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Department
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas
Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67
Leisure Time in an Elegant Setting, Pieter de Hooch Dutch, Oil on canvas
Leisure Time in an Elegant Setting
Pieter de Hooch
ca. 1663–65
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas
Christ Carrying the Cross
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas
Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas
Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas
Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century
Candlestick in the Form of a Kneeling Angel, Giambologna , possibly Hans Reichle (German, Schongau 1570–1642 South Tyrol) Netherlandish, Reddish copper alloy covered with a natural, warm brown patina
Candlestick in the Form of a Kneeling Angel
Close collaborator of Giambologna
ca. 1590–1600
Minerva, Jean Limosin French, Limoges, Painted enamel on copper, partly gilt.
Minerva
probably Jean Limosin
ca. 1605
The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, Luca Carlevaris Italian, Oil on canvas
The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
Luca Carlevaris
ca. 1709
The Molo, Venice, Looking West, Luca Carlevaris Italian, Oil on canvas
The Molo, Venice, Looking West
Luca Carlevaris
ca. 1709
Satyress and her Infant, Severo Calzetta da Ravenna Italian, Indirect cast; copper alloy, dark brown with areas of black patina.
Satyress and her Infant
Workshop of Severo Calzetta da Ravenna
ca. 1520 or later
Chandelier, Brass, Netherlandish, (Rotterdam?)
Chandelier
Netherlandish, (Rotterdam?)
18th century
Triumph of Ceres, Suzanne de Court French, Painted enamel, partly gilt and partly silvered, on copper
Triumph of Ceres
Suzanne de Court
probably late 16th–early 17th century
Inkwell in the Form of Atlas Holding a Globe, Severo Calzetta da Ravenna Italian, Copper alloy
Inkwell in the Form of Atlas Holding a Globe
Workshop of Severo Calzetta da Ravenna
first half 16th century or later
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Cassone (chest), pair with 1975.1.1947, Walnut, carved and partially gilded; coniferous wood., Italian (Rome or Siena?)
Cassone (chest), pair with 1975.1.1947
Italian (Rome or Siena?)
mid-16th century (with 19th century additions)
Hope, Master IDC or, Painted enamel, partly gilt, on copper.
Hope
Master IDC
Jean Cour (or Court)
late 16th to early 17th century
Watch, Suzanne de Court and French, Case of brass with plaques of painted enamel on copper, partly gilt and partly silvered, and silver-gilt mounts. Dial of brass with traces of gilding and with a silver chapter of hours; in the center a disk of painted enamel on copper and a gilt-brass hand.
Watch
Suzanne de Court
Bernard of Paris
first quarter of 17th century
Folding armchair (sedia a Savonarola), Walnut, carved and incised; red silk cut velvet; linen., Italian (possibly)
Folding armchair (sedia a Savonarola)
Italian (possibly)
15th century (textile); 19th century (chair, with earlier parts)
Rectangular table, Walnut, maple, poplar., Italian (?)
Rectangular table
Italian (?)
possibly late 19th century or first half of 20th century
Watchcase cover: Pomona and Vertumnus, Suzanne de Court French, Painted enamel, partly gilt on copper; mounted on brass; silver-gilt frame.
Watchcase cover: Pomona and Vertumnus
Suzanne de Court
first quarter 17th century
Watchcase cover: Alcyone Praying to Juno, Jean II Reymond French, Limoges, Painted enamel, partly gilt, on copper; mounted on brass; silver gilt frame.
Watchcase cover: Alcyone Praying to Juno
Jean II Reymond
ca. 1615–25
Reverse frame, Poplar. Mitered. Gilt; brown-orange bole., Southern Italian or Bolognese
Reverse frame
Southern Italian or Bolognese
ca. 1640
Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; brown-orange bole., French
Ogee frame
French
ca. 1700–1720
Candlestick in the Form of a Kneeling Angel, Giambologna , possibly Hans Reichle (German, Schongau 1570-1642 South Tyrol) Netherlandish, Reddish copper alloy covered with a natural, warm brown patina.
Candlestick in the Form of a Kneeling Angel
Close collaborator of Giambologna
ca. 1590–1600
Rectangular table, Walnut, carved., Italian or American (United States)
Rectangular table
Italian or American (United States)
early 20th century
Christ and the Woman of Samaria, Suzanne de Court French, Painted enamel on copper, partly gilt
Christ and the Woman of Samaria
Suzanne de Court
late 16th or early 17th century
Watchcase cover: Perseus and Andromeda, Jean II Reymond French, Limoges, Painted enamel, partly gilt, on copper; mounted on brass; silver-gilt frame.
Watchcase cover: Perseus and Andromeda
probably Jean II Reymond
1615–25
The Molo, Venice, from the Bacino di San Marco, Luca Carlevaris Italian, Oil on canvas
The Molo, Venice, from the Bacino di San Marco
Luca Carlevaris
ca. 1709
Piazza San Marco, Venice, Luca Carlevaris Italian, Oil on canvas
Piazza San Marco, Venice
Luca Carlevaris
ca. 1709
Andiron with the Figure of Juno, Niccolò Roccatagliata (?), Venice Italian, Bronze, dark brown wax or lacquer patina.
Andiron with the Figure of Juno
Model, workshop of Niccolò Roccatagliata
17th century or later
Early 18th-century style Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; thin red-orange bole, green patina, metallic reparure., French
Early 18th-century style Ogee frame
French
1850–65
Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Satyr
Workshop of Desiderio da Firenze
Workshop of Severo Calzetta da Ravenna
ca. 1530
Andiron with the Figure of Jupiter, Niccolò Roccatagliata (?), Venice Italian, Bronze, dark brown wax or lacquer patina.
Andiron with the Figure of Jupiter
Model, workshop of Niccolò Roccatagliata
17th century or later
Late 17th-century style Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; orange-red bole., French
Late 17th-century style Ogee frame
French
1870–80
Mirror: Venus Mourning the Dead Adonis, Suzanne de Court French, Painted enamel, partly gilt and partly silvered, on copper; silver; glass.
Mirror: Venus Mourning the Dead Adonis
Suzanne de Court
early 17th century
Folding armchair (sedia a Savonarola), Walnut, partly turned; red silk cut velvet; gilt metal; silk, Italian
Folding armchair (sedia a Savonarola)
Italian
15th century (textile); 19th century (chair: with earlier parts)
Faith, Master IDC or, Painted enamel, partly gilt, on copper
Faith
Master IDC
Jean Cour (or Court)
late 16th century or early 17th century
Conversion St. Paul, Suzanne de Court French, Painted enamel on<br/>copper, partly gilt.
Conversion St. Paul
Suzanne de Court
late 16th to early 17th century