Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 966 results for 957

Sort by:

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas — Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836

Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory. — Secretary
Multiple artists/makers
ca. 1781–85

Commode, Léonard Boudin , and French, Oak and pine veneered with stained maple, tulipwood, amaranth, and holly stringing, with marquetry of stained, shaded, and engraved maple, mahogany, amaranth, barberry and other marquetry woods; gilt-bronze mounts; marble top; brass rollers. — Commode
Léonard Boudin
Pierre-Antoine Foullet
ca. 1765–70

The Rocky Path in the Morvan (Chemin des roches dans le Morvan), Henri-Joseph Harpignies French, Oil on canvas — The Rocky Path in the Morvan (Chemin des roches dans le Morvan)
Henri-Joseph Harpignies
1869

Aretino in the Studio of Tintoretto, Jean Auguste Dominique Ingres French, Oil on canvas — Aretino in the Studio of Tintoretto
Jean Auguste Dominique Ingres
1848

Reverse ogee frame, Poplar. Carved, gilt; red-brown bole., Italian, Neapolitan — Reverse ogee frame
Italian, Neapolitan
ca. 1645

Writing table, Joseph Baumhauer French, Oak veneered with tulipwood, oak drawers; leather; gilt-bronze mounts. — Writing table
Joseph Baumhauer
ca. 1760–65

Secretary (secrétaire à abattant), Adam Weisweiler, Oak veneered with mahogany; white marble top and shelf; gilt-bronze mounts and adjustable candleholders. — Secretary (secrétaire à abattant)
Adam Weisweiler
ca. 1780–90

Chandelier, Brass, Netherlandish — Chandelier
Netherlandish
second half of 17th century

Sea and Cliffs, Auguste Renoir French, Oil on canvas — Sea and Cliffs
Auguste Renoir
ca. 1885

A Pond near Nangis, Paul-Désiré Trouillebert French, Oil on canvas — A Pond near Nangis
Paul-Désiré Trouillebert
1880–95

William Fraser of Reelig (1784–1835), Sir Henry Raeburn British, Scottish, Oil on canvas — William Fraser of Reelig (1784–1835)
Sir Henry Raeburn
1801

Figures and a Dog in a Landscape, Narcisse-Virgile Diaz de la Peña French, Oil on wood — Figures and a Dog in a Landscape
Narcisse-Virgile Diaz de la Peña
1852

The Bridge at Villeneuve-la-Garenne, Alfred Sisley British, Oil on canvas — The Bridge at Villeneuve-la-Garenne
Alfred Sisley
1872

Terracotta pyxis (box), Penthesilea Painter, Terracotta, Greek, Attic — Terracotta pyxis (box)
Penthesilea Painter
ca. 465–460 BCE

Terracotta head of a woman, probably a sphinx, Terracotta, Greek — Terracotta head of a woman, probably a sphinx
Greek
1st quarter of the 5th century BCE

Terracotta amphora (jar), Berlin Painter, Terracotta, Greek, Attic — Terracotta amphora (jar)
Berlin Painter
ca. 490 BCE

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel — Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510

Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel — Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510

Before Dinner, Pierre Bonnard French, Oil on canvas — Before Dinner
Pierre Bonnard
1924

House behind Trees, Georges Braque French, Oil on canvas — House behind Trees
Georges Braque
1906–7

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Dish (piatto): Man Washing the Mouth of an Ass, Maiolica (tin-glazed earthenware), Italian, Deruta — Dish (piatto): Man Washing the Mouth of an Ass
Italian, Deruta
ca. 1550–60

Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware) — Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli
1528

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Self-Portrait II, Horace Pippin American, Oil on canvas, adhered to cardboard — Self-Portrait II
Horace Pippin
1944

Chalcedony scaraboid, Epimenes, Chalcedony, Greek — Chalcedony scaraboid
Epimenes
ca. 500 BCE

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground — The Assumption of the Virgin
Bernardo Daddi
ca. 1337–39

The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood — The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano) Italian, Oil on wood; (verso: oil and gold on wood) — Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano)
ca. 1485–95

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano) Italian, Oil on wood; verso: oil and gold on wood — Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto (Jacometto Veneziano)
ca. 1485–95

Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel — Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490