Храм Дендур будет закрыт с воскресенья, 26 апреля, по пятницу, 8 мая. Метрополитен-музей на Пятой авеню будет закрыт в понедельник, 4 мая.

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A Goldsmith in his Shop, Petrus Christus  Netherlandish, Oil on oak panel
Petrus Christus
1449
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David  Netherlandish, Oil on oak panel
Gerard David
ca. 1510
Archangel Gabriel; The Virgin Annunciate, Gerard David  Netherlandish, Oil on oak panel
Gerard David
ca. 1510
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; (verso: oil and gold on wood)
Jacometto (Jacometto Veneziano)
ca. 1485–95
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; verso: oil and gold on wood
Jacometto (Jacometto Veneziano)
ca. 1485–95
The Annunciation, Hans Memling  Netherlandish, Oil on panel, transferred to canvas
Hans Memling
1480–89
Tabernacle frame, Walnut, Spanish
Spanish
16th century
Rectangular table (pair with 1975.1.1950), Walnut., Italian
Italian
possibly 19th century or first half of 20th century
Small octagonal table, Walnut, Italian or American
Italian or American
early 20th century (?)
The Adoration of the Christ Child, Master of Frankfurt  Netherlandish, Oil on oak panel, Netherlandish
Master of Frankfurt
possibly 1496–1502
The Holy Family, Joos van Cleve  Netherlandish, Oil on oak panel, Netherlandish
Joos van Cleve
possibly 1527–33
Virgin and Child, Master of the Female Half-Lengths  Netherlandish, Oil on wood, Netherlandish
Master of the Female Half-Lengths
ca. 1525–50
The Lamentation of Christ, Simon Marmion  French, Oil and tempera (?) on oak panel
Simon Marmion
ca. 1473
Portrait of a Woman, Netherlandish or French  Netherlandish or French, Oil on oak panel, Franco-Flemish
Netherlandish or French
ca. 1470–80
Virgin and Child with a Dragonfly, Master of Saint Giles  Netherlandish, French, Oil and tempera (?) on paper laid down on oak panel, Netherlandish and French
Master of Saint Giles
ca. 1500
Portrait of a Man with His Hand on His Chest, Attributed to Corneille de Lyon  Netherlandish, Oil on wood, Netherlandish
Attributed to Corneille de Lyon
1540–45
Virgin and Child with a Donor Presented by Saint Jerome, Master of the Munich Bavarian Panels, Oil and gold on poplar panel, Bavaria, probably Munich
Master of the Munich Bavarian Panels
Unknown
ca. 1450
Aquamanile in the Form of a Griffin, Bronze; Ternary copper alloy with a very high content of zinc (approx. 74%<br/>copper, approx. 22% zinc, approx. 2% lead) with natural patina, hollow cast., German, Nuremberg
German, Nuremberg
ca. 1425–50
Cassetta frame, Walnut. Gilt; brown-red bole; hazzling., Spanish
Spanish
early 17th century
Reverse cassetta frame, Oak. Carved, gilt; brown-red bole, dragon's blood., Southern French
Southern French
ca. 1630
Rectangular table (pair with 1975.1.1949), Walnut., Italian
Italian
possibly 19th century or first half of 20th century
Chandelier with tabernacle (Kapellenkrone), F. Ring Foundry , Munich, Brass, German, Munich
F. Ring Foundry
ca. 1875 after a dinanderie model from the Southern Netherlands, ca. 1450
Small table, Walnut, turned, and bronze., Italian
Italian
17th century, partly, with later replacements and additions
Aquamanile in the Form of Samson and
the Lion, Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron armature are in the lion’s legs and the figure of Samson., Northern European (?), possibly German
Northern European (?), possibly German
ca. 1380–1400
Aquamanile in the Form of a Knight on
Horseback, Bronze; Quaternary copper alloy with a high content of zinc (approx. 73% copper, approx. 15% zinc, approx. 7% lead, approx. 3% tin) with natural patina, hollow cast; remnants of the clay core<br/>and iron armature in the legs, German, Lower Saxony (?)
German, Lower Saxony (?)
ca. 1350
Cassetta frame, Poplar. Gilt; dull orange-brown bole., Italian, Bolognese
Italian, Bolognese
early 17th century
Dresser (Dressoir aux harpies), Carved walnut with interior elements of oak, pine; iron locks and hinges., French (Ile-de-France or Burgundo-Lyonnais)
French (Ile-de-France or Burgundo-Lyonnais)
ca. 1570–90, and 19th century
Cassone, Walnut, carved and partly gilded., Italian (Rome or Siena?)
Italian (Rome or Siena?)
ca. 1550–80 (rebuilt, with extensive replacements)
Portrait of a Young Man, Hans Memling  Netherlandish, Oil on oak panel
Hans Memling
ca. 1472–75
Saint Christopher and the Infant Christ, Dieric Bouts  Netherlandish, Oil on oak panel
Dieric Bouts
After 1485
Virgin and Child, Gerard David  Netherlandish, Oil on oak panel, Netherlandish
Gerard David
1490–1523
Adoration of the Magi, German , Middle Rhine(?), active ca. 1470-90, Oil and gold on beech panel, German, Middle Rhine(?)
German
ca. 1470–90
Venus with Cupid the Honey Thief, Lucas Cranach the Elder  German, Oil on oak panel
Lucas Cranach the Elder
ca. 1580–1620
Nymph of the Spring, Lucas Cranach the Younger  German, Oil on beech panel
Lucas Cranach the Younger
ca. 1545–50
Mary of Burgundy, Master H.A. or A.H.  Austrian, Oil on fir panel
Master H.A. or A.H.
1528
Part of a tabernacle frame, Poplar. Yellow bole, red and blue color., Flemish, Antwerp (?)
Flemish, Antwerp (?)
late 16th century
Gilt ripple frame, Poplar. Gilt; orange-red bole. Iron hanger., Sicilian(?)
Sicilian(?)
late 17th century
Virgin and Child, Hans Memling  Netherlandish, Oil on oak panel, Netherlandish
Hans Memling
Early sixteenth century