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Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot  French, Oil on canvas
Camille Corot
1836
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres  French, Oil on canvas
Jean Auguste Dominique Ingres
1851–53
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Multiple artists/makers
ca. 1781–85
The Bridge at Villeneuve-la-Garenne, Alfred Sisley  British, Oil on canvas
Alfred Sisley
1872
Writing table, Joseph Baumhauer  French, Oak veneered with tulipwood, oak drawers; leather; gilt-bronze mounts.
Joseph Baumhauer
ca. 1760–65
Secretary (secrétaire à abattant), Adam Weisweiler, Oak veneered with mahogany; white marble top and shelf; gilt-bronze mounts and adjustable candleholders.
Adam Weisweiler
ca. 1780–90
Chandelier, Brass, Netherlandish
Netherlandish
second half of 17th century
The Rocky Path in the Morvan (Chemin des roches dans le Morvan), Henri-Joseph Harpignies  French, Oil on canvas
Henri-Joseph Harpignies
1869
Reverse ogee frame, Poplar. Carved, gilt; red-brown bole., Italian, Neapolitan
Italian, Neapolitan
ca. 1645
A Pond near Nangis, Paul-Désiré Trouillebert  French, Oil on canvas
Paul-Désiré Trouillebert
1880–95
William Fraser of Reelig (1784–1835), Sir Henry Raeburn  British, Scottish, Oil on canvas
Sir Henry Raeburn
1801
Sea and Cliffs, Auguste Renoir  French, Oil on canvas
Auguste Renoir
ca. 1885
Figures and a Dog in a Landscape, Narcisse-Virgile Diaz de la Peña  French, Oil on wood
Narcisse-Virgile Diaz de la Peña
1852
Commode, Léonard Boudin , and French, Oak and pine veneered with stained maple, tulipwood, amaranth, and holly stringing, with marquetry of stained, shaded, and engraved maple, mahogany, amaranth, barberry and other marquetry woods; gilt-bronze mounts; marble top; brass rollers.
Léonard Boudin
Pierre-Antoine Foullet
ca. 1765–70
Louis XIII style Ovolo frame (for Ingres's Portrait of the Princesse de Broglie), Pine; plaster ornament.  Gilt; pink-orange bole., French (made United States)
French (made United States)
1950–60
Terracotta pyxis (box), Penthesilea Painter, Terracotta, Greek, Attic
Penthesilea Painter
ca. 465–460 BCE
Terracotta amphora (jar), Berlin Painter, Terracotta, Greek, Attic
Berlin Painter
ca. 490 BCE
Chalcedony scaraboid, Epimenes, Chalcedony, Greek
Epimenes
ca. 500 BCE
Terracotta head of a woman, probably a sphinx, Terracotta, Greek
Greek
1st quarter of the 5th century BCE
Panel from a Rectangular Box, Ivory; carved, inlaid with stone with traces of pigment
10th–early 11th century
Morgan Casket, Ivory; carved
11th–12th century
A Goldsmith in his Shop, Petrus Christus  Netherlandish, Oil on oak panel
Petrus Christus
1449
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1665–67
Watch, Jacques Goullons  French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Jacques Goullons
ca. 1645–48
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels
Flemish, Brussels
ca. 1510
Americana, Charles Sheeler  American, Oil on canvas
Charles Sheeler
1931
Self-Portrait II, Horace Pippin  American, Oil on canvas, adhered to cardboard
Horace Pippin
1944
Before Dinner, Pierre Bonnard  French, Oil on canvas
Pierre Bonnard
1924
Nude in Front of a Mantel, Balthus (Balthasar Klossowski)  French, Oil on canvas
Balthus (Balthasar Klossowski)
1955
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
workshop of Giovanni Maria Vasaro
1508
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century
Dish (piatto): Man Washing the Mouth of an Ass, Maiolica (tin-glazed earthenware), Italian, Deruta
Italian, Deruta
ca. 1550–60
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli  Italian, Maiolica (tin-glazed earthenware)
Maestro Giorgio Andreoli
1528
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
German, perhaps Frankfurt-am-Main
ca. 1705–11