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Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1665–67
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Portrait of a Man, probably a Member of the Van Beresteyn Family, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1632
Portrait of a Woman, probably a Member of the Van Beresteyn Family, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1632
Piazza San Marco, Venice, Luca Carlevaris  Italian, Oil on canvas
Luca Carlevaris
ca. 1709
The Molo, Venice, Looking West, Luca Carlevaris  Italian, Oil on canvas
Luca Carlevaris
ca. 1709
View of the Brenta, near Dolo, Giambattista Cimaroli  Italian, Oil on canvas
Giambattista Cimaroli
late 18th century
Candlestick in the Form of a Kneeling Angel, Giambologna , possibly Hans Reichle (German, Schongau 1570–1642 South Tyrol) Netherlandish, Reddish copper alloy covered with a natural, warm brown patina
Giambologna
ca. 1590–1600
Candlestick in the Form of a Kneeling Angel, Giambologna , possibly Hans Reichle (German, Schongau 1570-1642 South Tyrol) Netherlandish, Reddish copper alloy covered with a natural, warm brown patina.
Giambologna
ca. 1590–1600
Mirror: Venus Mourning the Dead Adonis, Suzanne de Court  French, Painted enamel, partly gilt and partly silvered, on copper; silver; glass.
Suzanne de Court
early 17th century
Minerva, Jean Limosin  French, Limoges, Painted enamel on copper, partly gilt.
Jean Limosin
ca. 1605
Christ and the Woman of Samaria, Suzanne de Court  French, Painted enamel on copper, partly gilt
Suzanne de Court
late 16th or early 17th century
Watchcase cover: Perseus and Andromeda, Jean II Reymond  French, Limoges, Painted enamel, partly gilt, on copper; mounted on brass; silver-gilt frame.
Jean II Reymond
1615–25
Conversion St. Paul, Suzanne de Court  French, Painted enamel on<br/>copper, partly gilt.
Suzanne de Court
late 16th to early 17th century
Ogee frame, Oak. Carved, gilt; red-orange bole., French
French
ca. 1710–20
Inkwell in the Form of Atlas Holding a Globe, Severo Calzetta da Ravenna  Italian, Copper alloy
Severo Calzetta da Ravenna
first half 16th century or later
Late 17th-century style Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; orange-red bole., French
French
1870–80
Watchcase cover: Tisiphone Casting Snakes at Athamas and Ino, Jean de Court or French, Painted enamel, partly gilt on copper, mounted on brass; silver-gilt frame
Jean de Court
Suzanne de Court
first quarter of the 17th century
Watchcase cover: Pomona and Vertumnus, Suzanne de Court  French, Painted enamel, partly gilt on copper; mounted on brass; silver-gilt frame.
Suzanne de Court
first quarter 17th century
Watchcase cover: Alcyone Praying to Juno, Jean II Reymond  French, Limoges, Painted enamel, partly gilt, on copper; mounted on brass; silver gilt frame.
Jean II Reymond
ca. 1615–25
The Molo, Venice, from the Bacino di San Marco, Luca Carlevaris  Italian, Oil on canvas
Luca Carlevaris
ca. 1709
The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, Luca Carlevaris  Italian, Oil on canvas
Luca Carlevaris
ca. 1709
Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; brown-orange bole., French
French
ca. 1700–1720
Cassone (chest), pair with 1975.1.1947, Walnut, carved and partially gilded; coniferous wood., Italian (Rome or Siena?)
Italian (Rome or Siena?)
mid-16th century (with 19th century additions)
Folding armchair (sedia a Savonarola), Walnut, partly turned; red silk cut velvet; gilt metal; silk, Italian
Italian
15th century (textile); 19th century (chair: with earlier parts)
Triumph of Ceres, Suzanne de Court  French, Painted enamel, partly gilt and partly silvered, on copper
Suzanne de Court
probably late 16th–early 17th century
Faith, Master IDC or, Painted enamel, partly gilt, on copper
Master IDC
Jean Cour (or Court)
late 16th century or early 17th century
Folding armchair (sedia a Savonarola), Walnut, carved and incised; red silk cut velvet; linen., Italian (possibly)
Italian (possibly)
15th century (textile); 19th century (chair, with earlier parts)
María Teresa, Infanta of Spain, Diego Rodríguez de Silva y Velázquez  Spanish, Oil on canvas
Diego Rodríguez de Silva y Velázquez
mid-17th century
Rectangular table, Walnut, carved., Italian or American (United States)
Italian or American (United States)
early 20th century
Hope, Master IDC or, Painted enamel, partly gilt, on copper.
Master IDC
Jean Cour (or Court)
late 16th to early 17th century
Watch, Suzanne de Court and French, Case of brass with plaques of painted enamel on copper, partly gilt and partly silvered, and silver-gilt mounts. Dial of brass with traces of gilding and with a silver chapter of hours; in the center a disk of painted enamel on copper and a gilt-brass hand.
Suzanne de Court
Bernard of Paris
first quarter of 17th century
Credence (chest), Walnut, French
French
mid-19th century
Satyress and her Infant, Severo Calzetta da Ravenna  Italian, Indirect cast; copper alloy, dark brown with areas of black patina.
Severo Calzetta da Ravenna
ca. 1520 or later
Chandelier, Brass, Netherlandish, (Rotterdam?)
Netherlandish, (Rotterdam?)
18th century
Andiron with the Figure of Juno, Niccolò Roccatagliata (?), Venice Italian, Bronze, dark brown wax or lacquer patina.
Niccolò Roccatagliata
17th century or later
Mirror; Minerva Visits the Muses on Mount Helicon, Suzanne de Court  French, Painted enamel, partly gilt and partly silvered; on copper; silver; mirror glass.
Suzanne de Court
early 17th century
Mars, Jean Limosin  French, Limoges, Painted enamel on copper, partly gilt.
Jean Limosin
ca. 1605