
Small table, Walnut, turned, and bronze., Italian
Small table
Italian
17th century, partly, with later replacements and additions
Small octagonal table, Walnut, Italian or American
Small octagonal table
Italian or American
early 20th century (?)
Dresser (Dressoir aux harpies), Carved walnut with interior elements of oak, pine; iron locks and hinges., French (Ile-de-France or Burgundo-Lyonnais)
Dresser (Dressoir aux harpies)
French (Ile-de-France or Burgundo-Lyonnais)
ca. 1570–90, and 19th century
Aquamanile in the Form of Samson and the Lion, Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron armature are in the lion’s legs and the figure of Samson., Northern European (?), possibly German

Aquamanile in the Form of Samson and the Lion

Northern European (?), possibly German
ca. 1380–1400
Aquamanile in the Form of a Knight on Horseback, Bronze; Quaternary copper alloy with a high content of zinc (approx. 73% copper, approx. 15% zinc, approx. 7% lead, approx. 3% tin) with natural patina, hollow cast; remnants of the clay core<br/>and iron armature in the legs, German, Lower Saxony (?)

Aquamanile in the Form of a Knight on Horseback

German, Lower Saxony (?)
ca. 1350
Cassone, Walnut, carved and partly gilded., Italian (Rome or Siena?)
Cassone
Italian (Rome or Siena?)
ca. 1550–80 (rebuilt, with extensive replacements)
Portrait of a Young Man, Hans Memling Netherlandish, Oil on oak panel
Portrait of a Young Man
Hans Memling
ca. 1472–75
Virgin and Child, Hans Memling Netherlandish, Oil on oak panel, Netherlandish
Virgin and Child
Follower of Hans Memling
Early sixteenth century
Frame
Unknown
Unknown